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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Aftermath: Never take Holy Week for granted.

Richard J. Clark · April 2, 2024

HE PRACTICE of posting on social media one’s list of liturgical planning for a particular Mass can be somewhat vacuous. Such displays were very popular a few years ago and have thankfully subsided to a degree. Although I admit they can be helpful to read if looking for ideas for programming. The list itself conveys little otherwise. Criticizing a music director for their list assumes they have complete autonomy — an extreme rarity. Music Directors have bosses to answer to. While connected to the Universal Church, musicians minister to local communities with history, proclivities, and dare I say local politics.

A list says nothing of the cultivated sound, nothing of the arrangement, nothing of personnel, and nothing of its prayerfulness.

HOLY WEEK IS BIGGER than all of this. Holy Week looms larger than musicians and clergy however inspiring. Entering in silence and lying prostrate before the altar on Good Friday ensures both musicians and clergy alike are subservient to the Father who loved the world so much, He gave His only Son. We are subservient to the Son who suffered and died for us out of immeasurable love, and to the Holy Spirit who is our advocate always. That Holy Week overshadows us all is a deep lesson and a great blessing.

I AM NOT GUARANTEED another Holy Week choir to direct.  I have been greatly blessed to have directed choirs for thirty-three Holy Weeks — every year since 1992 including a televised Holy Week in 2020 without a congregation, as many of us did. For these many years I give thanks. I remind myself not to take this for granted. I am grateful to do so while making a living. Make music like it is your last time. Every time.

HOLY WEEK IS ALL-CONSUMING in myraid ways, many quite mundane. I like to joke that my administrative assistant and I share an office and a social security number. This arrangement is typical in a parish, and is not terribly unusual for some high profile positions, especially after COVID with shortened budgets. I am accustomed to it. The result of this is few days off, sometimes weeks without a day off keeping up with administrative work while performing the usual duties. Meanwhile, I’m grateful when I look at some of the stellar singers under my direction. Several have incredible national and international credentials and accolades, sightread impeccably, yet they must work another day job to make a living, an injustice. Meanwhile, they are among the most qualified people to do what they do, and we depend wholly on them. Despite managing another full-time job, they are singing throughout Holy Week, which includes added responsibilities and services at a cathedral. Likewise, brilliant volunteers who also sightread most adeptly give up time with family and juggle full-time work throughout the week. I am deeply grateful for them.

Another blessing of the all-consuming nature of Holy Week is that through such immersion, we are living the scriptures. As Cardinal O’Malley indicated during his Chrism Mass homily: “Someone once said that we don’t work on the Bible. It’s the Bible that works on us.”

Therefore, so does Holy Week work on us.

THERE IS “FALLOUT” and recovery from Holy Week as a positive result. It is not merely physical but deeply spiritual and emotional as we struggle with whatever crosses we bear in life. We all have them, hidden and otherwise.

I was further reminded by my friend and colleague Michael Strong, without the Cross, there is no Resurrection. Without Resurrection, there is no hope, and without hope there is no future. I think of Thomas Tallis’ setting of Aquinas’ O Sacrum Convivium. Tallis spends a disproportionate amount of his setting on the final words “nobis pignus datur” — a pledge is given to us. That pledge for us is the future glory because of Jesus’ death and Resurrection. It seems Tallis is trying to send us this message.

At the Easter Vigil and on Easter Sunday, we renew our baptismal promises. Throughout Holy Week we renew our faith — as Aquinas writes: “recolitur memoria passionis eius” — the memory of His Passion is renewed. And this is what we also do each and every Sunday. This is never to be taken for granted.

I AM SHARING FAR MORE PERSONAL NOTES here than usual, which I try to avoid. (The irony and hypocrisy is not lost on me, nor you I am quite sure.) However, I am compelled given the great emotion derived from this sacred time.

Throughout various key moments of Holy Week, I do experience spontaneous flashbacks of many previous Holy Weeks usually including the twenty-nine of them I spent at Saint Cecilia Parish in the Back Bay of Boston (twenty-seven as Music Director). One moment this year that sparked such recollection was singing Pange Lingua in the Holy Thursday procession to the Chapel of Repose. I was just a few steps behind His Eminence Cardinal Seán P. O’Malley in the procession. This is in itself a privilege, not because of his position and stature, but because of who he is and his example. (This Holy Week is also savored as he approaches the age of eighty. This surprises many as he has the energy of someone much younger.) Despite this lofty proximity, reminiscences of past Holy Thursday processions came to me with the many beautiful people with whom I was privileged to pray and make music. Such spontaneous sparks of memory are not infrequent. It is always comes back to the people, never to be taken for granted.

Meanwhile, my son was on the other side of the Charles River deeply cognizant that he was singing his last Holy Week as a chorister at the Saint Paul’s Choir School in Cambridge, Massachusetts. He was intent that it go well on these holiest of days. This meant a great deal to him. I give thanks to God that he feels this way. Such is the ephemeral nature of our precious time praying and singing together — never to be taken for granted.

NEW MEMORIES ARE IMPRINTED upon my soul such as the bi-lingual Masses at the cathedral that have bring so much joy with joined communities and cultures. Witnessing seventeen baptisms at the Easter Vigil is a joy and privilege on this holiest of nights. Furthermore, so is working with great volunteers without whom Holy Week could not happen as beautifully as it did. We rely on them. They put up with me! They get a few years off purgatory for that.

FINALLY, IN THE “AFTERMATH” we must remember, the Easter Season is fifty days — longer than Lent for good reason. Another privilege not to be taken for granted: It has often been expressed to me by the Elect, that they felt the music at Mass “accompanied” them in their faith towards receiving the sacraments at the Easter Vigil. Likewise, we accompany the neophytes during the period of mystagogy and beyond. For them the journey has just begun, not ended.

Holy Week, in its all-encompassing nature sometimes keeps those serving away from family and even dealing with personal emotions. I experienced the loss of my mother days after the Rite of Election and just prior to the second Sunday of Lent. (Yes, liturgical musicians track time according to the liturgical calendar, and not by actual dates!) I have written often of my mother, as she and my father were spiritual beacons. Among other topics, we could talk endlessly about the liturgy. Since my father passed, my mother and I spoke nearly every day. Yet she most certainly accompanied me, my sisters, their children and mine throughout this Holy Week. I am hardly alone in experiencing such loss. So many do.

This only reinforces our call as believers that as we pray in the Apostles Creed that we believe in “the communion of saints, the forgiveness of sins, the resurrection of the body, and life everlasting.” God created us in order to have eternal life with him. Jesus died and defeated death so great was His love for us.

This Holy Week, I am nothing but grateful to God, the beautiful people I am blessed to pray with, and for those we are privileged to serve. We share the joy of resurrection regardless of our crosses. We do this together as a Church. Deo gratias.

Soli Deo gloria
Oremus pro invicem

 

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 3, 2024

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“However well equipped and trained a choir may be, all its good points may be obscured by an unsuitable accompaniment. In fact the organist can, in a large measure, either make or mar his choir. It must be owned, however, that the accompanist of Plainsong has to contend with many difficulties. […] The purist will still find his best enjoyment of the chant when it is sung unaccompanied, but to most a becoming accompaniment gives an added charm.”

— Benedictines of Stanbrook (1905)

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