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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Aftermath: Never take Holy Week for granted.

Richard J. Clark · April 2, 2024

HE PRACTICE of posting on social media one’s list of liturgical planning for a particular Mass can be somewhat vacuous. Such displays were very popular a few years ago and have thankfully subsided to a degree. Although I admit they can be helpful to read if looking for ideas for programming. The list itself conveys little otherwise. Criticizing a music director for their list assumes they have complete autonomy — an extreme rarity. Music Directors have bosses to answer to. While connected to the Universal Church, musicians minister to local communities with history, proclivities, and dare I say local politics.

A list says nothing of the cultivated sound, nothing of the arrangement, nothing of personnel, and nothing of its prayerfulness.

HOLY WEEK IS BIGGER than all of this. Holy Week looms larger than musicians and clergy however inspiring. Entering in silence and lying prostrate before the altar on Good Friday ensures both musicians and clergy alike are subservient to the Father who loved the world so much, He gave His only Son. We are subservient to the Son who suffered and died for us out of immeasurable love, and to the Holy Spirit who is our advocate always. That Holy Week overshadows us all is a deep lesson and a great blessing.

I AM NOT GUARANTEED another Holy Week choir to direct.  I have been greatly blessed to have directed choirs for thirty-three Holy Weeks — every year since 1992 including a televised Holy Week in 2020 without a congregation, as many of us did. For these many years I give thanks. I remind myself not to take this for granted. I am grateful to do so while making a living. Make music like it is your last time. Every time.

HOLY WEEK IS ALL-CONSUMING in myraid ways, many quite mundane. I like to joke that my administrative assistant and I share an office and a social security number. This arrangement is typical in a parish, and is not terribly unusual for some high profile positions, especially after COVID with shortened budgets. I am accustomed to it. The result of this is few days off, sometimes weeks without a day off keeping up with administrative work while performing the usual duties. Meanwhile, I’m grateful when I look at some of the stellar singers under my direction. Several have incredible national and international credentials and accolades, sightread impeccably, yet they must work another day job to make a living, an injustice. Meanwhile, they are among the most qualified people to do what they do, and we depend wholly on them. Despite managing another full-time job, they are singing throughout Holy Week, which includes added responsibilities and services at a cathedral. Likewise, brilliant volunteers who also sightread most adeptly give up time with family and juggle full-time work throughout the week. I am deeply grateful for them.

Another blessing of the all-consuming nature of Holy Week is that through such immersion, we are living the scriptures. As Cardinal O’Malley indicated during his Chrism Mass homily: “Someone once said that we don’t work on the Bible. It’s the Bible that works on us.”

Therefore, so does Holy Week work on us.

THERE IS “FALLOUT” and recovery from Holy Week as a positive result. It is not merely physical but deeply spiritual and emotional as we struggle with whatever crosses we bear in life. We all have them, hidden and otherwise.

I was further reminded by my friend and colleague Michael Strong, without the Cross, there is no Resurrection. Without Resurrection, there is no hope, and without hope there is no future. I think of Thomas Tallis’ setting of Aquinas’ O Sacrum Convivium. Tallis spends a disproportionate amount of his setting on the final words “nobis pignus datur” — a pledge is given to us. That pledge for us is the future glory because of Jesus’ death and Resurrection. It seems Tallis is trying to send us this message.

At the Easter Vigil and on Easter Sunday, we renew our baptismal promises. Throughout Holy Week we renew our faith — as Aquinas writes: “recolitur memoria passionis eius” — the memory of His Passion is renewed. And this is what we also do each and every Sunday. This is never to be taken for granted.

I AM SHARING FAR MORE PERSONAL NOTES here than usual, which I try to avoid. (The irony and hypocrisy is not lost on me, nor you I am quite sure.) However, I am compelled given the great emotion derived from this sacred time.

Throughout various key moments of Holy Week, I do experience spontaneous flashbacks of many previous Holy Weeks usually including the twenty-nine of them I spent at Saint Cecilia Parish in the Back Bay of Boston (twenty-seven as Music Director). One moment this year that sparked such recollection was singing Pange Lingua in the Holy Thursday procession to the Chapel of Repose. I was just a few steps behind His Eminence Cardinal Seán P. O’Malley in the procession. This is in itself a privilege, not because of his position and stature, but because of who he is and his example. (This Holy Week is also savored as he approaches the age of eighty. This surprises many as he has the energy of someone much younger.) Despite this lofty proximity, reminiscences of past Holy Thursday processions came to me with the many beautiful people with whom I was privileged to pray and make music. Such spontaneous sparks of memory are not infrequent. It is always comes back to the people, never to be taken for granted.

Meanwhile, my son was on the other side of the Charles River deeply cognizant that he was singing his last Holy Week as a chorister at the Saint Paul’s Choir School in Cambridge, Massachusetts. He was intent that it go well on these holiest of days. This meant a great deal to him. I give thanks to God that he feels this way. Such is the ephemeral nature of our precious time praying and singing together — never to be taken for granted.

NEW MEMORIES ARE IMPRINTED upon my soul such as the bi-lingual Masses at the cathedral that have bring so much joy with joined communities and cultures. Witnessing seventeen baptisms at the Easter Vigil is a joy and privilege on this holiest of nights. Furthermore, so is working with great volunteers without whom Holy Week could not happen as beautifully as it did. We rely on them. They put up with me! They get a few years off purgatory for that.

FINALLY, IN THE “AFTERMATH” we must remember, the Easter Season is fifty days — longer than Lent for good reason. Another privilege not to be taken for granted: It has often been expressed to me by the Elect, that they felt the music at Mass “accompanied” them in their faith towards receiving the sacraments at the Easter Vigil. Likewise, we accompany the neophytes during the period of mystagogy and beyond. For them the journey has just begun, not ended.

Holy Week, in its all-encompassing nature sometimes keeps those serving away from family and even dealing with personal emotions. I experienced the loss of my mother days after the Rite of Election and just prior to the second Sunday of Lent. (Yes, liturgical musicians track time according to the liturgical calendar, and not by actual dates!) I have written often of my mother, as she and my father were spiritual beacons. Among other topics, we could talk endlessly about the liturgy. Since my father passed, my mother and I spoke nearly every day. Yet she most certainly accompanied me, my sisters, their children and mine throughout this Holy Week. I am hardly alone in experiencing such loss. So many do.

This only reinforces our call as believers that as we pray in the Apostles Creed that we believe in “the communion of saints, the forgiveness of sins, the resurrection of the body, and life everlasting.” God created us in order to have eternal life with him. Jesus died and defeated death so great was His love for us.

This Holy Week, I am nothing but grateful to God, the beautiful people I am blessed to pray with, and for those we are privileged to serve. We share the joy of resurrection regardless of our crosses. We do this together as a Church. Deo gratias.

Soli Deo gloria
Oremus pro invicem

 

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 3, 2024

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I would hope there is a place [at Mass] for the avant-garde in the same way I think there has to be a place—and we have to be careful with this—a place for Jazz and a place for Evangelical and all of that. […] On theological grounds, I do think we need interaction with the culture at the level of high art or at the level of more commercial pop culture.”

— Fr. Anthony Ruff (22 June 2016)

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