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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Aftermath: Never take Holy Week for granted.

Richard J. Clark · April 2, 2024

HE PRACTICE of posting on social media one’s list of liturgical planning for a particular Mass can be somewhat vacuous. Such displays were very popular a few years ago and have thankfully subsided to a degree. Although I admit they can be helpful to read if looking for ideas for programming. The list itself conveys little otherwise. Criticizing a music director for their list assumes they have complete autonomy — an extreme rarity. Music Directors have bosses to answer to. While connected to the Universal Church, musicians minister to local communities with history, proclivities, and dare I say local politics.

A list says nothing of the cultivated sound, nothing of the arrangement, nothing of personnel, and nothing of its prayerfulness.

HOLY WEEK IS BIGGER than all of this. Holy Week looms larger than musicians and clergy however inspiring. Entering in silence and lying prostrate before the altar on Good Friday ensures both musicians and clergy alike are subservient to the Father who loved the world so much, He gave His only Son. We are subservient to the Son who suffered and died for us out of immeasurable love, and to the Holy Spirit who is our advocate always. That Holy Week overshadows us all is a deep lesson and a great blessing.

I AM NOT GUARANTEED another Holy Week choir to direct.  I have been greatly blessed to have directed choirs for thirty-three Holy Weeks — every year since 1992 including a televised Holy Week in 2020 without a congregation, as many of us did. For these many years I give thanks. I remind myself not to take this for granted. I am grateful to do so while making a living. Make music like it is your last time. Every time.

HOLY WEEK IS ALL-CONSUMING in myraid ways, many quite mundane. I like to joke that my administrative assistant and I share an office and a social security number. This arrangement is typical in a parish, and is not terribly unusual for some high profile positions, especially after COVID with shortened budgets. I am accustomed to it. The result of this is few days off, sometimes weeks without a day off keeping up with administrative work while performing the usual duties. Meanwhile, I’m grateful when I look at some of the stellar singers under my direction. Several have incredible national and international credentials and accolades, sightread impeccably, yet they must work another day job to make a living, an injustice. Meanwhile, they are among the most qualified people to do what they do, and we depend wholly on them. Despite managing another full-time job, they are singing throughout Holy Week, which includes added responsibilities and services at a cathedral. Likewise, brilliant volunteers who also sightread most adeptly give up time with family and juggle full-time work throughout the week. I am deeply grateful for them.

Another blessing of the all-consuming nature of Holy Week is that through such immersion, we are living the scriptures. As Cardinal O’Malley indicated during his Chrism Mass homily: “Someone once said that we don’t work on the Bible. It’s the Bible that works on us.”

Therefore, so does Holy Week work on us.

THERE IS “FALLOUT” and recovery from Holy Week as a positive result. It is not merely physical but deeply spiritual and emotional as we struggle with whatever crosses we bear in life. We all have them, hidden and otherwise.

I was further reminded by my friend and colleague Michael Strong, without the Cross, there is no Resurrection. Without Resurrection, there is no hope, and without hope there is no future. I think of Thomas Tallis’ setting of Aquinas’ O Sacrum Convivium. Tallis spends a disproportionate amount of his setting on the final words “nobis pignus datur” — a pledge is given to us. That pledge for us is the future glory because of Jesus’ death and Resurrection. It seems Tallis is trying to send us this message.

At the Easter Vigil and on Easter Sunday, we renew our baptismal promises. Throughout Holy Week we renew our faith — as Aquinas writes: “recolitur memoria passionis eius” — the memory of His Passion is renewed. And this is what we also do each and every Sunday. This is never to be taken for granted.

I AM SHARING FAR MORE PERSONAL NOTES here than usual, which I try to avoid. (The irony and hypocrisy is not lost on me, nor you I am quite sure.) However, I am compelled given the great emotion derived from this sacred time.

Throughout various key moments of Holy Week, I do experience spontaneous flashbacks of many previous Holy Weeks usually including the twenty-nine of them I spent at Saint Cecilia Parish in the Back Bay of Boston (twenty-seven as Music Director). One moment this year that sparked such recollection was singing Pange Lingua in the Holy Thursday procession to the Chapel of Repose. I was just a few steps behind His Eminence Cardinal Seán P. O’Malley in the procession. This is in itself a privilege, not because of his position and stature, but because of who he is and his example. (This Holy Week is also savored as he approaches the age of eighty. This surprises many as he has the energy of someone much younger.) Despite this lofty proximity, reminiscences of past Holy Thursday processions came to me with the many beautiful people with whom I was privileged to pray and make music. Such spontaneous sparks of memory are not infrequent. It is always comes back to the people, never to be taken for granted.

Meanwhile, my son was on the other side of the Charles River deeply cognizant that he was singing his last Holy Week as a chorister at the Saint Paul’s Choir School in Cambridge, Massachusetts. He was intent that it go well on these holiest of days. This meant a great deal to him. I give thanks to God that he feels this way. Such is the ephemeral nature of our precious time praying and singing together — never to be taken for granted.

NEW MEMORIES ARE IMPRINTED upon my soul such as the bi-lingual Masses at the cathedral that have bring so much joy with joined communities and cultures. Witnessing seventeen baptisms at the Easter Vigil is a joy and privilege on this holiest of nights. Furthermore, so is working with great volunteers without whom Holy Week could not happen as beautifully as it did. We rely on them. They put up with me! They get a few years off purgatory for that.

FINALLY, IN THE “AFTERMATH” we must remember, the Easter Season is fifty days — longer than Lent for good reason. Another privilege not to be taken for granted: It has often been expressed to me by the Elect, that they felt the music at Mass “accompanied” them in their faith towards receiving the sacraments at the Easter Vigil. Likewise, we accompany the neophytes during the period of mystagogy and beyond. For them the journey has just begun, not ended.

Holy Week, in its all-encompassing nature sometimes keeps those serving away from family and even dealing with personal emotions. I experienced the loss of my mother days after the Rite of Election and just prior to the second Sunday of Lent. (Yes, liturgical musicians track time according to the liturgical calendar, and not by actual dates!) I have written often of my mother, as she and my father were spiritual beacons. Among other topics, we could talk endlessly about the liturgy. Since my father passed, my mother and I spoke nearly every day. Yet she most certainly accompanied me, my sisters, their children and mine throughout this Holy Week. I am hardly alone in experiencing such loss. So many do.

This only reinforces our call as believers that as we pray in the Apostles Creed that we believe in “the communion of saints, the forgiveness of sins, the resurrection of the body, and life everlasting.” God created us in order to have eternal life with him. Jesus died and defeated death so great was His love for us.

This Holy Week, I am nothing but grateful to God, the beautiful people I am blessed to pray with, and for those we are privileged to serve. We share the joy of resurrection regardless of our crosses. We do this together as a Church. Deo gratias.

Soli Deo gloria
Oremus pro invicem

 

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 3, 2024

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “5th Sunday of Easter” (Year A)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the 5th Sunday of Easter Sunday—a.k.a. “Dominica V Paschae”—which is 3 May 2026. Please feel free to download it as a PDF file if such a thing interests you. The COMMUNION (“Tanto Témpore Vobíscum Sum”) is rather somber, with awesome fauxbourdon psalm verses. The ENTRANCE CHANT is bright and happy.
    —Jeff Ostrowski
    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

There is a lack of that kind of organization which favors mature judgment. Move on, move on, get it out. Schemata are multiplied without ever arriving at a considered form. The system of discussion is bad … Often the schemata arrive just before the discussions. Sometimes, and in important matters, such as the new anaphoras, the schema was distributed the evening before the discussion was to take place … Father Bugnini has only one interest: press ahead and finish.

— Cardinal Antonelli (Peritus during the Second Vatican Council)

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