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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Downloads • “Contemporary Sacred Music”

Corpus Christi Watershed · March 4, 2024

Readers often send their compositions. Today, we’d like to share some. We hope these examples will inspire some of the composers out there. In the first video, you will see several friends of Corpus Christi Watershed, including (but not limited to) Mr. Chris Mueller, Ms. Anne Nyaga, and Mr. Andrew Coyne.

(1) “O Sacrum Convivium”
SATB setting by Diana Corliss.

*  PDF Download • “O Sacrum Convívium”
—SATB setting by Diana Corliss.

Here’s the direct URL link.

(2) “Ave Regina Cælorum”
English adaptation by Margaret Sonnek.

*  PDF Download • “Ave Regína Caelórum”
—English adaptation by Margaret Sonnek.

Margaret says: I truly appreciate all the work you do at Corpus Christi Watershed, especially all the wonderful music you share. I’m a cantor/choir member at my parish and have been trying to introduce the Marian antiphons. As like many typical Novus Ordo parishes, there’s bit of resistance and apprehension about singing Latin, but I’ve found success with getting my choir to sing “Alma Redemptoris Mater” this past Advent (as a post-communion meditation) by providing an English version along with it (so the congregation was able to hear it in both languages). This actually increased my choir’s openness and interest in learning more Latin! I was actually even asked if I could teach a class! When it comes to introducing Latin back into the liturgy, I, and other musicians, often hear the complaint of “I don’t understand what I’m singing,” which can then be addressed by accompanying Latin hymns with beautiful and accurate translations/adaptations. CCW has some excellent translations of “Salve Regina” sung to the simple chant that I will definitely be using after Lent and Easter. Seeing them, I was inspired to try my hand at an English adaptation of “Ave Regina Caelorum” for my choir to sing. I’d done a lot of searching online for versions in English that would work, but the ones I found were a bit more lax on accuracy than I preferred, or, in my opinion, the poetry of it was lacking. I wanted to share my version with you and would love any feedback you have. You are also more than welcome to share it on your website, free for use. It is in modern notation, but I do have plans to try my hand at putting it to chant notation when I have time. God bless you and all the work you do!

(3) Responsorial Psalm
Third Sunday of Advent, Year B.

*  PDF Download • Responsorial Psalm
—Composed by Colton Martin, choirmaster at Saint Dominic Church (New Jersey).

(4) Two Responsorial Psalm Settings
By Dennis Roden

*  PDF Download • Two (2) Psalm Settings
—Two Responsorial Psalm settings by Dennis Roden.

Maestro Dennis Roden is Director of Music Ministries at Little Flower Catholic Parish in Canton, Ohio.

(5) Seven Motets
By Dr. Jonathan Embry.

*  PDF Download • Seven (7) Motets
—Dr. Embry is principal organist at the Cathedral of Saint Helena (Montana).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: ave regina caelorum Last Updated: March 4, 2024

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President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Catholics in America have been the heirs of a sentimental and subjective hymn tradition that, for some reason or other, has taken a deep and fast hold on the fancy of the average person.”

— Fr. Francis Brunner (1953)

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  • Easter • Would You Sing This Hymn?
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  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass

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