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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Downloads • “Contemporary Sacred Music”

Corpus Christi Watershed · March 4, 2024

Readers often send their compositions. Today, we’d like to share some. We hope these examples will inspire some of the composers out there. In the first video, you will see several friends of Corpus Christi Watershed, including (but not limited to) Mr. Chris Mueller, Ms. Anne Nyaga, and Mr. Andrew Coyne.

(1) “O Sacrum Convivium”
SATB setting by Diana Corliss.

*  PDF Download • “O Sacrum Convívium”
—SATB setting by Diana Corliss.

Here’s the direct URL link.

(2) “Ave Regina Cælorum”
English adaptation by Margaret Sonnek.

*  PDF Download • “Ave Regína Caelórum”
—English adaptation by Margaret Sonnek.

Margaret says: I truly appreciate all the work you do at Corpus Christi Watershed, especially all the wonderful music you share. I’m a cantor/choir member at my parish and have been trying to introduce the Marian antiphons. As like many typical Novus Ordo parishes, there’s bit of resistance and apprehension about singing Latin, but I’ve found success with getting my choir to sing “Alma Redemptoris Mater” this past Advent (as a post-communion meditation) by providing an English version along with it (so the congregation was able to hear it in both languages). This actually increased my choir’s openness and interest in learning more Latin! I was actually even asked if I could teach a class! When it comes to introducing Latin back into the liturgy, I, and other musicians, often hear the complaint of “I don’t understand what I’m singing,” which can then be addressed by accompanying Latin hymns with beautiful and accurate translations/adaptations. CCW has some excellent translations of “Salve Regina” sung to the simple chant that I will definitely be using after Lent and Easter. Seeing them, I was inspired to try my hand at an English adaptation of “Ave Regina Caelorum” for my choir to sing. I’d done a lot of searching online for versions in English that would work, but the ones I found were a bit more lax on accuracy than I preferred, or, in my opinion, the poetry of it was lacking. I wanted to share my version with you and would love any feedback you have. You are also more than welcome to share it on your website, free for use. It is in modern notation, but I do have plans to try my hand at putting it to chant notation when I have time. God bless you and all the work you do!

(3) Responsorial Psalm
Third Sunday of Advent, Year B.

*  PDF Download • Responsorial Psalm
—Composed by Colton Martin, choirmaster at Saint Dominic Church (New Jersey).

(4) Two Responsorial Psalm Settings
By Dennis Roden

*  PDF Download • Two (2) Psalm Settings
—Two Responsorial Psalm settings by Dennis Roden.

Maestro Dennis Roden is Director of Music Ministries at Little Flower Catholic Parish in Canton, Ohio.

(5) Seven Motets
By Dr. Jonathan Embry.

*  PDF Download • Seven (7) Motets
—Dr. Embry is principal organist at the Cathedral of Saint Helena (Montana).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: ave regina caelorum Last Updated: March 4, 2024

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Abbat Pothier’s great accomplishment is having returned to the Catholic world—along with the traditional melody—the traditional way of performing it. The foundations laid by this providential man have been accepted by all those who practice Gregorian chant.”

— Dr. Peter Wagner (Commissionis Pontificiæ Gregorianæ Membrum)

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  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.