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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Downloads • “Contemporary Sacred Music”

Corpus Christi Watershed · March 4, 2024

Readers often send their compositions. Today, we’d like to share some. We hope these examples will inspire some of the composers out there. In the first video, you will see several friends of Corpus Christi Watershed, including (but not limited to) Mr. Chris Mueller, Ms. Anne Nyaga, and Mr. Andrew Coyne.

(1) “O Sacrum Convivium”
SATB setting by Diana Corliss.

*  PDF Download • “O Sacrum Convívium”
—SATB setting by Diana Corliss.

Here’s the direct URL link.

(2) “Ave Regina Cælorum”
English adaptation by Margaret Sonnek.

*  PDF Download • “Ave Regína Caelórum”
—English adaptation by Margaret Sonnek.

Margaret says: I truly appreciate all the work you do at Corpus Christi Watershed, especially all the wonderful music you share. I’m a cantor/choir member at my parish and have been trying to introduce the Marian antiphons. As like many typical Novus Ordo parishes, there’s bit of resistance and apprehension about singing Latin, but I’ve found success with getting my choir to sing “Alma Redemptoris Mater” this past Advent (as a post-communion meditation) by providing an English version along with it (so the congregation was able to hear it in both languages). This actually increased my choir’s openness and interest in learning more Latin! I was actually even asked if I could teach a class! When it comes to introducing Latin back into the liturgy, I, and other musicians, often hear the complaint of “I don’t understand what I’m singing,” which can then be addressed by accompanying Latin hymns with beautiful and accurate translations/adaptations. CCW has some excellent translations of “Salve Regina” sung to the simple chant that I will definitely be using after Lent and Easter. Seeing them, I was inspired to try my hand at an English adaptation of “Ave Regina Caelorum” for my choir to sing. I’d done a lot of searching online for versions in English that would work, but the ones I found were a bit more lax on accuracy than I preferred, or, in my opinion, the poetry of it was lacking. I wanted to share my version with you and would love any feedback you have. You are also more than welcome to share it on your website, free for use. It is in modern notation, but I do have plans to try my hand at putting it to chant notation when I have time. God bless you and all the work you do!

(3) Responsorial Psalm
Third Sunday of Advent, Year B.

*  PDF Download • Responsorial Psalm
—Composed by Colton Martin, choirmaster at Saint Dominic Church (New Jersey).

(4) Two Responsorial Psalm Settings
By Dennis Roden

*  PDF Download • Two (2) Psalm Settings
—Two Responsorial Psalm settings by Dennis Roden.

Maestro Dennis Roden is Director of Music Ministries at Little Flower Catholic Parish in Canton, Ohio.

(5) Seven Motets
By Dr. Jonathan Embry.

*  PDF Download • Seven (7) Motets
—Dr. Embry is principal organist at the Cathedral of Saint Helena (Montana).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: ave regina caelorum Last Updated: March 4, 2024

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

On 26 July 1916—during the German occupation of Belgium—a student choir led by Van Nuffel performed his setting of the psalm “Super flumina Babylonis” in Saint Rumbold’s Cathedral. The text and the musical setting very aptly expressed the depressed and rebellious mood of the population. The acclaim was enormous, and it laid the foundation for Van Nuffel’s formation of the Saint Rumbold’s choir.

— Unknown

Recent Posts

  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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