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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

“Stabat Mater” • Jeff Attempts to Sing All the Voices

Jeff Ostrowski · March 1, 2024

N THE 12th VERSE of the STABAT MATER, we discover an internal rhyme in addition to the primary rhyme: “Tui nati vulneráti, | Tam dignati pro me pati, | Poenas mecum dívide.” Do you see how that’s an internal rhyme? Truly great poets can’t resist doing the same thing when translating the STABAT MATER into English. Look what the brilliant Monsignor Ronald Knox does for that verse: “Love exceeding hangs there bleeding, | My cause pleading, my love needing— | Bid him share his cross with me.” Denis Florence MacCarthy does likewise for that verse: “Ever leading where thy bleeding | Son is pleading for my needing, | Let me in His wounds take part.” Monsignor Hugh Henry is no slouch, either: “Who, from bending Heav’n descending, | Came amending earth’s offending— | All His pains with me divide.”

A Powerful Chart • Creating the Brébeuf Catholic Hymnal meant assembling hundreds of comparison charts, helping us choose the finest texts. The committee gave permission for me to post a sample, but only on condition that all original translations were omitted. Therefore, this comparison chart only contains about half.

Contemporary Harmonies • Gustaaf Nees composed an organ accompaniment for the STABAT MATER. I took his harmonies and created an SATB choral score. If you doubt this is a contemporary setting, click on the video (below) and listen to the fourth verse.

*  PDF Download • STABAT MATER (SATB)

Here’s my attempt at singing all voices, including the girls’ parts:

To access this hymn’s media in the Brébeuf Portal, click here.

Real Females • But nothing can replace the utter richness of real women’s voices. The following was recorded ‘live’ by my choir, which consists 100% of volunteers:

To access this hymn’s media in the Brébeuf Portal, click here.

If you search the Brébeuf Hymn Portal for “stabat,” you currently get these results.

1. Stabat Mater dolorósa
Juxta Crucem lacrimósa,
Dum pendébat Fílius.

2. Cujus ánimam geméntem,
Contristátam et doléntem
Pertransívit gládius.

3. O quam tristis et afflícta
Fuit illa benedícta
Mater unigéniti!

4. Quae maerébat et dolébat,
Pia Mater, dum vidébat
Nati poenas íncliti.

5. Quis est homo qui non fleret,
Matrem Christi si vidéret
In tanto supplício?

6. Quis non posset contristári,
Christi Matrem contemplári
Doléntem cum Fílio?

7. Pro peccátis suae gentis,
Vidit Jesum in torméntis,
Et flagéllis súbditum.

8. Vidit suum dulcem natum
Moriéndo desolátum,
Dum emísit spíritum.

9. Eja Mater, fons amóris
Me sentíre vim dolóris
Fac, ut tecum lúgeam.

10. Fac ut árdeat cor meum
In amándo Christum Deum,
Ut sibi compláceam.

11. Sancta Mater, istud agas,
Crucifíxi fige plagas
Cordi meo válide.

12. Tui nati vulneráti,
Tam dignáti pro me pati,
Poenas mecum dívide.

13. Fac me tecum pie flere,
Crucifíxo condolére,
Donec ego víxero.

14. Juxta Crucem tecum stare,
Et me tibi sociáre
In planctu desídero.

15. Virgo vírginum praeclára,
Mihi jam non sis amára:
Fac me tecum plángere.

16. Fac ut portem Christi mortem
Passiónis fac consórtem,
Et plagas recólere.

17. Fac me plagis vulnerári,
Fac me cruce inebriári,
Et cruóre Fílii.

18. Flammis ne urar succénsus,
Per te, Vírgo, sim defénsus
In die judícii.

19. Christe, cum sit hinc exíre,
Da per Matrem me veníre
Ad palmam victóriae.

20. Quando corpus moriétur,
Fac ut ánimae donétur
Paradísi glória.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Ad Preces Nostras Deitatis, STABAT MATER DOLOROSA Last Updated: March 1, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The cemeteries are full of people who thought they were indispensable.”

— Fr. Alan Heet, OFM

Recent Posts

  • “How to Conduct 90 Vespers Services Each Year and Live to Tell the Tale.”
  • 15th Sunday in Ordinary Time (Year C)
  • The Tallis Scholars
  • Music Director Job • $80,000 per year
  • Pope Saint Paul VI to Consilium (14 October 1968)

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