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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Pew Edition” — Monsignor Martin B. Hellriegel’s Hymnal (149 Pages)

Jeff Ostrowski · January 31, 2024

EN YEARS AGO, when the first edition of the Saint Edmund Campion Pew Missal was released, I received a telephone call from a priest in Canada who was absolutely livid. At that time, the books were being sold for something like $15.00 apiece. The priest screamed into the phone: “A pew book like that, with 150 full-color pages, shouldn’t be sold for anything less than $60.00 apiece. You are cheapening your work, and I won’t stand for it.” In vain did I attempt to explain to him our mission was to help parishes celebrating the TLM. I believe the Extraordinary Form is very important for the CONTINUITY of the Catholic Church. As Cardinal Ratzinger said during a filmed interview: “We are today not another Church as 500 years ago. It is always the same the Church.” We wanted to offer “EF Catholics” rock-bottom prices because they already had so many obstacles.1 But he just kept screaming: “No, you are cheapening your work.”

Monsignor Martin B. Hellriegel • I have argued that Monsignor Hellriegel would have been enamored by the Brébeuf Catholic Hymnal, had he not died 38 years before its publication. I believe he would have loved its melodies, loved its harmonizations, loved the Choral Supplement, loved the color pages (which trace the history of Catholic hymnody, going back 1,000 years), and loved the various translation into English for the ancient Latin hymns.

Cheapening? • And yet … there’s something special the little book Monsignor Hellriegel produced all those decades ago, which was clearly a labor of love. I refer to his tome as “MMHH.” That is to say: Monsignor Martin Hellriegel’s Hymnal. I believe Monsignor Hellriegel would be sensitive to any effort to “cheapen” the liturgy. What I’m trying to say is, were Monsignor Hellriegel alive today, he might give us the following warning:

“The Brébeuf Hymnal is a beautiful production, of a much higher quality than was possible during the 1960s. But never forget that all the translations in the world (and all the beautiful melodies in the world) mean absolutely nothing unless they are used!”

Organ Accompaniment (102 pages) • About a month ago, we released Monsignor Martin B. Hellriegel’s hand-written organ accompaniment (102 pages) to the MMHH. I’ve since been informed that the person mainly responsible for the MMHH harmonies was a woman named Marie Kremer, who used its creation as part of her doctoral dissertation. The plainsong accompaniments were written by Sister M. Theodo, SSND. If you failed to download it, here it is:

*  PDF Download • MMHH Organ Accompaniment (102 pages)
—Msgr. Hellriegel’s “Hand-Written” Hymnal (Organ Accompaniment).

Today’s Release • Mr. Jim Randazzo, of the Carmel of Saint Joseph (Saint Louis, Missouri), having noticed our article, kindly sent us the pew edition for the MMHH:

*  PDF Download • HOLY CROSS HYMNAL (149 Pages)
—Collection of Hymns compiled and edited for use at Holy Cross Parish • 1963.
—Saint Louis, Missouri • Miss Marie Kremer, Organist • Martin B. Hellriegel, Pastor.

This book is being released for the first time in history. If you appreciate our efforts, please consider donating $3.00 per month. We need you!

Timothy Holden • Mr. Timothy Holden has provided some never-before-released photographs of Monsignor Martin B. Hellriegel, as well as a remarkable 1955 pamphlet called: “The Story of a Parish and Its Pastor in Words and Pictures.”

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1 Think about something for a minute: all the church buildings, all the schools, all the colleges, all the seminaries, all the monasteries, and all properties are owned by the “Ordinary Form people” (I hate such terminology, but you know what I mean). In light of that reality, it’s something of a miracle the Extraordinary Form even exists. On the other hand, in many places, the TLM parishes are where all the growth (a.k.a. “springtime”) is happening. I recently learned of a diocese in the United States where just 1,400 Catholics attend Mass each Sunday. Of those Catholics, 600 attend the TLM parish. The rest of the Catholics—that is, the other 800—attend sixty (60) different churches! In other words, 600 people in the diocese go to the TLM church, whereas 800 go to sixty (60) different Ordinary Form parishes. Such a situation is completely unsustainable, as far as I can tell. Maybe that’s why ROBERT CARDINAL SARAH—appointed by Pope Francis as the Vatican’s chief liturgist—said on 23 September 2019: “Prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Jim Randazzo, Marie Kremer, Monsignor Martin B. Hellriegel, Robert Cardinal Sarah, Timothy Holden Last Updated: February 1, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

On 12 March 1908, Feast of St. Gregory the Great, the complete publication of the “Graduale” was issued by the Vatican Press. That very day, Dom Pothier solemnly presented the first copy to the Holy Father. Pius X wished to be the first to see the new book; he opened it at random, at page 128 of the supplement “pro aliquibus locis”—the Introit of the new Feast of Our lady of Lourdes. The Pope sang it with perfect taste to the last note.

— A witness of the papal audience writing circa 1915

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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