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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Pew Edition” — Monsignor Martin B. Hellriegel’s Hymnal (149 Pages)

Jeff Ostrowski · January 31, 2024

EN YEARS AGO, when the first edition of the Saint Edmund Campion Pew Missal was released, I received a telephone call from a priest in Canada who was absolutely livid. At that time, the books were being sold for something like $15.00 apiece. The priest screamed into the phone: “A pew book like that, with 150 full-color pages, shouldn’t be sold for anything less than $60.00 apiece. You are cheapening your work, and I won’t stand for it.” In vain did I attempt to explain to him our mission was to help parishes celebrating the TLM. I believe the Extraordinary Form is very important for the CONTINUITY of the Catholic Church. As Cardinal Ratzinger said during a filmed interview: “We are today not another Church as 500 years ago. It is always the same the Church.” We wanted to offer “EF Catholics” rock-bottom prices because they already had so many obstacles.1 But he just kept screaming: “No, you are cheapening your work.”

Monsignor Martin B. Hellriegel • I have argued that Monsignor Hellriegel would have been enamored by the Brébeuf Catholic Hymnal, had he not died 38 years before its publication. I believe he would have loved its melodies, loved its harmonizations, loved the Choral Supplement, loved the color pages (which trace the history of Catholic hymnody, going back 1,000 years), and loved the various translation into English for the ancient Latin hymns.

Cheapening? • And yet … there’s something special the little book Monsignor Hellriegel produced all those decades ago, which was clearly a labor of love. I refer to his tome as “MMHH.” That is to say: Monsignor Martin Hellriegel’s Hymnal. I believe Monsignor Hellriegel would be sensitive to any effort to “cheapen” the liturgy. What I’m trying to say is, were Monsignor Hellriegel alive today, he might give us the following warning:

“The Brébeuf Hymnal is a beautiful production, of a much higher quality than was possible during the 1960s. But never forget that all the translations in the world (and all the beautiful melodies in the world) mean absolutely nothing unless they are used!”

Organ Accompaniment (102 pages) • About a month ago, we released Monsignor Martin B. Hellriegel’s hand-written organ accompaniment (102 pages) to the MMHH. I’ve since been informed that the person mainly responsible for the MMHH harmonies was a woman named Marie Kremer, who used its creation as part of her doctoral dissertation. The plainsong accompaniments were written by Sister M. Theodo, SSND. If you failed to download it, here it is:

*  PDF Download • MMHH Organ Accompaniment (102 pages)
—Msgr. Hellriegel’s “Hand-Written” Hymnal (Organ Accompaniment).

Today’s Release • Mr. Jim Randazzo, of the Carmel of Saint Joseph (Saint Louis, Missouri), having noticed our article, kindly sent us the pew edition for the MMHH:

*  PDF Download • HOLY CROSS HYMNAL (149 Pages)
—Collection of Hymns compiled and edited for use at Holy Cross Parish • 1963.
—Saint Louis, Missouri • Miss Marie Kremer, Organist • Martin B. Hellriegel, Pastor.

This book is being released for the first time in history. If you appreciate our efforts, please consider donating $3.00 per month. We need you!

Timothy Holden • Mr. Timothy Holden has provided some never-before-released photographs of Monsignor Martin B. Hellriegel, as well as a remarkable 1955 pamphlet called: “The Story of a Parish and Its Pastor in Words and Pictures.”

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1 Think about something for a minute: all the church buildings, all the schools, all the colleges, all the seminaries, all the monasteries, and all properties are owned by the “Ordinary Form people” (I hate such terminology, but you know what I mean). In light of that reality, it’s something of a miracle the Extraordinary Form even exists. On the other hand, in many places, the TLM parishes are where all the growth (a.k.a. “springtime”) is happening. I recently learned of a diocese in the United States where just 1,400 Catholics attend Mass each Sunday. Of those Catholics, 600 attend the TLM parish. The rest of the Catholics—that is, the other 800—attend sixty (60) different churches! In other words, 600 people in the diocese go to the TLM church, whereas 800 go to sixty (60) different Ordinary Form parishes. Such a situation is completely unsustainable, as far as I can tell. Maybe that’s why ROBERT CARDINAL SARAH—appointed by Pope Francis as the Vatican’s chief liturgist—said on 23 September 2019: “Prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Jim Randazzo, Marie Kremer, Monsignor Martin B. Hellriegel, Robert Cardinal Sarah, Timothy Holden Last Updated: February 1, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Custom preserves many things in liturgy after their first reason has ceased.”

— Father Adrian Fortescue (writing in 1916)

Recent Posts

  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”
  • Fulton J. Sheen • “24-Hour Catechism”

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