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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Pew Edition” — Monsignor Martin B. Hellriegel’s Hymnal (149 Pages)

Jeff Ostrowski · January 31, 2024

EN YEARS AGO, when the first edition of the Saint Edmund Campion Pew Missal was released, I received a telephone call from a priest in Canada who was absolutely livid. At that time, the books were being sold for something like $15.00 apiece. The priest screamed into the phone: “A pew book like that, with 150 full-color pages, shouldn’t be sold for anything less than $60.00 apiece. You are cheapening your work, and I won’t stand for it.” In vain did I attempt to explain to him our mission was to help parishes celebrating the TLM. I believe the Extraordinary Form is very important for the CONTINUITY of the Catholic Church. As Cardinal Ratzinger said during a filmed interview: “We are today not another Church as 500 years ago. It is always the same the Church.” We wanted to offer “EF Catholics” rock-bottom prices because they already had so many obstacles.1 But he just kept screaming: “No, you are cheapening your work.”

Monsignor Martin B. Hellriegel • I have argued that Monsignor Hellriegel would have been enamored by the Brébeuf Catholic Hymnal, had he not died 38 years before its publication. I believe he would have loved its melodies, loved its harmonizations, loved the Choral Supplement, loved the color pages (which trace the history of Catholic hymnody, going back 1,000 years), and loved the various translation into English for the ancient Latin hymns.

Cheapening? • And yet … there’s something special the little book Monsignor Hellriegel produced all those decades ago, which was clearly a labor of love. I refer to his tome as “MMHH.” That is to say: Monsignor Martin Hellriegel’s Hymnal. I believe Monsignor Hellriegel would be sensitive to any effort to “cheapen” the liturgy. What I’m trying to say is, were Monsignor Hellriegel alive today, he might give us the following warning:

“The Brébeuf Hymnal is a beautiful production, of a much higher quality than was possible during the 1960s. But never forget that all the translations in the world (and all the beautiful melodies in the world) mean absolutely nothing unless they are used!”

Organ Accompaniment (102 pages) • About a month ago, we released Monsignor Martin B. Hellriegel’s hand-written organ accompaniment (102 pages) to the MMHH. I’ve since been informed that the person mainly responsible for the MMHH harmonies was a woman named Marie Kremer, who used its creation as part of her doctoral dissertation. The plainsong accompaniments were written by Sister M. Theodo, SSND. If you failed to download it, here it is:

*  PDF Download • MMHH Organ Accompaniment (102 pages)
—Msgr. Hellriegel’s “Hand-Written” Hymnal (Organ Accompaniment).

Today’s Release • Mr. Jim Randazzo, of the Carmel of Saint Joseph (Saint Louis, Missouri), having noticed our article, kindly sent us the pew edition for the MMHH:

*  PDF Download • HOLY CROSS HYMNAL (149 Pages)
—Collection of Hymns compiled and edited for use at Holy Cross Parish • 1963.
—Saint Louis, Missouri • Miss Marie Kremer, Organist • Martin B. Hellriegel, Pastor.

This book is being released for the first time in history. If you appreciate our efforts, please consider donating $3.00 per month. We need you!

Timothy Holden • Mr. Timothy Holden has provided some never-before-released photographs of Monsignor Martin B. Hellriegel, as well as a remarkable 1955 pamphlet called: “The Story of a Parish and Its Pastor in Words and Pictures.”

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1 Think about something for a minute: all the church buildings, all the schools, all the colleges, all the seminaries, all the monasteries, and all properties are owned by the “Ordinary Form people” (I hate such terminology, but you know what I mean). In light of that reality, it’s something of a miracle the Extraordinary Form even exists. On the other hand, in many places, the TLM parishes are where all the growth (a.k.a. “springtime”) is happening. I recently learned of a diocese in the United States where just 1,400 Catholics attend Mass each Sunday. Of those Catholics, 600 attend the TLM parish. The rest of the Catholics—that is, the other 800—attend sixty (60) different churches! In other words, 600 people in the diocese go to the TLM church, whereas 800 go to sixty (60) different Ordinary Form parishes. Such a situation is completely unsustainable, as far as I can tell. Maybe that’s why ROBERT CARDINAL SARAH—appointed by Pope Francis as the Vatican’s chief liturgist—said on 23 September 2019: “Prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Jim Randazzo, Marie Kremer, Monsignor Martin B. Hellriegel, Robert Cardinal Sarah, Timothy Holden Last Updated: February 1, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Finally, let us not forget that listening especially is active participation. When we listen to the performances of Bach’s Saint Matthew Passion, we can fully participate actively in the Passion of Christ. And so, if we listen attentively to the singing and organ music during the celebration of the divine services, our participation is not less complete. The real significance of this objective and very important aspect is insufficiently understood.”

— Flor Peeters

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