• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Download • “Pew Edition” — Monsignor Martin B. Hellriegel’s Hymnal (149 Pages)

Jeff Ostrowski · January 31, 2024

EN YEARS AGO, when the first edition of the Saint Edmund Campion Pew Missal was released, I received a telephone call from a priest in Canada who was absolutely livid. At that time, the books were being sold for something like $15.00 apiece. The priest screamed into the phone: “A pew book like that, with 150 full-color pages, shouldn’t be sold for anything less than $60.00 apiece. You are cheapening your work, and I won’t stand for it.” In vain did I attempt to explain to him our mission was to help parishes celebrating the TLM. I believe the Extraordinary Form is very important for the CONTINUITY of the Catholic Church. As Cardinal Ratzinger said during a filmed interview: “We are today not another Church as 500 years ago. It is always the same the Church.” We wanted to offer “EF Catholics” rock-bottom prices because they already had so many obstacles.1 But he just kept screaming: “No, you are cheapening your work.”

Monsignor Martin B. Hellriegel • I have argued that Monsignor Hellriegel would have been enamored by the Brébeuf Catholic Hymnal, had he not died 38 years before its publication. I believe he would have loved its melodies, loved its harmonizations, loved the Choral Supplement, loved the color pages (which trace the history of Catholic hymnody, going back 1,000 years), and loved the various translation into English for the ancient Latin hymns.

Cheapening? • And yet … there’s something special the little book Monsignor Hellriegel produced all those decades ago, which was clearly a labor of love. I refer to his tome as “MMHH.” That is to say: Monsignor Martin Hellriegel’s Hymnal. I believe Monsignor Hellriegel would be sensitive to any effort to “cheapen” the liturgy. What I’m trying to say is, were Monsignor Hellriegel alive today, he might give us the following warning:

“The Brébeuf Hymnal is a beautiful production, of a much higher quality than was possible during the 1960s. But never forget that all the translations in the world (and all the beautiful melodies in the world) mean absolutely nothing unless they are used!”

Organ Accompaniment (102 pages) • About a month ago, we released Monsignor Martin B. Hellriegel’s hand-written organ accompaniment (102 pages) to the MMHH. I’ve since been informed that the person mainly responsible for the MMHH harmonies was a woman named Marie Kremer, who used its creation as part of her doctoral dissertation. The plainsong accompaniments were written by Sister M. Theodo, SSND. If you failed to download it, here it is:

*  PDF Download • MMHH Organ Accompaniment (102 pages)
—Msgr. Hellriegel’s “Hand-Written” Hymnal (Organ Accompaniment).

Today’s Release • Mr. Jim Randazzo, of the Carmel of Saint Joseph (Saint Louis, Missouri), having noticed our article, kindly sent us the pew edition for the MMHH:

*  PDF Download • HOLY CROSS HYMNAL (149 Pages)
—Collection of Hymns compiled and edited for use at Holy Cross Parish • 1963.
—Saint Louis, Missouri • Miss Marie Kremer, Organist • Martin B. Hellriegel, Pastor.

This book is being released for the first time in history. If you appreciate our efforts, please consider donating $3.00 per month. We need you!

Timothy Holden • Mr. Timothy Holden has provided some never-before-released photographs of Monsignor Martin B. Hellriegel, as well as a remarkable 1955 pamphlet called: “The Story of a Parish and Its Pastor in Words and Pictures.”

34429-Monsignor-Martin-B-Hellriegel-JPEG-1999
34434-Monsignor-Martin-B-Hellriegel-JPEG
34431-Monsignor-Martin-B-Hellriegel-JPEG
34842-Photograph-Monsignor-Martin-B-Hellriegel-JPEG
34435-Monsignor-Martin-B-Hellriegel-JPEG
34430-Monsignor-Martin-B-Hellriegel-JPEG-1999
34840-Monsignor-Martin-B-Hellriegel-JPEG
34436-Monsignor-Martin-B-Hellriegel

1 Think about something for a minute: all the church buildings, all the schools, all the colleges, all the seminaries, all the monasteries, and all properties are owned by the “Ordinary Form people” (I hate such terminology, but you know what I mean). In light of that reality, it’s something of a miracle the Extraordinary Form even exists. On the other hand, in many places, the TLM parishes are where all the growth (a.k.a. “springtime”) is happening. I recently learned of a diocese in the United States where just 1,400 Catholics attend Mass each Sunday. Of those Catholics, 600 attend the TLM parish. The rest of the Catholics—that is, the other 800—attend sixty (60) different churches! In other words, 600 people in the diocese go to the TLM church, whereas 800 go to sixty (60) different Ordinary Form parishes. Such a situation is completely unsustainable, as far as I can tell. Maybe that’s why ROBERT CARDINAL SARAH—appointed by Pope Francis as the Vatican’s chief liturgist—said on 23 September 2019: “Prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Jim Randazzo, Marie Kremer, Monsignor Martin B. Hellriegel, Robert Cardinal Sarah, Timothy Holden Last Updated: February 1, 2024

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

On March 24th, 1945, Pope Pius XII, by the Motu Proprio “In cotidianis precibus” gave permission to all who recite the divine office to use a new version of the Psalter made by six Jesuit professors of the Biblical Institute. This, contrary to some expectations, was neither a revision of the existing Vulgate nor of Saint Jerome’s ‘Psalterium juxta Hebraeos’, but a new translation altogether, based on the Massoretic text, the versions, and (in a few instances) on conjectural emendations.

— Dr. T. E. Bird

Recent Posts

  • “The Unselected Hymn” • Do You Recognize It?
  • 2026 Sacred Music Pilgrimage (Washington DC) • With Richard J. Clark
  • “Reminder” — Month of April (2026)
  • “Gregorian Chant Isn’t a Platform for Your Personal Theories, Jeff” • (A Letter We Received)
  • Request From Australia

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.