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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Pew Edition” — Monsignor Martin B. Hellriegel’s Hymnal (149 Pages)

Jeff Ostrowski · January 31, 2024

EN YEARS AGO, when the first edition of the Saint Edmund Campion Pew Missal was released, I received a telephone call from a priest in Canada who was absolutely livid. At that time, the books were being sold for something like $15.00 apiece. The priest screamed into the phone: “A pew book like that, with 150 full-color pages, shouldn’t be sold for anything less than $60.00 apiece. You are cheapening your work, and I won’t stand for it.” In vain did I attempt to explain to him our mission was to help parishes celebrating the TLM. I believe the Extraordinary Form is very important for the CONTINUITY of the Catholic Church. As Cardinal Ratzinger said during a filmed interview: “We are today not another Church as 500 years ago. It is always the same the Church.” We wanted to offer “EF Catholics” rock-bottom prices because they already had so many obstacles.1 But he just kept screaming: “No, you are cheapening your work.”

Monsignor Martin B. Hellriegel • I have argued that Monsignor Hellriegel would have been enamored by the Brébeuf Catholic Hymnal, had he not died 38 years before its publication. I believe he would have loved its melodies, loved its harmonizations, loved the Choral Supplement, loved the color pages (which trace the history of Catholic hymnody, going back 1,000 years), and loved the various translation into English for the ancient Latin hymns.

Cheapening? • And yet … there’s something special the little book Monsignor Hellriegel produced all those decades ago, which was clearly a labor of love. I refer to his tome as “MMHH.” That is to say: Monsignor Martin Hellriegel’s Hymnal. I believe Monsignor Hellriegel would be sensitive to any effort to “cheapen” the liturgy. What I’m trying to say is, were Monsignor Hellriegel alive today, he might give us the following warning:

“The Brébeuf Hymnal is a beautiful production, of a much higher quality than was possible during the 1960s. But never forget that all the translations in the world (and all the beautiful melodies in the world) mean absolutely nothing unless they are used!”

Organ Accompaniment (102 pages) • About a month ago, we released Monsignor Martin B. Hellriegel’s hand-written organ accompaniment (102 pages) to the MMHH. I’ve since been informed that the person mainly responsible for the MMHH harmonies was a woman named Marie Kremer, who used its creation as part of her doctoral dissertation. The plainsong accompaniments were written by Sister M. Theodo, SSND. If you failed to download it, here it is:

*  PDF Download • MMHH Organ Accompaniment (102 pages)
—Msgr. Hellriegel’s “Hand-Written” Hymnal (Organ Accompaniment).

Today’s Release • Mr. Jim Randazzo, of the Carmel of Saint Joseph (Saint Louis, Missouri), having noticed our article, kindly sent us the pew edition for the MMHH:

*  PDF Download • HOLY CROSS HYMNAL (149 Pages)
—Collection of Hymns compiled and edited for use at Holy Cross Parish • 1963.
—Saint Louis, Missouri • Miss Marie Kremer, Organist • Martin B. Hellriegel, Pastor.

This book is being released for the first time in history. If you appreciate our efforts, please consider donating $3.00 per month. We need you!

Timothy Holden • Mr. Timothy Holden has provided some never-before-released photographs of Monsignor Martin B. Hellriegel, as well as a remarkable 1955 pamphlet called: “The Story of a Parish and Its Pastor in Words and Pictures.”

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1 Think about something for a minute: all the church buildings, all the schools, all the colleges, all the seminaries, all the monasteries, and all properties are owned by the “Ordinary Form people” (I hate such terminology, but you know what I mean). In light of that reality, it’s something of a miracle the Extraordinary Form even exists. On the other hand, in many places, the TLM parishes are where all the growth (a.k.a. “springtime”) is happening. I recently learned of a diocese in the United States where just 1,400 Catholics attend Mass each Sunday. Of those Catholics, 600 attend the TLM parish. The rest of the Catholics—that is, the other 800—attend sixty (60) different churches! In other words, 600 people in the diocese go to the TLM church, whereas 800 go to sixty (60) different Ordinary Form parishes. Such a situation is completely unsustainable, as far as I can tell. Maybe that’s why ROBERT CARDINAL SARAH—appointed by Pope Francis as the Vatican’s chief liturgist—said on 23 September 2019: “Prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Jim Randazzo, Marie Kremer, Monsignor Martin B. Hellriegel, Robert Cardinal Sarah, Timothy Holden Last Updated: February 1, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“Even after 1600 A.D.—despite major changes in musical taste—the compositions of Father Cristóbal de Morales were reprinted at Venice. Indeed, and as late as 1619 A.D. one Venetian publisher found his magnificats still in sufficient demand to make a profitable commercial venture out of issuing a new transcribed version for equal voices.”

— Dr. Robert Murrell Stevenson (d. 2012)

Recent Posts

  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

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