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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Released • Jeff Ostrowski’s Seminar: “Secrets of the Conscientious Choirmaster” (9+ hours)

Corpus Christi Watershed · January 10, 2024

NOWLEDGE IS POWER—at least for the conscientious choirmaster! By popular demand, Jeff Ostrowski has spent six months creating a video seminar based upon innumerable lectures, masterclasses, and tutorials he’s presented over the last decade at the Sacred Music Symposium. Mr. Ostrowski, an organist and choirmaster, was already internationally-known as a composer before the age of thirty. He founded—and still organizes—the annual SACRED MUSIC SYMPOSIUM in Los Angeles. You’re cordially invited to read the glowing reviews by participants of this event, more than a hundred of which have been posted on its website. (They were submitted by choir directors across the globe.) To those who assisted him, Mr. Ostrowski wrote this note.

🔴 Five Crucial Links:

(1) Free Film • SEMINAR INTRODUCTION (51 minutes)
—Don’t miss this INTRODUCTION, available free of charge!

(2) PDF Download • SEMINAR BLUEPRINT
—This is the “outline” or “blueprint” for the entire seminar.

(3) PDF Download • 2023 BOOKLET (330 pages)
—(MASSIVE FILE) given to participants of Sacred Music Symposium 2023.

(4) SEMINAR (9 hours) • “Secrets of the Conscientious Choirmaster”
—BASIC VERSION ($375 USD) doesn’t include the phone call.

(5) SEMINAR (9 hours) • “Secrets of the Conscientious Choirmaster”
—PREMIUM VERSION ($425 USD) includes a 45-minute phone consultation.

Telephone Call • If you purchase the “PREMIUM VERSION,” you’ll receive a personal 45-minute consultation (via telephone) with Jeff Ostrowski. If you didn’t understand something during the seminar—or if sufficient attention was not given to a topic of interest to you—this phone call will remedy that. You can also ask Mr. Ostrowski questions which have nothing to do with the seminar; the choice is yours. If for any reason you have difficulty reaching Mr. Ostrowski, send him an email: dom.pothier@gmail.com with the subject heading: Personal Phone Call.

Examples
Jeff’s Volunteer Choir

Jeff Ostrowski selected all his singers from among the congregation. In other words, 100% of the singers he directs came from families in his parish. His choirs contain zero “outside” singers, zero non-Catholics, and zero paid singers. Many members had never sung—in any choir—before he recruited them to sing at Mass.

*  Example • “Veni Creator Spiritus” (sung in English)
—Live recording by Jeff’s volunteer choir.

*  Example • “O Sola Magnarum Urbium” (females only)
—They had never rehearsed this piece before singing it!

*  Example • “Songs Of Thankfulness And Praise” (In Epiphania Domini)
—Live recording by Jeff’s volunteer choir.

*  Example • Pange Lingua Gloriosi (English Translation)
—Studio recording by members of Jeff’s volunteer choir.

*  Example • “Kyrie VIII” (females only)
—Live recording by Jeff’s volunteer choir.

*  Example • “Kyrie VIII” (with a soloist)
—Live recording by Jeff’s volunteer choir.

*  Example • “A Solis Ortus Cardine” (sung in English)
—Studio recording by members of Jeff’s choir.

*  Example • “A Solis Ortus Cardine” (sung in Latin)
—Studio recording by members of Jeff’s choir.

*  Example • “What Child Is This?” (sung in Latin)
—Jeff sings all the voices to his own arrangement.
—Jeff even attempts to sing the girls’ parts!

*  Example • “O Magnum Mysterium” (Tomás Luis de Victoria)
—Recorded ‘live’ by Jeff’s volunteer choir at Midnight Mass.

Click here to read a recommendation from Mr. Roderick Royce.

Click here to read a recommendation from Father Robbie Low (Catholic Priest in England).

Page URL: https://ccwatershed.org/seminar/

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: March 5, 2024

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Ralph Vaughan Williams “was an atheist during his later years at Charterhouse and at Cambridge, though he later drifted into a cheerful agnosticism: he was never a professing Christian.”

— Dr. William Mahrt, CMAA President (2021)

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