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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“I’ll Keep Your Secret, Choirmasters!” • (Tell Jeff)

Jeff Ostrowski · January 6, 2024

EBULOUS. Precise criteria vis-à-vis “which hymns are suitable for Mass” are notoriously nebulous. It would seem subjectivity is baked into the cake. Consider the editor of a very famous ‘traditional’ hymnal who told me she painstakingly deleted every instance of the word “womb” in her book. She claimed she’d rather die than sing that word, which she considered a “medical” term. Although I disagree about WOMB, I do consider certain hymns objectionable and unsuitable for the public worship of Almighty God. Sometimes, a hymn’s rhymes are predictable and puerile; or the melody might be poorly-constructed and obnoxious. I won’t be naming names, because that’s a good way to make enemies. Nevertheless, I believe hymn lyrics should have—broadly speaking—something “lofty” or “noble” or “sophisticated” or “dignified” about them.1

An Example • Certain Catholics have an issue with Once in Royal David’s City. In their view, its lyrics are too childish for the Holy Mass. It’s true that our Savior told us to be “child-like” (which isn’t the same as childish). That particular hymn comes from a collection by Mrs. Cecil Frances Alexander (d. 1895) called: HYMNS FOR LITTLE CHILDREN. The Preface to that book says the hymn lyrics are “in simple language, never above the understanding of a child.” What do you think? Do you feel its lyrics are too childish? You can email me confidentially—I won’t reveal your opinion to anyone else!

To access this hymn’s media in the Brébeuf Portal, click here.

Problem Solved • If you are someone who loves the IRBY melody but honestly believes the vocabulary used by Once in Royal David’s City is too unsophisticated, the Brébeuf Catholic Hymnal provides a really marvelous option for you. In essence, it provides a Christmas version of “Quem Terra Pontus Aethera”—an ancient Catholic hymn eminently suited to the Nativity of our Lord—but sung to the wonderful IRBY melody:

To access this hymn’s media in the Brébeuf Portal, click here.

Not Public List • It would be incredibly foolish of me to reveal publicly hymns I don’t care for. Therefore, I have no intention of doing that. You can look at my list, but please don’t share it with anybody else!

*  PDF Download • HYMNS HE HATES (Private List)
—This list must never become public!

1 If singing a hymn necessitates going home and looking a word up in the dictionary, that’s okay! I realize today’s culture does not generally approve of such things, since it has made the lowest common denominator into a type of god. Indeed, I learned recently that encouraging “punctuality” is now considered a form of white supremacy by some Americans!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cecil Frances Alexander, Lux Fulgebit, Quem Terra Pontus Last Updated: January 6, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The revision of the liturgical books must carefully attend to the provision of rubrics also for the people’s parts.”

— The Second Vatican Council (SC §31)

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