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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“I’ll Keep Your Secret, Choirmasters!” • (Tell Jeff)

Jeff Ostrowski · January 6, 2024

EBULOUS. Precise criteria vis-à-vis “which hymns are suitable for Mass” are notoriously nebulous. It would seem subjectivity is baked into the cake. Consider the editor of a very famous ‘traditional’ hymnal who told me she painstakingly deleted every instance of the word “womb” in her book. She claimed she’d rather die than sing that word, which she considered a “medical” term. Although I disagree about WOMB, I do consider certain hymns objectionable and unsuitable for the public worship of Almighty God. Sometimes, a hymn’s rhymes are predictable and puerile; or the melody might be poorly-constructed and obnoxious. I won’t be naming names, because that’s a good way to make enemies. Nevertheless, I believe hymn lyrics should have—broadly speaking—something “lofty” or “noble” or “sophisticated” or “dignified” about them.1

An Example • Certain Catholics have an issue with Once in Royal David’s City. In their view, its lyrics are too childish for the Holy Mass. It’s true that our Savior told us to be “child-like” (which isn’t the same as childish). That particular hymn comes from a collection by Mrs. Cecil Frances Alexander (d. 1895) called: HYMNS FOR LITTLE CHILDREN. The Preface to that book says the hymn lyrics are “in simple language, never above the understanding of a child.” What do you think? Do you feel its lyrics are too childish? You can email me confidentially—I won’t reveal your opinion to anyone else!

To access this hymn’s media in the Brébeuf Portal, click here.

Problem Solved • If you are someone who loves the IRBY melody but honestly believes the vocabulary used by Once in Royal David’s City is too unsophisticated, the Brébeuf Catholic Hymnal provides a really marvelous option for you. In essence, it provides a Christmas version of “Quem Terra Pontus Aethera”—an ancient Catholic hymn eminently suited to the Nativity of our Lord—but sung to the wonderful IRBY melody:

To access this hymn’s media in the Brébeuf Portal, click here.

Not Public List • It would be incredibly foolish of me to reveal publicly hymns I don’t care for. Therefore, I have no intention of doing that. You can look at my list, but please don’t share it with anybody else!

*  PDF Download • HYMNS HE HATES (Private List)
—This list must never become public!

1 If singing a hymn necessitates going home and looking a word up in the dictionary, that’s okay! I realize today’s culture does not generally approve of such things, since it has made the lowest common denominator into a type of god. Indeed, I learned recently that encouraging “punctuality” is now considered a form of white supremacy by some Americans!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cecil Frances Alexander, Lux Fulgebit, Quem Terra Pontus Last Updated: January 6, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“In case of urgent danger of life anyone may baptize, even a heretic or pagan. It is sufficient that he administer the essential matter and form and have the implicit intention of doing what Christ instituted. Naturally a Catholic must be preferred, if possible. A man is preferred to a woman; but anyone else to the parents.”

— Father Adrian Fortescue (1917)

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