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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“I’ll Keep Your Secret, Choirmasters!” • (Tell Jeff)

Jeff Ostrowski · January 6, 2024

EBULOUS. Precise criteria vis-à-vis “which hymns are suitable for Mass” are notoriously nebulous. It would seem subjectivity is baked into the cake. Consider the editor of a very famous ‘traditional’ hymnal who told me she painstakingly deleted every instance of the word “womb” in her book. She claimed she’d rather die than sing that word, which she considered a “medical” term. Although I disagree about WOMB, I do consider certain hymns objectionable and unsuitable for the public worship of Almighty God. Sometimes, a hymn’s rhymes are predictable and puerile; or the melody might be poorly-constructed and obnoxious. I won’t be naming names, because that’s a good way to make enemies. Nevertheless, I believe hymn lyrics should have—broadly speaking—something “lofty” or “noble” or “sophisticated” or “dignified” about them.1

An Example • Certain Catholics have an issue with Once in Royal David’s City. In their view, its lyrics are too childish for the Holy Mass. It’s true that our Savior told us to be “child-like” (which isn’t the same as childish). That particular hymn comes from a collection by Mrs. Cecil Frances Alexander (d. 1895) called: HYMNS FOR LITTLE CHILDREN. The Preface to that book says the hymn lyrics are “in simple language, never above the understanding of a child.” What do you think? Do you feel its lyrics are too childish? You can email me confidentially—I won’t reveal your opinion to anyone else!

To access this hymn’s media in the Brébeuf Portal, click here.

Problem Solved • If you are someone who loves the IRBY melody but honestly believes the vocabulary used by Once in Royal David’s City is too unsophisticated, the Brébeuf Catholic Hymnal provides a really marvelous option for you. In essence, it provides a Christmas version of “Quem Terra Pontus Aethera”—an ancient Catholic hymn eminently suited to the Nativity of our Lord—but sung to the wonderful IRBY melody:

To access this hymn’s media in the Brébeuf Portal, click here.

Not Public List • It would be incredibly foolish of me to reveal publicly hymns I don’t care for. Therefore, I have no intention of doing that. You can look at my list, but please don’t share it with anybody else!

*  PDF Download • HYMNS HE HATES (Private List)
—This list must never become public!

1 If singing a hymn necessitates going home and looking a word up in the dictionary, that’s okay! I realize today’s culture does not generally approve of such things, since it has made the lowest common denominator into a type of god. Indeed, I learned recently that encouraging “punctuality” is now considered a form of white supremacy by some Americans!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cecil Frances Alexander, Lux Fulgebit, Quem Terra Pontus Last Updated: January 6, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

When we say: “The people like this” we regard them as unable to develop, as animals rather than human beings, and we simply neglect our duties in helping them towards a true human existence — indeed, in this case, to truly Christian existence.

— Professor László Dobszay (2003)

Recent Posts

  • The Weekday Communions of Lent
  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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