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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“I’ll Keep Your Secret, Choirmasters!” • (Tell Jeff)

Jeff Ostrowski · January 6, 2024

EBULOUS. Precise criteria vis-à-vis “which hymns are suitable for Mass” are notoriously nebulous. It would seem subjectivity is baked into the cake. Consider the editor of a very famous ‘traditional’ hymnal who told me she painstakingly deleted every instance of the word “womb” in her book. She claimed she’d rather die than sing that word, which she considered a “medical” term. Although I disagree about WOMB, I do consider certain hymns objectionable and unsuitable for the public worship of Almighty God. Sometimes, a hymn’s rhymes are predictable and puerile; or the melody might be poorly-constructed and obnoxious. I won’t be naming names, because that’s a good way to make enemies. Nevertheless, I believe hymn lyrics should have—broadly speaking—something “lofty” or “noble” or “sophisticated” or “dignified” about them.1

An Example • Certain Catholics have an issue with Once in Royal David’s City. In their view, its lyrics are too childish for the Holy Mass. It’s true that our Savior told us to be “child-like” (which isn’t the same as childish). That particular hymn comes from a collection by Mrs. Cecil Frances Alexander (d. 1895) called: HYMNS FOR LITTLE CHILDREN. The Preface to that book says the hymn lyrics are “in simple language, never above the understanding of a child.” What do you think? Do you feel its lyrics are too childish? You can email me confidentially—I won’t reveal your opinion to anyone else!

To access this hymn’s media in the Brébeuf Portal, click here.

Problem Solved • If you are someone who loves the IRBY melody but honestly believes the vocabulary used by Once in Royal David’s City is too unsophisticated, the Brébeuf Catholic Hymnal provides a really marvelous option for you. In essence, it provides a Christmas version of “Quem Terra Pontus Aethera”—an ancient Catholic hymn eminently suited to the Nativity of our Lord—but sung to the wonderful IRBY melody:

To access this hymn’s media in the Brébeuf Portal, click here.

Not Public List • It would be incredibly foolish of me to reveal publicly hymns I don’t care for. Therefore, I have no intention of doing that. You can look at my list, but please don’t share it with anybody else!

*  PDF Download • HYMNS HE HATES (Private List)
—This list must never become public!

1 If singing a hymn necessitates going home and looking a word up in the dictionary, that’s okay! I realize today’s culture does not generally approve of such things, since it has made the lowest common denominator into a type of god. Indeed, I learned recently that encouraging “punctuality” is now considered a form of white supremacy by some Americans!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cecil Frances Alexander, Lux Fulgebit, Quem Terra Pontus Last Updated: January 6, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Some of our younger parish clergy read their sermons. This should not be done except for some very special reason. The priest who is not capable of preparing and delivering a brief, clear instruction on Catholic teaching to his people is not fit to be in parish work. The people as a rule do not want to listen to a sermon reader.”

— Archbishop of Baltimore (9 July 1929)

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  • Music List • (5th Sund. Ordinary Time)
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