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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“I’ll Keep Your Secret, Choirmasters!” • (Tell Jeff)

Jeff Ostrowski · January 6, 2024

EBULOUS. Precise criteria vis-à-vis “which hymns are suitable for Mass” are notoriously nebulous. It would seem subjectivity is baked into the cake. Consider the editor of a very famous ‘traditional’ hymnal who told me she painstakingly deleted every instance of the word “womb” in her book. She claimed she’d rather die than sing that word, which she considered a “medical” term. Although I disagree about WOMB, I do consider certain hymns objectionable and unsuitable for the public worship of Almighty God. Sometimes, a hymn’s rhymes are predictable and puerile; or the melody might be poorly-constructed and obnoxious. I won’t be naming names, because that’s a good way to make enemies. Nevertheless, I believe hymn lyrics should have—broadly speaking—something “lofty” or “noble” or “sophisticated” or “dignified” about them.1

An Example • Certain Catholics have an issue with Once in Royal David’s City. In their view, its lyrics are too childish for the Holy Mass. It’s true that our Savior told us to be “child-like” (which isn’t the same as childish). That particular hymn comes from a collection by Mrs. Cecil Frances Alexander (d. 1895) called: HYMNS FOR LITTLE CHILDREN. The Preface to that book says the hymn lyrics are “in simple language, never above the understanding of a child.” What do you think? Do you feel its lyrics are too childish? You can email me confidentially—I won’t reveal your opinion to anyone else!

To access this hymn’s media in the Brébeuf Portal, click here.

Problem Solved • If you are someone who loves the IRBY melody but honestly believes the vocabulary used by Once in Royal David’s City is too unsophisticated, the Brébeuf Catholic Hymnal provides a really marvelous option for you. In essence, it provides a Christmas version of “Quem Terra Pontus Aethera”—an ancient Catholic hymn eminently suited to the Nativity of our Lord—but sung to the wonderful IRBY melody:

To access this hymn’s media in the Brébeuf Portal, click here.

Not Public List • It would be incredibly foolish of me to reveal publicly hymns I don’t care for. Therefore, I have no intention of doing that. You can look at my list, but please don’t share it with anybody else!

*  PDF Download • HYMNS HE HATES (Private List)
—This list must never become public!

1 If singing a hymn necessitates going home and looking a word up in the dictionary, that’s okay! I realize today’s culture does not generally approve of such things, since it has made the lowest common denominator into a type of god. Indeed, I learned recently that encouraging “punctuality” is now considered a form of white supremacy by some Americans!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cecil Frances Alexander, Lux Fulgebit, Quem Terra Pontus Last Updated: January 6, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“In my opinion, there should be reached the aim that all priests could continue to use the old Missal.”

— ‘Cardinal Ratzinger, Letter to Wolfgang Waldstein (14 December 1976)’

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