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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Brooklyn Writes Us — Re: “Slander” Article

Corpus Christi Watershed · October 18, 2023

We love receiving mail from readers. When possible, we share such letters with you. We seldom reveal names, although our posted policy does allow that. Normally, we create a fake name—to protect the reader’s privacy. The following was sent to us by “Brooklyn.”

WRITE IN RESPONSE to your article published on 25 September 2023 titled: “Slander” • Response to an Accusation We Received, an essay I read with great interest. I would like to say that I have never, in church, used a hymnal which was organized alphabetically, and my parish doesn’t have the ADOREMUS HYMNAL. One thing I don’t like about TOPIC HYMNALS is that sometimes a hymn listed under “funerals” is appropriate for a Sunday Mass. Sometimes a “gathering” hymn is great for the recessional. Sometimes an “Easter” hymn is also appropriate for the offertory. See what I mean? I’m sure that you and your fellow publishers of the ADOREMUS HYMNAL probably didn’t label any hymn so strictly, but that would be a reason to list alphabetically. 🔴 Sincerely yours, Brooklyn.

Now follows a response to Brooklyn by Jeff Ostrowski.

ROOKLYN, I want to thank you for your thoughtful letter. First of all, I had nothing to do with producing the ADOREMUS HYMNAL, which appeared when I was still in high school. I can assure you it does not use an alphabetical arrangement. I’m familiar with that book, because when I was teaching at a Catholic high school many years ago, that was the book they purchased. Now is not the time for me to provide an “evaluation” or “review” of the ADOREMUS HYMNAL. Indeed, I doubt many would be interested in hearing my opinions about it. I do remember their numbering system was problematic, because it skips tons of numbers. For example, it skips from number 404 to 410, and from number 563 to 570, and from number 592 to 600. I remember this vividly, because the principal would constantly complain to me about “missing pages.” Regarding your specific comment, the ADOREMUS HYMNAL does include headers—and these caused me headaches when I was teaching those high school students. They would protest and gripe when I would assign the “wrong” hymn (in their mind) for a particular feast. Looking back, I admit it’s possible they were doing this to annoy their teacher! For example, in the ADOREMUS HYMNAL, number 411 is eminently suitable as a communion hymn, but look how it is labeled:

Striking A Chord With Jeff • To be clear, Brooklyn, what you wrote struck a chord (pardon the pun) because I remember so well fighting with those high school students about hymnal headers. Let me move away now from speaking about the ADOREMUS HYMNAL, because I don’t wish to denigrate something which—at the time it came out—was a noble and praiseworthy effort. Indeed, when the ADOREMUS HYMNAL first appeared, it signaled an important “turning point” at a time when church music in the United States was in terrible straits.

Make No Mistake • Please understand, Brooklyn: the Brébeuf Catholic Hymnal does not employ headers—such as you describe—for the precise reason you indicate. The reality is, certain hymns are appropriate for multiple feasts. An example would be the “Ave Maris Stella,” which is assigned as the VESPERS HYMN for innumerable feasts throughout the liturgical year.

Have Care! Beware! • Over the last five years, I have tried to emphasize that hymn melodies (and hymn texts) must be chosen carefully. The congregation’s sensibilities must be taken into account. For example, the melody for O SANCTISSIMA is reserved for Christmas Eve in certain parts of Germany, and is sung at no other time. But in the United States, that is not the case. Perhaps I can illustrate my point by talking about a hymn called TEMPUS ADEST FLORIDUM. In America, that tune is normally reserved for the season of Christmas. According to the footnotes in the Brébeuf Hymnal, it was originally a song for springtide—but that association faded away many years ago. I would strongly advise against using it as a “spring” song in America. Nevertheless, Dr. Ralph Keifer did precisely that in his 1975 hymnal:

*  PDF • A Reprehensible Hymn Pairing (In Jeff’s Opinion)
—THE CATHOLIC LITURGY BOOK: The People’s Complete Service Book (1975).

The Brébeuf Hymnal pairs TEMPUS ADEST FLORIDUM with a Marian text, and the females in my choir often sing that hymn during the season of Christmas (or the season of Epiphany):

To access this hymn’s media in the Brébeuf Portal, click here.

Conclusions • Brooklyn, let me reiterate that I had nothing to do with producing the ADOREMUS HYMNAL. Neither did any of my colleagues. Moreover, the ADOREMUS HYMNAL doesn’t use an alphabetical system for its hymns. I hope that nobody reading this article will take the comments I made about experiences with the ADOREMUS HYMNAL (when I was teaching high school) as an “attack” on that fine and praiseworthy effort. Indeed, my teacher and mentor was part of its production team. On the other hand, in the context of your email, I felt it was okay to share my personal experiences.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ave Maris Stella, Helen Hull Hitchcock Adoremus, Ignatius Adoremus Hymnal Last Updated: October 20, 2023

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

It should be borne in mind that there is no preference expressed in the liturgical legislation for either “versus populum” or “ad orientem.” Since both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.

— ‘Congregation for Divine Worship (Vatican City), 10 April 2000’

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  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)

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