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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Brooklyn Writes Us — Re: “Slander” Article

Corpus Christi Watershed · October 18, 2023

We love receiving mail from readers. When possible, we share such letters with you. We seldom reveal names, although our posted policy does allow that. Normally, we create a fake name—to protect the reader’s privacy. The following was sent to us by “Brooklyn.”

WRITE IN RESPONSE to your article published on 25 September 2023 titled: “Slander” • Response to an Accusation We Received, an essay I read with great interest. I would like to say that I have never, in church, used a hymnal which was organized alphabetically, and my parish doesn’t have the ADOREMUS HYMNAL. One thing I don’t like about TOPIC HYMNALS is that sometimes a hymn listed under “funerals” is appropriate for a Sunday Mass. Sometimes a “gathering” hymn is great for the recessional. Sometimes an “Easter” hymn is also appropriate for the offertory. See what I mean? I’m sure that you and your fellow publishers of the ADOREMUS HYMNAL probably didn’t label any hymn so strictly, but that would be a reason to list alphabetically. 🔴 Sincerely yours, Brooklyn.

Now follows a response to Brooklyn by Jeff Ostrowski.

ROOKLYN, I want to thank you for your thoughtful letter. First of all, I had nothing to do with producing the ADOREMUS HYMNAL, which appeared when I was still in high school. I can assure you it does not use an alphabetical arrangement. I’m familiar with that book, because when I was teaching at a Catholic high school many years ago, that was the book they purchased. Now is not the time for me to provide an “evaluation” or “review” of the ADOREMUS HYMNAL. Indeed, I doubt many would be interested in hearing my opinions about it. I do remember their numbering system was problematic, because it skips tons of numbers. For example, it skips from number 404 to 410, and from number 563 to 570, and from number 592 to 600. I remember this vividly, because the principal would constantly complain to me about “missing pages.” Regarding your specific comment, the ADOREMUS HYMNAL does include headers—and these caused me headaches when I was teaching those high school students. They would protest and gripe when I would assign the “wrong” hymn (in their mind) for a particular feast. Looking back, I admit it’s possible they were doing this to annoy their teacher! For example, in the ADOREMUS HYMNAL, number 411 is eminently suitable as a communion hymn, but look how it is labeled:

Striking A Chord With Jeff • To be clear, Brooklyn, what you wrote struck a chord (pardon the pun) because I remember so well fighting with those high school students about hymnal headers. Let me move away now from speaking about the ADOREMUS HYMNAL, because I don’t wish to denigrate something which—at the time it came out—was a noble and praiseworthy effort. Indeed, when the ADOREMUS HYMNAL first appeared, it signaled an important “turning point” at a time when church music in the United States was in terrible straits.

Make No Mistake • Please understand, Brooklyn: the Brébeuf Catholic Hymnal does not employ headers—such as you describe—for the precise reason you indicate. The reality is, certain hymns are appropriate for multiple feasts. An example would be the “Ave Maris Stella,” which is assigned as the VESPERS HYMN for innumerable feasts throughout the liturgical year.

Have Care! Beware! • Over the last five years, I have tried to emphasize that hymn melodies (and hymn texts) must be chosen carefully. The congregation’s sensibilities must be taken into account. For example, the melody for O SANCTISSIMA is reserved for Christmas Eve in certain parts of Germany, and is sung at no other time. But in the United States, that is not the case. Perhaps I can illustrate my point by talking about a hymn called TEMPUS ADEST FLORIDUM. In America, that tune is normally reserved for the season of Christmas. According to the footnotes in the Brébeuf Hymnal, it was originally a song for springtide—but that association faded away many years ago. I would strongly advise against using it as a “spring” song in America. Nevertheless, Dr. Ralph Keifer did precisely that in his 1975 hymnal:

*  PDF • A Reprehensible Hymn Pairing (In Jeff’s Opinion)
—THE CATHOLIC LITURGY BOOK: The People’s Complete Service Book (1975).

The Brébeuf Hymnal pairs TEMPUS ADEST FLORIDUM with a Marian text, and the females in my choir often sing that hymn during the season of Christmas (or the season of Epiphany):

To access this hymn’s media in the Brébeuf Portal, click here.

Conclusions • Brooklyn, let me reiterate that I had nothing to do with producing the ADOREMUS HYMNAL. Neither did any of my colleagues. Moreover, the ADOREMUS HYMNAL doesn’t use an alphabetical system for its hymns. I hope that nobody reading this article will take the comments I made about experiences with the ADOREMUS HYMNAL (when I was teaching high school) as an “attack” on that fine and praiseworthy effort. Indeed, my teacher and mentor was part of its production team. On the other hand, in the context of your email, I felt it was okay to share my personal experiences.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ave Maris Stella, Helen Hull Hitchcock Adoremus, Ignatius Adoremus Hymnal Last Updated: October 20, 2023

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

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— Robert Schumann

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