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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Brooklyn Writes Us — Re: “Slander” Article

Corpus Christi Watershed · October 18, 2023

We love receiving mail from readers. When possible, we share such letters with you. We seldom reveal names, although our posted policy does allow that. Normally, we create a fake name—to protect the reader’s privacy. The following was sent to us by “Brooklyn.”

WRITE IN RESPONSE to your article published on 25 September 2023 titled: “Slander” • Response to an Accusation We Received, an essay I read with great interest. I would like to say that I have never, in church, used a hymnal which was organized alphabetically, and my parish doesn’t have the ADOREMUS HYMNAL. One thing I don’t like about TOPIC HYMNALS is that sometimes a hymn listed under “funerals” is appropriate for a Sunday Mass. Sometimes a “gathering” hymn is great for the recessional. Sometimes an “Easter” hymn is also appropriate for the offertory. See what I mean? I’m sure that you and your fellow publishers of the ADOREMUS HYMNAL probably didn’t label any hymn so strictly, but that would be a reason to list alphabetically. 🔴 Sincerely yours, Brooklyn.

Now follows a response to Brooklyn by Jeff Ostrowski.

ROOKLYN, I want to thank you for your thoughtful letter. First of all, I had nothing to do with producing the ADOREMUS HYMNAL, which appeared when I was still in high school. I can assure you it does not use an alphabetical arrangement. I’m familiar with that book, because when I was teaching at a Catholic high school many years ago, that was the book they purchased. Now is not the time for me to provide an “evaluation” or “review” of the ADOREMUS HYMNAL. Indeed, I doubt many would be interested in hearing my opinions about it. I do remember their numbering system was problematic, because it skips tons of numbers. For example, it skips from number 404 to 410, and from number 563 to 570, and from number 592 to 600. I remember this vividly, because the principal would constantly complain to me about “missing pages.” Regarding your specific comment, the ADOREMUS HYMNAL does include headers—and these caused me headaches when I was teaching those high school students. They would protest and gripe when I would assign the “wrong” hymn (in their mind) for a particular feast. Looking back, I admit it’s possible they were doing this to annoy their teacher! For example, in the ADOREMUS HYMNAL, number 411 is eminently suitable as a communion hymn, but look how it is labeled:

Striking A Chord With Jeff • To be clear, Brooklyn, what you wrote struck a chord (pardon the pun) because I remember so well fighting with those high school students about hymnal headers. Let me move away now from speaking about the ADOREMUS HYMNAL, because I don’t wish to denigrate something which—at the time it came out—was a noble and praiseworthy effort. Indeed, when the ADOREMUS HYMNAL first appeared, it signaled an important “turning point” at a time when church music in the United States was in terrible straits.

Make No Mistake • Please understand, Brooklyn: the Brébeuf Catholic Hymnal does not employ headers—such as you describe—for the precise reason you indicate. The reality is, certain hymns are appropriate for multiple feasts. An example would be the “Ave Maris Stella,” which is assigned as the VESPERS HYMN for innumerable feasts throughout the liturgical year.

Have Care! Beware! • Over the last five years, I have tried to emphasize that hymn melodies (and hymn texts) must be chosen carefully. The congregation’s sensibilities must be taken into account. For example, the melody for O SANCTISSIMA is reserved for Christmas Eve in certain parts of Germany, and is sung at no other time. But in the United States, that is not the case. Perhaps I can illustrate my point by talking about a hymn called TEMPUS ADEST FLORIDUM. In America, that tune is normally reserved for the season of Christmas. According to the footnotes in the Brébeuf Hymnal, it was originally a song for springtide—but that association faded away many years ago. I would strongly advise against using it as a “spring” song in America. Nevertheless, Dr. Ralph Keifer did precisely that in his 1975 hymnal:

*  PDF • A Reprehensible Hymn Pairing (In Jeff’s Opinion)
—THE CATHOLIC LITURGY BOOK: The People’s Complete Service Book (1975).

The Brébeuf Hymnal pairs TEMPUS ADEST FLORIDUM with a Marian text, and the females in my choir often sing that hymn during the season of Christmas (or the season of Epiphany):

To access this hymn’s media in the Brébeuf Portal, click here.

Conclusions • Brooklyn, let me reiterate that I had nothing to do with producing the ADOREMUS HYMNAL. Neither did any of my colleagues. Moreover, the ADOREMUS HYMNAL doesn’t use an alphabetical system for its hymns. I hope that nobody reading this article will take the comments I made about experiences with the ADOREMUS HYMNAL (when I was teaching high school) as an “attack” on that fine and praiseworthy effort. Indeed, my teacher and mentor was part of its production team. On the other hand, in the context of your email, I felt it was okay to share my personal experiences.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ave Maris Stella, Helen Hull Hitchcock Adoremus, Ignatius Adoremus Hymnal Last Updated: October 20, 2023

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President’s Corner

    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The modern human being, wearied by the noisy and hectic life, through an attentive listening can find in church a restful peace which is the springboard for true prayer.”

— Dr. Joseph Lennards (1966)

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