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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Brooklyn Writes Us — Re: “Slander” Article

Corpus Christi Watershed · October 18, 2023

We love receiving mail from readers. When possible, we share such letters with you. We seldom reveal names, although our posted policy does allow that. Normally, we create a fake name—to protect the reader’s privacy. The following was sent to us by “Brooklyn.”

WRITE IN RESPONSE to your article published on 25 September 2023 titled: “Slander” • Response to an Accusation We Received, an essay I read with great interest. I would like to say that I have never, in church, used a hymnal which was organized alphabetically, and my parish doesn’t have the ADOREMUS HYMNAL. One thing I don’t like about TOPIC HYMNALS is that sometimes a hymn listed under “funerals” is appropriate for a Sunday Mass. Sometimes a “gathering” hymn is great for the recessional. Sometimes an “Easter” hymn is also appropriate for the offertory. See what I mean? I’m sure that you and your fellow publishers of the ADOREMUS HYMNAL probably didn’t label any hymn so strictly, but that would be a reason to list alphabetically. 🔴 Sincerely yours, Brooklyn.

Now follows a response to Brooklyn by Jeff Ostrowski.

ROOKLYN, I want to thank you for your thoughtful letter. First of all, I had nothing to do with producing the ADOREMUS HYMNAL, which appeared when I was still in high school. I can assure you it does not use an alphabetical arrangement. I’m familiar with that book, because when I was teaching at a Catholic high school many years ago, that was the book they purchased. Now is not the time for me to provide an “evaluation” or “review” of the ADOREMUS HYMNAL. Indeed, I doubt many would be interested in hearing my opinions about it. I do remember their numbering system was problematic, because it skips tons of numbers. For example, it skips from number 404 to 410, and from number 563 to 570, and from number 592 to 600. I remember this vividly, because the principal would constantly complain to me about “missing pages.” Regarding your specific comment, the ADOREMUS HYMNAL does include headers—and these caused me headaches when I was teaching those high school students. They would protest and gripe when I would assign the “wrong” hymn (in their mind) for a particular feast. Looking back, I admit it’s possible they were doing this to annoy their teacher! For example, in the ADOREMUS HYMNAL, number 411 is eminently suitable as a communion hymn, but look how it is labeled:

Striking A Chord With Jeff • To be clear, Brooklyn, what you wrote struck a chord (pardon the pun) because I remember so well fighting with those high school students about hymnal headers. Let me move away now from speaking about the ADOREMUS HYMNAL, because I don’t wish to denigrate something which—at the time it came out—was a noble and praiseworthy effort. Indeed, when the ADOREMUS HYMNAL first appeared, it signaled an important “turning point” at a time when church music in the United States was in terrible straits.

Make No Mistake • Please understand, Brooklyn: the Brébeuf Catholic Hymnal does not employ headers—such as you describe—for the precise reason you indicate. The reality is, certain hymns are appropriate for multiple feasts. An example would be the “Ave Maris Stella,” which is assigned as the VESPERS HYMN for innumerable feasts throughout the liturgical year.

Have Care! Beware! • Over the last five years, I have tried to emphasize that hymn melodies (and hymn texts) must be chosen carefully. The congregation’s sensibilities must be taken into account. For example, the melody for O SANCTISSIMA is reserved for Christmas Eve in certain parts of Germany, and is sung at no other time. But in the United States, that is not the case. Perhaps I can illustrate my point by talking about a hymn called TEMPUS ADEST FLORIDUM. In America, that tune is normally reserved for the season of Christmas. According to the footnotes in the Brébeuf Hymnal, it was originally a song for springtide—but that association faded away many years ago. I would strongly advise against using it as a “spring” song in America. Nevertheless, Dr. Ralph Keifer did precisely that in his 1975 hymnal:

*  PDF • A Reprehensible Hymn Pairing (In Jeff’s Opinion)
—THE CATHOLIC LITURGY BOOK: The People’s Complete Service Book (1975).

The Brébeuf Hymnal pairs TEMPUS ADEST FLORIDUM with a Marian text, and the females in my choir often sing that hymn during the season of Christmas (or the season of Epiphany):

To access this hymn’s media in the Brébeuf Portal, click here.

Conclusions • Brooklyn, let me reiterate that I had nothing to do with producing the ADOREMUS HYMNAL. Neither did any of my colleagues. Moreover, the ADOREMUS HYMNAL doesn’t use an alphabetical system for its hymns. I hope that nobody reading this article will take the comments I made about experiences with the ADOREMUS HYMNAL (when I was teaching high school) as an “attack” on that fine and praiseworthy effort. Indeed, my teacher and mentor was part of its production team. On the other hand, in the context of your email, I felt it was okay to share my personal experiences.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ave Maris Stella, Helen Hull Hitchcock Adoremus, Ignatius Adoremus Hymnal Last Updated: October 20, 2023

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President’s Corner

    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed

Random Quote

“The training in singing, to sing in a chorus, is not only an exercise of external listening and of the voice; it is also training for interior listening, listening with the heart, an exercise in training for life and for peace.”

— Pope Benedict XVI

Recent Posts

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  • PDF • Our Lady of Guadalupe (12 Dec.)

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