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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Must Hymns Always Rhyme?” • (With Examples)

Jeff Ostrowski · October 3, 2023

N 1964, BARRY GOLDWATER of Arizona ran against Lyndon B. Johnson, who became president when JFK was shot and killed in Dallas. The strategy of Goldwater’s opponents was to paint Goldwater as a “trigger-happy cowboy” who would start a nuclear war. Goldwater’s campaign slogan was: In your heart you know he’s right. An adversary of Goldwater—with a potent sense of humor—modified that slogan, printing bumper stickers saying: “In your heart you know he’s nuts.” [For the record, the Republican party was “destined” to lose that year, due to enormous sympathy generated by Kennedy’s assassination.]

An Easier Route? • At various times over the last 100 years, some have attempted to dispense with hymns that rhyme. In English, writing a hymn that doesn’t rhyme is much easier than writing one that does. The justification usually given is: “Not all Latin hymns rhyme.” In a certain sense, that’s true—but it’s not that simple. Ancient Latin hymns used two systems: QUANTITATIVE (long and short syllables) and QUALITATIVE (stress-accent). Fortescue says quantitative was once considered “the more noble” form, but as the centuries elapsed it was quashed by the stress-accent type. For those of us alive today, the problem is that both systems were commingled for roughly 600 years—and it’s not always easy to determine what system is being used during the transitional period. As Father Britt wrote: “In studying the hymns chronologically, it will be observed also that the growth of rhyme kept pace with the growth of accent.” Broadly speaking, extremely ancient Catholic hymns usually don’t rhyme, whereas the those written later (circa 1200AD) usually do. An excellent way to keep things straight is to remember the PANGE LINGUA GLORIOSI. The version by Bishop Venantius Fortunatus (from the 6th century) doesn’t rhyme. But when Saint Thomas Aquinas made his version 600 years later—using the version by Fortunatus as a model—all the verses rhyme.

Should Hymns Rhyme? • I started by mentioning Barry Goldwater’s campaign slogan: “In your heart you know he’s right.” Hymns in English absolutely must rhyme because the melodies don’t feel complete otherwise. I believe that in your heart you know this is true. The following was recorded by our volunteer choir yesterday (1 October 2023):

To access this hymn’s media in the Brébeuf Portal, click here.

Agree? Or Disagree? • Do you see how our ears anticipate those rhymes? The rhymes are so satisfying. Do you agree it would be totally unfulfilling not have non-rhyming stanzas? Below is a different rhyme-scheme … but it employs the same melody:

To access this hymn’s media in the Brébeuf Portal, click here.

Summary • The ear craves the “fulfillment” of rhymes. Non-rhyming hymns are certainly tempting because they’re so much easier to write. But the ear needs rhymes. Needless to say, exceptions do exist. For example, for a complicated non-metrical melody such as this, one could “get away with” a non-rhyming text.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Quantitative Vs Qualitative Hymns Last Updated: October 16, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest.
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“In chronological order, [Dom Pierre Combe] traces the Gregorian reform from its beginnings under Dom Guéranger in 1833, to the problems of the Vatican Commission on Sacred Music in the first decade of the 20th century. As one reads the topic headings and development of their content, one wonders how such an innocent and un-warlike subject such as Gregorian chant could have been the focal point of such an intense and continuing battle among scholars and churchmen for so many decades.”

— Dr. Theodore Marier (1968)

Recent Posts

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  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)
  • PDF Download • “Sprinkling Rite” + Psalm Verses
  • Buckfast Abbey Weighs In
  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)

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