• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Must Hymns Always Rhyme?” • (With Examples)

Jeff Ostrowski · October 3, 2023

N 1964, BARRY GOLDWATER of Arizona ran against Lyndon B. Johnson, who became president when JFK was shot and killed in Dallas. The strategy of Goldwater’s opponents was to paint Goldwater as a “trigger-happy cowboy” who would start a nuclear war. Goldwater’s campaign slogan was: In your heart you know he’s right. An adversary of Goldwater—with a potent sense of humor—modified that slogan, printing bumper stickers saying: “In your heart you know he’s nuts.” [For the record, the Republican party was “destined” to lose that year, due to enormous sympathy generated by Kennedy’s assassination.]

An Easier Route? • At various times over the last 100 years, some have attempted to dispense with hymns that rhyme. In English, writing a hymn that doesn’t rhyme is much easier than writing one that does. The justification usually given is: “Not all Latin hymns rhyme.” In a certain sense, that’s true—but it’s not that simple. Ancient Latin hymns used two systems: QUANTITATIVE (long and short syllables) and QUALITATIVE (stress-accent). Fortescue says quantitative was once considered “the more noble” form, but as the centuries elapsed it was quashed by the stress-accent type. For those of us alive today, the problem is that both systems were commingled for roughly 600 years—and it’s not always easy to determine what system is being used during the transitional period. As Father Britt wrote: “In studying the hymns chronologically, it will be observed also that the growth of rhyme kept pace with the growth of accent.” Broadly speaking, extremely ancient Catholic hymns usually don’t rhyme, whereas the those written later (circa 1200AD) usually do. An excellent way to keep things straight is to remember the PANGE LINGUA GLORIOSI. The version by Bishop Venantius Fortunatus (from the 6th century) doesn’t rhyme. But when Saint Thomas Aquinas made his version 600 years later—using the version by Fortunatus as a model—all the verses rhyme.

Should Hymns Rhyme? • I started by mentioning Barry Goldwater’s campaign slogan: “In your heart you know he’s right.” Hymns in English absolutely must rhyme because the melodies don’t feel complete otherwise. I believe that in your heart you know this is true. The following was recorded by our volunteer choir yesterday (1 October 2023):

To access this hymn’s media in the Brébeuf Portal, click here.

Agree? Or Disagree? • Do you see how our ears anticipate those rhymes? The rhymes are so satisfying. Do you agree it would be totally unfulfilling not have non-rhyming stanzas? Below is a different rhyme-scheme … but it employs the same melody:

To access this hymn’s media in the Brébeuf Portal, click here.

Summary • The ear craves the “fulfillment” of rhymes. Non-rhyming hymns are certainly tempting because they’re so much easier to write. But the ear needs rhymes. Needless to say, exceptions do exist. For example, for a complicated non-metrical melody such as this, one could “get away with” a non-rhyming text.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Quantitative Vs Qualitative Hymns Last Updated: October 16, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

“There’s a world of difference between a thoughtful, wise Catholic and a bitter contrarian. In spite of what is claimed on certain blogs, being addicted to cable news and twitter does not make one an intellectual.”

— Jeff Ostrowski

Recent Posts

  • Spectacular Communion Setting!
  • Now That You’re Shunning Bad Hymns … Stop Announcing Them!
  • Bach’s Psychotically Awesome Walking Bassline
  • A Simple Way to Utilize Handbells
  • Fulton J. Sheen • “24-Hour Catechism”

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.