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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Palestrina Would Not Recognize This! • (Plus: Hopeful Signs)

Jeff Ostrowski · October 2, 2023

HE HOLY MARTYRS of North America were Jesuits who had their nails bitten off, their fingers sawn off, their tongues cut out, and were roasted (slowly) over fires for months. In spite of all that, their desire to suffer for JESUS CHRIST could not be satiated. In one incident, Father Isaac Jogues (d. 1646) knelt at the side of René Goupil, who was bleeding profusely from his wounds. “Dearest brother,” he said, “God has acted strangely toward us. But He is the Lord and the Master. What is good in His eyes, that He has done. As it has pleased Him, so be it. Blessed is His Holy Name forever.”

“God Has Acted Strangely” • In a certain sense, God has acted “strangely” in our day. Powerful clerics have attempted to forbid the Sacrifice of Calvary (!) from being celebrated inside a parish church. On the other hand, Canon Law (932 §1) stipulates: “The eucharistic celebration is to be carried out in a sacred place.” And yet, the following concert (see below) was allowed to take place in a church! Who can make sense of this?

A Different Type Of Jesuit • On 21 September 2023, composers Dan Schutte, Father Roc O’Connor (SJ), and Father Bob Dufford (SJ) joined together at Old Saint Patrick’s Church in Chicago for a concert called: “Sing to the Mountains!” The men stood in the Sanctuary of the church. A crowd of middle-aged and elderly people in the audience sang songs like Be Not Afraid, Sing to the Mountains, and Here I Am, Lord. Many consider those ditties to be a mixture of Broadway and folk—i.e. not suitable for Mass. Pictures from the event:

Palestrina Aghast! • Masters such as Palestrina (who died in the arms of Saint Philip Neri), Guerrero, Lassus, Byrd, Marenzio, Morales, Jacobus Händl, Zachariis, Bernabei, Nanino, Croce, Zoilo, Clemens Non Papa, Gabrieli, Josquin, Ingegneri, and Victoria wrote music of incomparable excellence for the sacred liturgy. Their compositions have never been surpassed. The purity of their melodies, the timelessness of their harmonies, and their utter command of counterpoint boggles the mind even today. Suppose you invented a time-machine to zip back to the 16th century. Suppose you showed them elderly men standing in the SANCTUARY playing secular instruments. What would they have thought?

The Bible • In the Gospel of Saint Matthew, we read: “Woe to the world because of scandals. For it must needs be that scandals come: but nevertheless woe to that man by whom the scandal cometh.” Perhaps we could do a better job shining the light on scandals. It seems like the same mistakes are made over and over again. For instance, my colleague ANDREA LEAL recently posted a video from a major Catholic publisher. I’m not going to repeat everything Andrea already said, but I would note the USCCB had previously given exclusive rights over the psalter to a private, non-Catholic company. Jeffrey Tucker of the CMAA found out about this and attempted to sound the alarm, but very few listened. (Dr. Jerry Galipeau was an exception, and it reflects well on him.) Recently, it was announced that ICEL has given exclusive rights (!) to sell the new LITURGY OF THE HOURS hymns to that same company! That company’s president declared on 30 September 2016:

“I’ve had the honor to work with these three wonderful people [Marty Haugen, Michael Joncas, and David Haas] for more than 30 years, and I can’t overestimate the profound impact that they’ve all had for me personally, for everyone at GIA Publications, and for the worshiping church at large.”

Déjà Vu • Why was that non-Catholic company given exclusive rights to sell (!) the hymns of the LITURGY OF THE HOURS? Do we really want a company that has been “profoundly impacted” by David Haas “for more than 30 years” to have exclusive rights to sell prayers that Catholic priests are required to say each day?

Signs Of Hope • Some claim that efforts to strangle and persecute Catholics desirous of traditional worship and orthodox teachings demonstrate that certain clerics in power deeply fear the groundswell. Si habuerítis fidem sicut granum sinápis, dicétis monti huic: Transi hinc illuc, et transibit, et nihil impossíbile erit vobis. Let’s pray that our leaders respond to what Pope Saint John Paul II called the “legitimate aspirations” of the People of God. Young Catholics especially appreciate and love the MISSALE VETUSTUM. Indeed, I didn’t see a single young person in any of the pictures of their audience. Not a single one. Am I wrong?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Arthur Cardinal Roche, Dan Schutte Mass of Christ the Savior, Missale Vetustum Last Updated: October 3, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“I vividly remember going to church with him in Bournemouth. He was a devout Roman Catholic and it was soon after the Church had changed the liturgy (from Latin to English). My grandfather obviously didn’t agree with this and made all the responses very loudly in Latin while the rest of the congregation answered in English. I found the whole experience quite excruciating, but my grandfather was oblivious. He simply had to do what he believed to be right.”

— Simon Tolkien (2003)

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  • “In Paradisum” • Gregorian Chant
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