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Views from the Choir Loft

Introducing the CRCCM Repertoire Project

Daniel Tucker · September 23, 2023

ODAY I PLAYED MY FIRST SPANISH-LANGUAGE NUPTIAL MASS – a glorious occasion, but one not without a learning curve for this music director! In search of a good Spanish setting of one of the nuptial Mass psalms, I sent out a plea to my colleagues in the Conference of Roman Catholic Cathedral Musicians. And boy, was I richly rewarded! My fellow laborer in the vineyard of souls, Marc Cerisier, pointed me to a lovely setting that he had recently composed of Ps 34 (“Haz la prueba y verás qué bueno es el Señor”).

Spanish-Nuptial-Mass-Psalm-34.2-9Download

This psalm, and many more fine compositions by composers both past and present, are helpfully catalogued at the CRCCM’s new Repertoire Project (https://repertoire.crccm.org), a database which offers an ever-expanding list of choral music recommendations for Sundays, solemnities, and ritual Masses throughout the liturgical year by way of a user-friendly online interface. The database includes entries about published/copyrighted works, as well as entries with scores for those that are in the public domain or made freely available by the composer. The contents of the database are searchable by liturgical date or season, composer, language, musical forces required, and more!


This resource is made freely available to everyone, not just cathedral music directors. As the webpage states, “The Conference of Roman Catholic Cathedral Musicians humbly offers this trove of choral repertoire to Roman Catholic musicians and those of other denominations as an aid to planning music for liturgical celebrations. We hope you find this resource valuable and we invite you to revisit the site periodically as its offerings are further enriched over time.”


I hope that you will take advantage of this treasure trove of ideas and resources, and I would like to extend my thanks to all of my CRCCM colleagues for their collegiality and support, which enable us all to better serve Our Lord and His people.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 23, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“There is no music worth hearing save that written in the last 40 years.”

— Johannes Tinctoris (1477)

Recent Posts

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  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”

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