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Views from the Choir Loft

“Everybody Loves Raymond” Actress Responds to Cardinal Dolan

Jeff Ostrowski · September 23, 2023

EBUKE. In this painfully polarized world, is it possible to gently “rebuke” or “correct” or “straighten out” somebody without being accused of attacking them? I have absolutely nothing against Timothy Cardinal Doland. In no way do I wish to attack him. That being said, it cannot be denied that his recent article contains flagrantly ridiculous statements about the liturgy. I don’t have time to rehash and re-litigate his entire article, but let me make a few quick points:

(1) The Second Vatican Council solemnly declared: “The treasury of sacred music [THESAURUS MUSICAE SACRAE] is to be preserved and fostered with great care.” In light of that statement, it is utterly bizarre for Cardinal Dolan to assert that music of excessive length (!) is delaying the Holy Mass and driving people away. I have spent my life making the case that far too much music sung in the Ordinary Form is goofy, undignified, secular, inappropriate, and wholly unworthy of the house of God. As Father Skeris famously asked: “Why does so much post-conciliar church music sound like a toothpaste commercial?” Time and again, I’ve made it clear the musical status quo is completely unacceptable if Catholics really believe what they say they do about the Holy Mass. I’ve publicly lamented how some priests and bishops act as though “preserved and fostered with great care” actually means “forbidden, denigrated, and outlawed” when it comes to the THESAURUS MUSICAE SACRAE. But excessive length? Are you kidding me?
(2) What he said about the Easter Vigil is misguided, and anyone who wants to learn more should purchase the third edition of the Saint Edmund Campion Missal, the preëminent resource vis-à-vis the 20th-century Holy Week changes. Is anyone willing to purchase a copy from SOPHIA INSTITUTE PRESS and present it to Cardinal Dolan in person?
(3) I have been a Catholic my entire life. I have never experienced anything even remotely similar to what he says about “excessively lengthy compositions” like the AGNUS DEI and GLORIA IN EXCELSIS in the Ordinary Form.1

Everybody Loves Raymond • My sister used to watch a show called Everybody Loves Raymond. A famous actress from the television sitcom (named Patricia Heaton) responded on 22 September 2023 to Cardinal Dolan in the following way:

This is more than sad. When the clergy treats the Mass as a chore to get finished as quickly as possible, they should step away. The Mass is the opportunity to receive the actual body and blood of Christ. When you surround that miracle with bad 70’s music and shallow, childish homilies that aren’t intellectually stimulating or spiritually challenging, you lose people. The reason that so many Catholics are asking for traditional and Latin Masses is that they are seeking to experience the sacred wonder of what God did for us over 2000 years ago. It is mystifying that Pope Francis and others seek to squash those who yearn for a true experience of Christ.

Úsqueqo, Domine?

1 However, I do admit that if people hate music, or if the music is terrible, or if somebody has only ever listened to pop songs and rock music on the radio their entire life, a 30-second piece can feel like it’s 30 minutes.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Thesaurus musicae sacrae Last Updated: September 23, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Indeed I might add that although unfamiliar with it myself, the Extraordinary Form expressly reminds us that Mass in either form is not merely a communion meal but a ritual of love, a sacrifice at Calvary, by which, for you and for me, yes, here and now, Jesus Christ lays down his life.

— ‘Most Rev. Philip Egan, Bishop of Portsmouth’

Recent Posts

  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?

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