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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Everybody Loves Raymond” Actress Responds to Cardinal Dolan

Jeff Ostrowski · September 23, 2023

EBUKE. In this painfully polarized world, is it possible to gently “rebuke” or “correct” or “straighten out” somebody without being accused of attacking them? I have absolutely nothing against Timothy Cardinal Doland. In no way do I wish to attack him. That being said, it cannot be denied that his recent article contains flagrantly ridiculous statements about the liturgy. I don’t have time to rehash and re-litigate his entire article, but let me make a few quick points:

(1) The Second Vatican Council solemnly declared: “The treasury of sacred music [THESAURUS MUSICAE SACRAE] is to be preserved and fostered with great care.” In light of that statement, it is utterly bizarre for Cardinal Dolan to assert that music of excessive length (!) is delaying the Holy Mass and driving people away. I have spent my life making the case that far too much music sung in the Ordinary Form is goofy, undignified, secular, inappropriate, and wholly unworthy of the house of God. As Father Skeris famously asked: “Why does so much post-conciliar church music sound like a toothpaste commercial?” Time and again, I’ve made it clear the musical status quo is completely unacceptable if Catholics really believe what they say they do about the Holy Mass. I’ve publicly lamented how some priests and bishops act as though “preserved and fostered with great care” actually means “forbidden, denigrated, and outlawed” when it comes to the THESAURUS MUSICAE SACRAE. But excessive length? Are you kidding me?
(2) What he said about the Easter Vigil is misguided, and anyone who wants to learn more should purchase the third edition of the Saint Edmund Campion Missal, the preëminent resource vis-à-vis the 20th-century Holy Week changes. Is anyone willing to purchase a copy from SOPHIA INSTITUTE PRESS and present it to Cardinal Dolan in person?
(3) I have been a Catholic my entire life. I have never experienced anything even remotely similar to what he says about “excessively lengthy compositions” like the AGNUS DEI and GLORIA IN EXCELSIS in the Ordinary Form.1

Everybody Loves Raymond • My sister used to watch a show called Everybody Loves Raymond. A famous actress from the television sitcom (named Patricia Heaton) responded on 22 September 2023 to Cardinal Dolan in the following way:

This is more than sad. When the clergy treats the Mass as a chore to get finished as quickly as possible, they should step away. The Mass is the opportunity to receive the actual body and blood of Christ. When you surround that miracle with bad 70’s music and shallow, childish homilies that aren’t intellectually stimulating or spiritually challenging, you lose people. The reason that so many Catholics are asking for traditional and Latin Masses is that they are seeking to experience the sacred wonder of what God did for us over 2000 years ago. It is mystifying that Pope Francis and others seek to squash those who yearn for a true experience of Christ.

Úsqueqo, Domine?

1 However, I do admit that if people hate music, or if the music is terrible, or if somebody has only ever listened to pop songs and rock music on the radio their entire life, a 30-second piece can feel like it’s 30 minutes.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Thesaurus musicae sacrae Last Updated: September 23, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

Let us ponder the incontrovertible fact that Eucharistic Adoration in the Ordinary Form (“Novus Ordo”) is always and everywhere celebrated “ad orientem.” Why, then, is there such opposition to Mass being celebrated in that way, which is actually stipulated by the 1970 Missal rubrics?

— A Benedictine Monk (2013)

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