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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Everybody Loves Raymond” Actress Responds to Cardinal Dolan

Jeff Ostrowski · September 23, 2023

EBUKE. In this painfully polarized world, is it possible to gently “rebuke” or “correct” or “straighten out” somebody without being accused of attacking them? I have absolutely nothing against Timothy Cardinal Doland. In no way do I wish to attack him. That being said, it cannot be denied that his recent article contains flagrantly ridiculous statements about the liturgy. I don’t have time to rehash and re-litigate his entire article, but let me make a few quick points:

(1) The Second Vatican Council solemnly declared: “The treasury of sacred music [THESAURUS MUSICAE SACRAE] is to be preserved and fostered with great care.” In light of that statement, it is utterly bizarre for Cardinal Dolan to assert that music of excessive length (!) is delaying the Holy Mass and driving people away. I have spent my life making the case that far too much music sung in the Ordinary Form is goofy, undignified, secular, inappropriate, and wholly unworthy of the house of God. As Father Skeris famously asked: “Why does so much post-conciliar church music sound like a toothpaste commercial?” Time and again, I’ve made it clear the musical status quo is completely unacceptable if Catholics really believe what they say they do about the Holy Mass. I’ve publicly lamented how some priests and bishops act as though “preserved and fostered with great care” actually means “forbidden, denigrated, and outlawed” when it comes to the THESAURUS MUSICAE SACRAE. But excessive length? Are you kidding me?
(2) What he said about the Easter Vigil is misguided, and anyone who wants to learn more should purchase the third edition of the Saint Edmund Campion Missal, the preëminent resource vis-à-vis the 20th-century Holy Week changes. Is anyone willing to purchase a copy from SOPHIA INSTITUTE PRESS and present it to Cardinal Dolan in person?
(3) I have been a Catholic my entire life. I have never experienced anything even remotely similar to what he says about “excessively lengthy compositions” like the AGNUS DEI and GLORIA IN EXCELSIS in the Ordinary Form.1

Everybody Loves Raymond • My sister used to watch a show called Everybody Loves Raymond. A famous actress from the television sitcom (named Patricia Heaton) responded on 22 September 2023 to Cardinal Dolan in the following way:

This is more than sad. When the clergy treats the Mass as a chore to get finished as quickly as possible, they should step away. The Mass is the opportunity to receive the actual body and blood of Christ. When you surround that miracle with bad 70’s music and shallow, childish homilies that aren’t intellectually stimulating or spiritually challenging, you lose people. The reason that so many Catholics are asking for traditional and Latin Masses is that they are seeking to experience the sacred wonder of what God did for us over 2000 years ago. It is mystifying that Pope Francis and others seek to squash those who yearn for a true experience of Christ.

Úsqueqo, Domine?

1 However, I do admit that if people hate music, or if the music is terrible, or if somebody has only ever listened to pop songs and rock music on the radio their entire life, a 30-second piece can feel like it’s 30 minutes.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Thesaurus musicae sacrae Last Updated: September 23, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

The Council of Trent taught: “In this divine sacrifice which takes place at Mass, the same Christ is present and is immolated in an unbloody manner, Who once on the Cross offered Himself in a bloody manner. For the victim is one and the same, now offering through the ministry of priests, Who then offered Himself on the Cross; only the manner of offering is different” (Session XXII, cap. 2, Denzinger, n. 940).

— Pope Pius XII (2 November 1954)

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  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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