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Views from the Choir Loft

“Everybody Loves Raymond” Actress Responds to Cardinal Dolan

Jeff Ostrowski · September 23, 2023

EBUKE. In this painfully polarized world, is it possible to gently “rebuke” or “correct” or “straighten out” somebody without being accused of attacking them? I have absolutely nothing against Timothy Cardinal Doland. In no way do I wish to attack him. That being said, it cannot be denied that his recent article contains flagrantly ridiculous statements about the liturgy. I don’t have time to rehash and re-litigate his entire article, but let me make a few quick points:

(1) The Second Vatican Council solemnly declared: “The treasury of sacred music [THESAURUS MUSICAE SACRAE] is to be preserved and fostered with great care.” In light of that statement, it is utterly bizarre for Cardinal Dolan to assert that music of excessive length (!) is delaying the Holy Mass and driving people away. I have spent my life making the case that far too much music sung in the Ordinary Form is goofy, undignified, secular, inappropriate, and wholly unworthy of the house of God. As Father Skeris famously asked: “Why does so much post-conciliar church music sound like a toothpaste commercial?” Time and again, I’ve made it clear the musical status quo is completely unacceptable if Catholics really believe what they say they do about the Holy Mass. I’ve publicly lamented how some priests and bishops act as though “preserved and fostered with great care” actually means “forbidden, denigrated, and outlawed” when it comes to the THESAURUS MUSICAE SACRAE. But excessive length? Are you kidding me?
(2) What he said about the Easter Vigil is misguided, and anyone who wants to learn more should purchase the third edition of the Saint Edmund Campion Missal, the preëminent resource vis-à-vis the 20th-century Holy Week changes. Is anyone willing to purchase a copy from SOPHIA INSTITUTE PRESS and present it to Cardinal Dolan in person?
(3) I have been a Catholic my entire life. I have never experienced anything even remotely similar to what he says about “excessively lengthy compositions” like the AGNUS DEI and GLORIA IN EXCELSIS in the Ordinary Form.1

Everybody Loves Raymond • My sister used to watch a show called Everybody Loves Raymond. A famous actress from the television sitcom (named Patricia Heaton) responded on 22 September 2023 to Cardinal Dolan in the following way:

This is more than sad. When the clergy treats the Mass as a chore to get finished as quickly as possible, they should step away. The Mass is the opportunity to receive the actual body and blood of Christ. When you surround that miracle with bad 70’s music and shallow, childish homilies that aren’t intellectually stimulating or spiritually challenging, you lose people. The reason that so many Catholics are asking for traditional and Latin Masses is that they are seeking to experience the sacred wonder of what God did for us over 2000 years ago. It is mystifying that Pope Francis and others seek to squash those who yearn for a true experience of Christ.

Úsqueqo, Domine?

1 However, I do admit that if people hate music, or if the music is terrible, or if somebody has only ever listened to pop songs and rock music on the radio their entire life, a 30-second piece can feel like it’s 30 minutes.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Thesaurus musicae sacrae Last Updated: September 23, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The main place should be given, all things being equal, to gregorian chant, as being proper to the roman Liturgy. Other kinds of sacred music, in particular polyphony, are in no way excluded, provided that they correspond to the spirit of the liturgical action and that they foster the participation of all the faithful.”

— ‘2011 GIRM, §41 (Roman Missal, 3rd Edition)’

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