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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Concert in Honor of William Byrd

Dr. Charles Weaver · September 13, 2023

THIS YEAR marks four centuries since the death of William Byrd, a remarkable composer by any metric. If you spend lots of time with old music, you start to fancy that you know these people, that you are actually as intimately acquainted with them as with many of the friends and colleagues that populate your daily life. Certainly, I’ve spent a lot of time with the works of the mercurial Mr. Byrd, and my esteem for him knows no bounds.

We have already marked this anniversary a fair amount on this blog. There was a post by Dr. Tappan on the day itself, and Dr. Calabrese also recently wrote very movingly of the work we did on the Byrd Mass for Five Voices at this year’s symposium. This fall, I’m involved in a number of Byrd-centric projects marking the significant year. I would like to draw our readers’ attention to one in particular.

This Saturday at 7 pm, I’m organizing a concert at the church of the Most Holy Redeemer in Manhattan. Details are here. I warmly invite anyone in the area to come to the concert. The performers are trying to recreate the original context of much of Byrd’s Roman Catholic liturgical music, which would often have been performed in a domestic setting, in house Masses celebrated by roving Jesuits tending to the Roman Catholic faithful in a land that had otherwise moved on to the Anglican/Elizabethan religious settlement. All the music on the program is by Byrd. The first half of the concert features much of the music that would be sung at a Mass in honor of the Most Blessed Sacrament as on Corpus Christi, sung one-on-a-part. The second half of the concert explores arrangements of Byrd’s music by the remarkable recusant gentleman Edward Paston, who was acquainted with Byrd and who led a rich musical life (with singers, lutes, and other instruments) in his household. This musical culture seems to have been centered on Roman Catholic music, not only by Byrd but also by earlier English composers from before the reformation as well as more recent composers from the continent like Victoria, Lassus, and Palestrina. I have had occasion to write about this very music before. This time, we are only performing selections from Byrd. I hope some of you can join us.

Even if you can’t be there, I would like to use this moment to call to mind (once again!) Byrd’s remarkable list of reasons to learn to sing. There is much there to serve as spiritual food for modern choir directors. I particularly love the last, chief reason:

The better the voice is, the meeter it is to honour and serve God therewith: and the voice of man is chiefly to be employed to that end.

Indeed!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: September 13, 2023

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About Dr. Charles Weaver

Dr. Charles Weaver is on the faculty of the Juilliard School, and serves as director of music for St. Mary’s Church. He lives in Connecticut with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“However well equipped and trained a choir may be, all its good points may be obscured by an unsuitable accompaniment. In fact the organist can, in a large measure, either make or mar his choir. It must be owned, however, that the accompanist of Plainsong has to contend with many difficulties. […] The purist will still find his best enjoyment of the chant when it is sung unaccompanied, but to most a becoming accompaniment gives an added charm.”

— Benedictines of Stanbrook (1905)

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