• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Choirmasters, Can I See You?”

Jeff Ostrowski · August 1, 2023

HERE’S A LEGEND about SAINT THOMAS AQUINAS. (I can’t say for certain whether it happened in real life, because I wasn’t there.) In the monastery, a confrère of Saint Thomas told him he was mispronouncing a certain Latin word. As a matter of fact, Saint Thomas was pronouncing it correctly. According to the story, when it was time for Saint Thomas to read in front of everyone, he then intentionally mispronounced the word. Later on, a different confrère approached him, asking: “Why did you accent that word incorrectly? You know the proper way to pronounce it.” Saint Thomas Aquinas is said to have replied: “How to pronounce a word is a very unimportant thing—but humility is quite an important thing.”

Jeff Bragging • For many years, I served as an Altar Boy. Those are still the happiest memories of my life, especially when it was Low Mass and my father was the only one in the congregation. While still in high school, I was allowed to be Master of Ceremonies for FATHER JOSEPH BISIG (who was Superior General of the Priestly Fraternity of Saint Peter). I’m sure the Father Bisig has no memory of that; but for me, it was an unforgettable experience. In the sacristy, when the clock struck noon, I asked if he wanted to say the ANGELUS. Father Bisig replied: “I’m afraid I only know it in Latin, not in English.” In one of my proudest moments, I immediately replied: “I know it in Latin, too!” Later on, when Father Arnaud Devillers became FSSP Superior General, I also got to be Master of Ceremonies for him.

Setting The Stage • Anyhow, the point is: I loved serving at the Altar. I read a book that in the Renaissance times, those who served at the Altar would lie prostrate during the Consecration. (I always wanted to do that, but the rubrics no longer allowed it.) While the Creed was being sung, FATHER VALENTINE YOUNG would come to the foot of the Altar and kneel while the “Et Incarnátus” was being sung by the choir.

This Was Wrong • At some point, I started to bow—in addition to kneeling—at the “Et Incarnátus.” This was something I decided to do out of personal devotion, but the rubrics do not allow for it. I did this for several months. Then something happened I will never forget. Even though it is not mandated by the rubrics, and even though he was already an old man by that time, Father Valentine began to bow with me (while kneeling) while the “Et Incarnátus” was being sung by the choir!

Who Cares? • Please understand: most priests would not do that. I suspect most priests would have said: “Jeff, stop adding extra things that are not in the rubrics. Your job isn’t to add extra things. Nor are you to put your own ‘personal spin’ on being an Altar Boy. Your job is to do exactly what the rubrics tell you—and nothing else.” If a priest had told me that, I think he would have been correct. And yet, that’s not what Father Valentine did. It reminds me of the story about Saint Thomas Aquinas I told earlier.

Father Valentine Young, OFM • Every night, my family prays for the soul of Father Valentine Young, OFM. But this is not easy to do, because I truly believe he is in Heaven. Do you have difficulty praying for someone you believe to be in Heaven? As he lay dying, the spiritual Director of Saint John Mary Vianney asked him to destroy all his instruments of penance, such as the whip he used on his own back. He was afraid that if people thought he was in Heaven, they would not pray for him after he died.

My Belief • I believe Father Valentine is in Heaven because each day he woke up, prayed the VENI SANCTE SPIRITUS, and asked God: “What do you want me to do today?” And no matter what it was, I believe he tried to do what God wanted from him that day.

Can I See You? • I pray that I will be able to know the will of God and to do it. Never check your phone in the morning until you have said your morning prayers. When you wake up, never take your phone off “airplane mode” until you have offered your day to God. It’s very important that every Christian pray when they wake up in the morning. Even if it’s a very brief daily offering, never omit this! How many church musicians pray each day? How many church musicians pray at the very beginning of their day? I would hope 100% of church musicians do this. I almost wish I could see into the houses of every church music director in the world (each morning) and see whether we are all saying our morning prayers. It would give me strength to know that other choirmasters pray each day, and offer each day to God without fail.

Photos of Father Valentine, Courtesy of Miss Hannah H.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Joseph Bisig FSSP Last Updated: August 2, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“As often as possible they gathered together the children of the village and sat them down in the cabin. Father Brébeuf would put on a surplice and biretta and chant the Our Father, which Father Daniel had translated into Huron rhymes, and the children would chant it after him. Next, he taught them the sign of the cross, the Hail Mary, the Apostles’ Creed, and the Commandments.”

— Biography of St. Jean de Brébeuf

Recent Posts

  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
  • “Hybrid” Chant Notation?
  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up