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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Powerful Images • “Father John Brébeuf”

Corpus Christi Watershed · June 7, 2023

HREE HURONS escaped. Stricken with terror, they fled to the mission, where Brébeuf and Lalemant were just finishing the prayers after Mass. The priests heard the dreaded cry: “The Iroquois! They are at your gate!” The two priests rose from their prayers and hurried out into the village. Stephen Annaotaha rushed up to them and exclaimed, “My brothers, save yourselves! Go now, while there is time!” Brébeuf and Lalemant knew they could escape, but they spurned the thought. “No, Stephen,” Brébeuf replied, “I am remaining to minister to my people to the end.”

Saint Jean de Brébeuf
Saint Jean de Brébeuf
Saint Jean de Brébeuf
Saint Jean de Brébeuf
Saint Jean de Brébeuf
Saint Jean de Brébeuf
Saint Jean de Brébeuf
Saint Jean de Brébeuf
Saint Jean de Brébeuf

While de Brébeuf continued to pray in a commanding voice, to exhort the Hurons being tortured at nearby posts, to console Père Gabriel and the shackled prisoners, his tormentors stabbed him with javelin heads and sliced him with knives. Unmoved by their tormentings, he thundered at the top of his voice, “Jésus taiteur! Jesus, have mercy on us!” His plea rang out like a battle cry, and was answered by the Huron Believers, “Jésus taiteur!” Angered to insanity by his defiance, the Iroquois thrust torches against his face and into his mouth. He spat out the burning splinters, shook off the embers, and preached at his tormentors, especially at the renegade Hurons who were now revenging themselves on him. He exhorted them to believe in the God whom they had rejected. To show their hate, they burned and slashed him the more.

—Taken From The Life of Saint Jean de Brébeuf

Photo courtesy of the magnificent Father Lawrence Lew.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Canadian Martyrs Stained Glass, Father John Brébeuf, Father John Brébeuf Stained Glass, Jesuit Martyrs of North America, Stained Glass Windows Jesuit Martyrs Last Updated: July 14, 2023

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron). It would be difficult to phrase things more clearly than the pope: viz. the ADALBERT PROPERS are for recited Masses, the GRADUALE PROPERS are for Masses with singing.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Since the English is not meant to be sung, but only to tell people who do not understand Latin what the text means, a simple paraphrase in prose is sufficient. The versions are not always very literal. Literal translations from Latin hymns would often look odd in English. I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Fr. Adrian Fortescue (1913)

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