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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Colorado Sacred Music Conference” August 9-10 (2023) • Highlands Ranch, CO

Patrick Torsell · June 2, 2023

RUTH, BEAUTY, AND GOODNESS: the Transcendentals. The underpinnings of any faithful Catholic music program. Some parishes are blessed to have long-established sacred music programs with Gregorian Chant scholas, polyphonic choirs, professional organists, and well credentialed directors. For these lucky few, the support and resources are there to make building on the Transcendentals second nature. But what about the ordinary parish musician? The budding accompanist who desires to develop his/her skills? The cantor who wants to be more prayerful when chanting? The parish priest who desires beautiful sacred music at his church? The seminarian who wants to understand what the Church expects of sacred music programs? They all want a faithful and quality sacred music program. But how do they learn about the Transcendentals? The Church’s instruction and legislation on sacred music? The practical application of these ideas? How do they learn to chant? To encourage congregational participation? A wonderful opportunity to learn will be offered in Colorado with the 2023 Colorado Sacred Music Conference, a first in what will hopefully become an annual event.

Conference Overview • On August 9th & 10th, Diana Corliss, in conjunction pastor Fr. Greg Bierbaum, will host the 2023 Colorado Sacred Music Conference at St. Mark Catholic Church in Highlands Ranch, CO.  The intensive, two-day conferencewill immerse attendees in the foundations of building up a parish music program. The conference offers something for church musicians and clergy of all backgrounds, whether your music program currently sings Gregorian Chant or contemporary music, or any combination in between. The primary aim is to introduce directors, musicians, accompanists, singers, clergy, and seminarians to Catholic sacred traditions and relevant practical musical knowledge, and provide a fantastic networking opportunity with fellow Catholic musicians. Programming will include:

  • Understanding the powerful role of beauty in our spirituality and what the Church teaches about sacred music in the Mass.o How to build a sacred music repertoire based on the Three Transcendentals of Truth, Beauty, and Goodness.
  • Learning basic voice pedagogy, including: Improving the sound of your choir through a theological and holistic approach to vocal technique, and helping your choir to grow in skills like sight-reading, key familiarization, and tuning.
  • The fundamentals of Gregorian chant.
  • Basic and advanced accompaniment techniques.
  • The opportunity to sing a variety of sacred music for Mass and Vespers.
  • Breakout sessions for clergy and seminarians on the integral role of music in the Mass and how to become more confident singing particular Mass parts.
  • Conversations about the joys, challenges, and questions that arise in music ministry.

Conference Faculty • Our conference faculty includes keynote instructor: Dr. Jennifer Donnelson-Nowicka, Associate Professor and Director of Sacred Music at St. Patrick’s Seminary in Menlo Park, CA; Diana Corliss, Director of Sacred Music and Liturgy Coordinator at St. Mark Catholic Church in Highlands Ranch, CO; Richard Wheeler, Director of Music at Our Lady of Mt. Carmel Catholic Church in Littleton, CO; and Patrick Torsell, Associate Organist at Our Lady of Mt. Carmel, Littleton, and Staff Substitute Organist at the Cathedral Basilica of the Immaculate Conception, Denver, CO. VIP speakers and Mass Celebrants include Bishop James Golka of Colorado Springs and Fr. Greg Bierbaum of St. Mark, Highlands Ranch.

For the full schedule and registration details, visit:

*  https://stmark.regfox.com/2023-colorado-sacred-music-conference

Author’s Note • While my professional life has brought me back to a full-time role in the ski resort industry in Colorado, I’m thrilled to remain active in the world of sacred music, and honored to be a part of this conference! Since moving back to CO in 2020, I’ve returned to Our Lady of Mt. Carmel (FSSP) in Littleton, CO as an associate organist, and fill in as a substitute director as needed. I’ve also joined the staff at the Cathedral Basilica of the Immaculate Conception in Denver, CO as a substitute organist where I have the joy & privilege of playing the magnificent and mighty French-style Kimball-Morel organ in a stellar acoustic. I also sing tenor (and occasional countertenor) for Gaudium Verum, a Denver-based professional liturgical choir.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Gaudium Verum Denver Liturgical Choir, Patrick Torsell Organist Last Updated: June 3, 2023

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About Patrick Torsell

Patrick Torsell is a staff substitute organist at the Cathedral Basilica of the Immaculate Conception in Denver, CO, and associate organist at Our Lady of Mt. Carmel (FSSP), Littleton, CO—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“We must strip from our Catholic prayers and from the Catholic liturgy everything which can be the shadow of a stumbling block for our separated brethren—that is, for the Protestants.”

— Monsignor Annibale Bugnini (March, 1965) in L’Osservatore Romano

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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