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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Colorado Sacred Music Conference” August 9-10 (2023) • Highlands Ranch, CO

Patrick Torsell · June 2, 2023

RUTH, BEAUTY, AND GOODNESS: the Transcendentals. The underpinnings of any faithful Catholic music program. Some parishes are blessed to have long-established sacred music programs with Gregorian Chant scholas, polyphonic choirs, professional organists, and well credentialed directors. For these lucky few, the support and resources are there to make building on the Transcendentals second nature. But what about the ordinary parish musician? The budding accompanist who desires to develop his/her skills? The cantor who wants to be more prayerful when chanting? The parish priest who desires beautiful sacred music at his church? The seminarian who wants to understand what the Church expects of sacred music programs? They all want a faithful and quality sacred music program. But how do they learn about the Transcendentals? The Church’s instruction and legislation on sacred music? The practical application of these ideas? How do they learn to chant? To encourage congregational participation? A wonderful opportunity to learn will be offered in Colorado with the 2023 Colorado Sacred Music Conference, a first in what will hopefully become an annual event.

Conference Overview • On August 9th & 10th, Diana Corliss, in conjunction pastor Fr. Greg Bierbaum, will host the 2023 Colorado Sacred Music Conference at St. Mark Catholic Church in Highlands Ranch, CO.  The intensive, two-day conferencewill immerse attendees in the foundations of building up a parish music program. The conference offers something for church musicians and clergy of all backgrounds, whether your music program currently sings Gregorian Chant or contemporary music, or any combination in between. The primary aim is to introduce directors, musicians, accompanists, singers, clergy, and seminarians to Catholic sacred traditions and relevant practical musical knowledge, and provide a fantastic networking opportunity with fellow Catholic musicians. Programming will include:

  • Understanding the powerful role of beauty in our spirituality and what the Church teaches about sacred music in the Mass.o How to build a sacred music repertoire based on the Three Transcendentals of Truth, Beauty, and Goodness.
  • Learning basic voice pedagogy, including: Improving the sound of your choir through a theological and holistic approach to vocal technique, and helping your choir to grow in skills like sight-reading, key familiarization, and tuning.
  • The fundamentals of Gregorian chant.
  • Basic and advanced accompaniment techniques.
  • The opportunity to sing a variety of sacred music for Mass and Vespers.
  • Breakout sessions for clergy and seminarians on the integral role of music in the Mass and how to become more confident singing particular Mass parts.
  • Conversations about the joys, challenges, and questions that arise in music ministry.

Conference Faculty • Our conference faculty includes keynote instructor: Dr. Jennifer Donnelson-Nowicka, Associate Professor and Director of Sacred Music at St. Patrick’s Seminary in Menlo Park, CA; Diana Corliss, Director of Sacred Music and Liturgy Coordinator at St. Mark Catholic Church in Highlands Ranch, CO; Richard Wheeler, Director of Music at Our Lady of Mt. Carmel Catholic Church in Littleton, CO; and Patrick Torsell, Associate Organist at Our Lady of Mt. Carmel, Littleton, and Staff Substitute Organist at the Cathedral Basilica of the Immaculate Conception, Denver, CO. VIP speakers and Mass Celebrants include Bishop James Golka of Colorado Springs and Fr. Greg Bierbaum of St. Mark, Highlands Ranch.

For the full schedule and registration details, visit:

*  https://stmark.regfox.com/2023-colorado-sacred-music-conference

Author’s Note • While my professional life has brought me back to a full-time role in the ski resort industry in Colorado, I’m thrilled to remain active in the world of sacred music, and honored to be a part of this conference! Since moving back to CO in 2020, I’ve returned to Our Lady of Mt. Carmel (FSSP) in Littleton, CO as an associate organist, and fill in as a substitute director as needed. I’ve also joined the staff at the Cathedral Basilica of the Immaculate Conception in Denver, CO as a substitute organist where I have the joy & privilege of playing the magnificent and mighty French-style Kimball-Morel organ in a stellar acoustic. I also sing tenor (and occasional countertenor) for Gaudium Verum, a Denver-based professional liturgical choir.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Gaudium Verum Denver Liturgical Choir, Patrick Torsell Organist Last Updated: June 3, 2023

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About Patrick Torsell

Patrick Torsell is a staff substitute organist at the Cathedral Basilica of the Immaculate Conception in Denver, CO, and associate organist at Our Lady of Mt. Carmel (FSSP), Littleton, CO—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

It is known that the “mora vocis” is part of the compulsory rules of recital of the “Vaticana” and is indicated in the Editio typica and its reprints by a somewhat larger spacing of the neume (one space-line) within one group of neuma.

— 1953 Schwann Edition (PREFACE)

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