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Views from the Choir Loft

“Colorado Sacred Music Conference” August 9-10 (2023) • Highlands Ranch, CO

Patrick Torsell · June 2, 2023

RUTH, BEAUTY, AND GOODNESS: the Transcendentals. The underpinnings of any faithful Catholic music program. Some parishes are blessed to have long-established sacred music programs with Gregorian Chant scholas, polyphonic choirs, professional organists, and well credentialed directors. For these lucky few, the support and resources are there to make building on the Transcendentals second nature. But what about the ordinary parish musician? The budding accompanist who desires to develop his/her skills? The cantor who wants to be more prayerful when chanting? The parish priest who desires beautiful sacred music at his church? The seminarian who wants to understand what the Church expects of sacred music programs? They all want a faithful and quality sacred music program. But how do they learn about the Transcendentals? The Church’s instruction and legislation on sacred music? The practical application of these ideas? How do they learn to chant? To encourage congregational participation? A wonderful opportunity to learn will be offered in Colorado with the 2023 Colorado Sacred Music Conference, a first in what will hopefully become an annual event.

Conference Overview • On August 9th & 10th, Diana Corliss, in conjunction pastor Fr. Greg Bierbaum, will host the 2023 Colorado Sacred Music Conference at St. Mark Catholic Church in Highlands Ranch, CO.  The intensive, two-day conferencewill immerse attendees in the foundations of building up a parish music program. The conference offers something for church musicians and clergy of all backgrounds, whether your music program currently sings Gregorian Chant or contemporary music, or any combination in between. The primary aim is to introduce directors, musicians, accompanists, singers, clergy, and seminarians to Catholic sacred traditions and relevant practical musical knowledge, and provide a fantastic networking opportunity with fellow Catholic musicians. Programming will include:

  • Understanding the powerful role of beauty in our spirituality and what the Church teaches about sacred music in the Mass.o How to build a sacred music repertoire based on the Three Transcendentals of Truth, Beauty, and Goodness.
  • Learning basic voice pedagogy, including: Improving the sound of your choir through a theological and holistic approach to vocal technique, and helping your choir to grow in skills like sight-reading, key familiarization, and tuning.
  • The fundamentals of Gregorian chant.
  • Basic and advanced accompaniment techniques.
  • The opportunity to sing a variety of sacred music for Mass and Vespers.
  • Breakout sessions for clergy and seminarians on the integral role of music in the Mass and how to become more confident singing particular Mass parts.
  • Conversations about the joys, challenges, and questions that arise in music ministry.

Conference Faculty • Our conference faculty includes keynote instructor: Dr. Jennifer Donnelson-Nowicka, Associate Professor and Director of Sacred Music at St. Patrick’s Seminary in Menlo Park, CA; Diana Corliss, Director of Sacred Music and Liturgy Coordinator at St. Mark Catholic Church in Highlands Ranch, CO; Richard Wheeler, Director of Music at Our Lady of Mt. Carmel Catholic Church in Littleton, CO; and Patrick Torsell, Associate Organist at Our Lady of Mt. Carmel, Littleton, and Staff Substitute Organist at the Cathedral Basilica of the Immaculate Conception, Denver, CO. VIP speakers and Mass Celebrants include Bishop James Golka of Colorado Springs and Fr. Greg Bierbaum of St. Mark, Highlands Ranch.

For the full schedule and registration details, visit:

*  https://stmark.regfox.com/2023-colorado-sacred-music-conference

Author’s Note • While my professional life has brought me back to a full-time role in the ski resort industry in Colorado, I’m thrilled to remain active in the world of sacred music, and honored to be a part of this conference! Since moving back to CO in 2020, I’ve returned to Our Lady of Mt. Carmel (FSSP) in Littleton, CO as an associate organist, and fill in as a substitute director as needed. I’ve also joined the staff at the Cathedral Basilica of the Immaculate Conception in Denver, CO as a substitute organist where I have the joy & privilege of playing the magnificent and mighty French-style Kimball-Morel organ in a stellar acoustic. I also sing tenor (and occasional countertenor) for Gaudium Verum, a Denver-based professional liturgical choir.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Gaudium Verum Denver Liturgical Choir, Patrick Torsell Organist Last Updated: June 3, 2023

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About Patrick Torsell

Patrick Torsell is a staff substitute organist at the Cathedral Basilica of the Immaculate Conception in Denver, CO, and associate organist at Our Lady of Mt. Carmel (FSSP), Littleton, CO—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

In the ’60s, I thought this emphasis on congregational singing was to encourage good Catholic hymns like “Immaculate Mary” and so forth … but after the Council, they threw them out, too!

— ‘Fr. Valentine Young, OFM (2007)’

Recent Posts

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  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

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