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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Singing Advice” • Frank Sinatra to Ronald Reagan

Jeff Ostrowski · May 23, 2023

HEY SAY Dom Mocquereau never had a good singing voice. He had been a musician, but (according to Justine Ward) his musical studies “were interrupted by the war of 1870 when the young officer was mobilized. Wounded while fighting in Belgium, Mocquereau lay on a pile of straw near the door of a barn. There he was noticed by two charitable Belgian ladies, who took pity upon him and nursed him back to health in their home.” Speaking of war, DOM PIERRE COMBE famously had a special affinity for Justine Ward, and this may be because Justine rescued him in June of 1939 from the advancing Nazi armies.

Don Bosco • Dom Mocquereau had a damaged throat. According to Dom Combe, “when passing through Paris in 1883, Mocquereau visited Don Bosco to seek healing from him [for his throat].” According to page 76 of the Bulletin Salésien, March 1930, Don Bosco told Mocquereau: “You will never have much of a voice, but you will have enough for the work that Providence expects of you.” Readers will be interested to know that it was Dom Mocquereau who “composed” (based on formulas) the Gregorian melodies for the Mass of Saint John Bosco. In the opinion of Dom Combe: “These melodies are well balanced and tuneful.”

Professor Weaver • One of the world’s leading exponents on the rhythmic theories is Charles Weaver of Julliard. Professor Weaver has been brought in as a specialist to assist the Boston Early Music Festival, but (in spite of that arduous commitment) he took time to record the plainsong pieces—according to the Dom Mocquereau method—in preparation for the upcoming Sacred Music Symposium:

*  Rehearsal Video • INTROIT “Sacerdotes tui, Domine”
*  Rehearsal Video • GRADUAL “Ecce sacerdos magnus”
*  Rehearsal Video • ALLELUIA “Tu es sacerdos in æternum”
*  Rehearsal Video • OFFERTORY “Inveni David”
*  Rehearsal Video • COMMUNION “Fidelis servus”

Ronald Reagan • Speaking of Boston, years ago we had a priest who hailed from that city. His Bostonian accent was enormously thick; we could barely understand him. Below is a clip of Boston’s representative, Thomas Phillip O’Neill (former Speaker of the House) talking about an encounter with president Ronald Reagan:

Here’s the direct URL link.

PLEASE NOTE: For the record, I am not encouraging singers to gargle boiling water! That seems dangerous. But I thought readers might be interested in what Frank Sinatra said.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Don Bosco, Ronald Reagan, Thomas Phillip O'Neill Last Updated: May 23, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Indeed I might add that although unfamiliar with it myself, the Extraordinary Form expressly reminds us that Mass in either form is not merely a communion meal but a ritual of love, a sacrifice at Calvary, by which, for you and for me, yes, here and now, Jesus Christ lays down his life.

— ‘Most Rev. Philip Egan, Bishop of Portsmouth’

Recent Posts

  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)

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