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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Singing Advice” • Frank Sinatra to Ronald Reagan

Jeff Ostrowski · May 23, 2023

HEY SAY Dom Mocquereau never had a good singing voice. He had been a musician, but (according to Justine Ward) his musical studies “were interrupted by the war of 1870 when the young officer was mobilized. Wounded while fighting in Belgium, Mocquereau lay on a pile of straw near the door of a barn. There he was noticed by two charitable Belgian ladies, who took pity upon him and nursed him back to health in their home.” Speaking of war, DOM PIERRE COMBE famously had a special affinity for Justine Ward, and this may be because Justine rescued him in June of 1939 from the advancing Nazi armies.

Don Bosco • Dom Mocquereau had a damaged throat. According to Dom Combe, “when passing through Paris in 1883, Mocquereau visited Don Bosco to seek healing from him [for his throat].” According to page 76 of the Bulletin Salésien, March 1930, Don Bosco told Mocquereau: “You will never have much of a voice, but you will have enough for the work that Providence expects of you.” Readers will be interested to know that it was Dom Mocquereau who “composed” (based on formulas) the Gregorian melodies for the Mass of Saint John Bosco. In the opinion of Dom Combe: “These melodies are well balanced and tuneful.”

Professor Weaver • One of the world’s leading exponents on the rhythmic theories is Charles Weaver of Julliard. Professor Weaver has been brought in as a specialist to assist the Boston Early Music Festival, but (in spite of that arduous commitment) he took time to record the plainsong pieces—according to the Dom Mocquereau method—in preparation for the upcoming Sacred Music Symposium:

*  Rehearsal Video • INTROIT “Sacerdotes tui, Domine”
*  Rehearsal Video • GRADUAL “Ecce sacerdos magnus”
*  Rehearsal Video • ALLELUIA “Tu es sacerdos in æternum”
*  Rehearsal Video • OFFERTORY “Inveni David”
*  Rehearsal Video • COMMUNION “Fidelis servus”

Ronald Reagan • Speaking of Boston, years ago we had a priest who hailed from that city. His Bostonian accent was enormously thick; we could barely understand him. Below is a clip of Boston’s representative, Thomas Phillip O’Neill (former Speaker of the House) talking about an encounter with president Ronald Reagan:

Here’s the direct URL link.

PLEASE NOTE: For the record, I am not encouraging singers to gargle boiling water! That seems dangerous. But I thought readers might be interested in what Frank Sinatra said.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Don Bosco, Ronald Reagan, Thomas Phillip O'Neill Last Updated: May 23, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

The Sacrifice is celebrated with many solemn rites, none of which should be deemed useless or superfluous. On the contrary, all of them tend to display the majesty of this august sacrifice, and to excite the faithful, when beholding these saving mysteries, to contemplate the divine things which lie concealed in the Eucharistic Sacrifice.

— Catechism of the Council of Trent (1566)

Recent Posts

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  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing
  • What surprised me about regularly singing the Gloria in Latin

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