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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Singing Advice” • Frank Sinatra to Ronald Reagan

Jeff Ostrowski · May 23, 2023

HEY SAY Dom Mocquereau never had a good singing voice. He had been a musician, but (according to Justine Ward) his musical studies “were interrupted by the war of 1870 when the young officer was mobilized. Wounded while fighting in Belgium, Mocquereau lay on a pile of straw near the door of a barn. There he was noticed by two charitable Belgian ladies, who took pity upon him and nursed him back to health in their home.” Speaking of war, DOM PIERRE COMBE famously had a special affinity for Justine Ward, and this may be because Justine rescued him in June of 1939 from the advancing Nazi armies.

Don Bosco • Dom Mocquereau had a damaged throat. According to Dom Combe, “when passing through Paris in 1883, Mocquereau visited Don Bosco to seek healing from him [for his throat].” According to page 76 of the Bulletin Salésien, March 1930, Don Bosco told Mocquereau: “You will never have much of a voice, but you will have enough for the work that Providence expects of you.” Readers will be interested to know that it was Dom Mocquereau who “composed” (based on formulas) the Gregorian melodies for the Mass of Saint John Bosco. In the opinion of Dom Combe: “These melodies are well balanced and tuneful.”

Professor Weaver • One of the world’s leading exponents on the rhythmic theories is Charles Weaver of Julliard. Professor Weaver has been brought in as a specialist to assist the Boston Early Music Festival, but (in spite of that arduous commitment) he took time to record the plainsong pieces—according to the Dom Mocquereau method—in preparation for the upcoming Sacred Music Symposium:

*  Rehearsal Video • INTROIT “Sacerdotes tui, Domine”
*  Rehearsal Video • GRADUAL “Ecce sacerdos magnus”
*  Rehearsal Video • ALLELUIA “Tu es sacerdos in æternum”
*  Rehearsal Video • OFFERTORY “Inveni David”
*  Rehearsal Video • COMMUNION “Fidelis servus”

Ronald Reagan • Speaking of Boston, years ago we had a priest who hailed from that city. His Bostonian accent was enormously thick; we could barely understand him. Below is a clip of Boston’s representative, Thomas Phillip O’Neill (former Speaker of the House) talking about an encounter with president Ronald Reagan:

Here’s the direct URL link.

PLEASE NOTE: For the record, I am not encouraging singers to gargle boiling water! That seems dangerous. But I thought readers might be interested in what Frank Sinatra said.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Don Bosco, Ronald Reagan, Thomas Phillip O'Neill Last Updated: May 23, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Jeffrey Tucker: “What are your thoughts on what passes for sacred music in most Catholic parishes today?” Richard Morris: “There’s nothing sacred about it. The tunes, rhythms, and messages are drawn mainly from secular culture. When it isn’t aesthetically repugnant and downright offensive to the Faith, it is utterly forgettable.”

— James Richard Morris (concert organist)

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  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)

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