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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Singing Advice” • Frank Sinatra to Ronald Reagan

Jeff Ostrowski · May 23, 2023

HEY SAY Dom Mocquereau never had a good singing voice. He had been a musician, but (according to Justine Ward) his musical studies “were interrupted by the war of 1870 when the young officer was mobilized. Wounded while fighting in Belgium, Mocquereau lay on a pile of straw near the door of a barn. There he was noticed by two charitable Belgian ladies, who took pity upon him and nursed him back to health in their home.” Speaking of war, DOM PIERRE COMBE famously had a special affinity for Justine Ward, and this may be because Justine rescued him in June of 1939 from the advancing Nazi armies.

Don Bosco • Dom Mocquereau had a damaged throat. According to Dom Combe, “when passing through Paris in 1883, Mocquereau visited Don Bosco to seek healing from him [for his throat].” According to page 76 of the Bulletin Salésien, March 1930, Don Bosco told Mocquereau: “You will never have much of a voice, but you will have enough for the work that Providence expects of you.” Readers will be interested to know that it was Dom Mocquereau who “composed” (based on formulas) the Gregorian melodies for the Mass of Saint John Bosco. In the opinion of Dom Combe: “These melodies are well balanced and tuneful.”

Professor Weaver • One of the world’s leading exponents on the rhythmic theories is Charles Weaver of Julliard. Professor Weaver has been brought in as a specialist to assist the Boston Early Music Festival, but (in spite of that arduous commitment) he took time to record the plainsong pieces—according to the Dom Mocquereau method—in preparation for the upcoming Sacred Music Symposium:

*  Rehearsal Video • INTROIT “Sacerdotes tui, Domine”
*  Rehearsal Video • GRADUAL “Ecce sacerdos magnus”
*  Rehearsal Video • ALLELUIA “Tu es sacerdos in æternum”
*  Rehearsal Video • OFFERTORY “Inveni David”
*  Rehearsal Video • COMMUNION “Fidelis servus”

Ronald Reagan • Speaking of Boston, years ago we had a priest who hailed from that city. His Bostonian accent was enormously thick; we could barely understand him. Below is a clip of Boston’s representative, Thomas Phillip O’Neill (former Speaker of the House) talking about an encounter with president Ronald Reagan:

Here’s the direct URL link.

PLEASE NOTE: For the record, I am not encouraging singers to gargle boiling water! That seems dangerous. But I thought readers might be interested in what Frank Sinatra said.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Don Bosco, Ronald Reagan, Thomas Phillip O'Neill Last Updated: May 23, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“One of his most cherished wishes was to promote congregational singing wherever possible, for he held it to be most instructive for people of all classes and a powerful means of arousing an intelligent interest in the beauties of our sacred liturgy, especially in regard to the holy Sacrifice of the Mass. He loved to dwell in this respect upon the remarkable results achieved in parishes where the congregation had been taught to sing correctly the different portions of the Mass in plain chant.”

— Cardinal Merry del Val, speaking of Cardinal Sarto

Recent Posts

  • The Weekday Communions of Lent
  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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