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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Extremely Rare! Organ Accompaniment Book (165 pages)

Jeff Ostrowski · May 11, 2023

ANY SAINTS DO NOT have their own propers. Instead, one must utilize the COMMUNE SANCTORUM. Suppose someone asked you: “When it comes to the COMMUNE SANCTORUM, where can I find organ accompaniments matching the rhythm of the Liber Usualis?” You might respond: “Tons of organ accompaniments have been published by composers who follow the Liber Usualis rhythm. Henri Potiron, Dom Desrocquettes, Abbé Ferdinand Portier, Monsignor Manzetti, Feliks Raczkowski, Auguste Le Guennant, Father Carlo Rossini, Euphemia Bank, Dr. Theodore Marier, Father Andrew Green, Father Percy Jones, and Achille P. Bragers are examples of such composers. I’m sure many of them wrote accompaniments for the COMMUNE SANCTORUM.” However, this is not true!

Extremely Rare Book • As a matter of fact, only one composer has ever published a COMMUNE SANCTORUM accompaniment which matches the rhythm of the Liber Usualis. I speak of Maestro Julius Bas, who was commissioned by the Abbey of Solesmes (circa 1910) to compose harmonizations for the complete KYRIALE, GRADUALE, and ANTIPHONALE. Some say Julius Bas was a member of the famous Vatican Commission on Gregorian Chant established by Pope Pius X. Dom Pierre Combe’s book waffles back and forth regarding whether he was an official member (cf. pp. 275, 284-285).1 I personally do not believe Bas was a member, because BAS’ BIOGRAPHY would have mentioned this. Getting back to the COMMUNE SANCTORUM, we have scanned and uploaded this extremely rare book:

*  PDF Download • “COMMUNE SANCTORUM” (Julius Bas)
—Published in 1910 • 165 pages • 75.9MB • Commune sanctorum ad exemplar editionis vaticanae concinnatum cui accedunt: Missa votiva de beata, Missa de immaculata conceptione, Missa de Spiritu Sancto, Missa pro pace; Cantum Gregorianum transcripsit et modulationibus ornavit Julius Bas ad normam editionis rythmicae a solesmensibus monachis exaratae.

More on Bas • With regard to Julius Bas, many of his accompaniments can be downloaded from the LALANDE LIBRARY. You can download his 1923 Treatise on Gregorian Chant Accompaniment (which includes an interesting appendix on fugue subjects and tonal answers) in French or in German.

Fabulous Discovery! • While researching Julius Bas, I noticed he was chosen to provide the Gregorian accompaniments for a fascinating Roman Catholic hymnal published in 1915 by Father Sidney Sykes Hurlbut (1858-1920), pastor at Saint Mary’s Parish Church in Hagerstown. The book has a 1915 IMPRIMATUR from the Archbishop of Baltimore.

*  PDF Download • FATHER SIDNEY HURLBUT’S HYMNAL (1915)
—Official Title: A Treasury of Catholic Song • 312 pages.

Wonderful Content • Without question, Father Hurlbut’s tome is the most impressive of all Catholic hymnals published in America (during that time period). No other American hymnal came close to matching its quality until the 1970s, when Dr. Theodore Marier published “Hymns, Psalms, and Spiritual Canticles.” I feel comfortable making such an assertion because I’ve spent decades examining Catholic hymn books from that era. Many of the hymns contained in Father Hurlbut’s collection are also found in the Brébeuf Catholic Hymnal, such as: Splendor paternae gloriae; Aeterna coeli gloria; En clara vox redarguit; Jesu Redemptor omnium; A solis ortus cardine; Corde natus es parentis; Crudelis Herodes Deum; Audi benigne Conditor; O Sol salutis intimis; Vexilla Regis prodeunt; Ad regias Agni dapes; Aurora coelum purpurat; Anima Christi; O Esca viatorum; Qui procedis ab utroque; Ave vivens Hostia; Ave maris stella; Auctor beate saeculi; Quicumque certum quaeritis; Placare Christe servulis; Adoro te devote; and Salve caput cruentatum. Many of the excellent hymn tunes are also found in the Brébeuf—e.g. MELCOMBE, TOULON, WHITEHEAD, and ST VENANTIUS.

Surprising Content • I was amazed to see Catholic hymns included by Father Hurlbut which were not included in the Brébeuf Catholic Hymnal. Examples would be: Tandem fluctus tandem luctus; Jure plaudant omnia; Parvum quando cerno Deum; Linquunt tecta magi principis urbis; Jesu thronum majestatis; Solemne nos jejunii; Jesu nostros ob reatos; Salvete Christi vulnera; Cor meum tibi dedo; Petri laudes exsequamur; Saevo dolorum turbine; Praeclara custos virginum; Ubi thesaurus ibi cor; Supreme Rector coelitum; and Ave sacer Christi sanguis. Shown below are examples of the Gregorian accompaniments Julius Bas contributed to Father Hurlbut’s hymnal:

40622-Bas-Gregorian-Chant-Accomp-JPEG
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1 This article includes excerpts from: HISTOIRE DE LA RESTAURATION DU CHANT GRÉGORIEN D’APRES DES DOCUMENTS INEDITES: SOLESMES ET L’EDITION VATICANE published in 1969 by Dom Pierre Combe of Solesmes Abbey. The Catholic University Press published an English edition in 2003, translated by Dr. Theodore Marier and finished by a former student of his (since Dr. Marier had died before the work could be completed). Someone close to Dr. Marier told me that Marier found the work of translation tedious, and would often exclaim: “Well, I guess I’d better go subtract a few years off my time in Purgatory by translating Combe!” The 2003 version is called: “The Restoration of Gregorian Chant: Solesmes and the Vatican Edition.” Broadly speaking, the 1969 book by Dom Combe is a collection of journal articles. Many of the Italian sections in the 2003 version were translated by Monsignor Robert Skeris.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Commune Sanctorum Organ Accompaniment, Dr Theodore Marier, Giulio Bas Gregorian Chant, Julius Bas Gregorian Last Updated: May 12, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“If he converses with the learned and judicious, he delights in their talent—if with the ignorant and foolish, he enjoys their stupidity. He is not even offended by professional jesters. With a wonderful dexterity he accommodates himself to every disposition. As a rule, in talking with women (even with his own wife) he is full of jokes and banter.”

— ‘Erasmus on St. Thomas More (England’s 1st lay Chancellor)’

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