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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Extremely Rare! Organ Accompaniment Book (165 pages)

Jeff Ostrowski · May 11, 2023

ANY SAINTS DO NOT have their own propers. Instead, one must utilize the COMMUNE SANCTORUM. Suppose someone asked you: “When it comes to the COMMUNE SANCTORUM, where can I find organ accompaniments matching the rhythm of the Liber Usualis?” You might respond: “Tons of organ accompaniments have been published by composers who follow the Liber Usualis rhythm. Henri Potiron, Dom Desrocquettes, Abbé Ferdinand Portier, Monsignor Manzetti, Feliks Raczkowski, Auguste Le Guennant, Father Carlo Rossini, Euphemia Bank, Dr. Theodore Marier, Father Andrew Green, Father Percy Jones, and Achille P. Bragers are examples of such composers. I’m sure many of them wrote accompaniments for the COMMUNE SANCTORUM.” However, this is not true!

Extremely Rare Book • As a matter of fact, only one composer has ever published a COMMUNE SANCTORUM accompaniment which matches the rhythm of the Liber Usualis. I speak of Maestro Julius Bas, who was commissioned by the Abbey of Solesmes (circa 1910) to compose harmonizations for the complete KYRIALE, GRADUALE, and ANTIPHONALE. Some say Julius Bas was a member of the famous Vatican Commission on Gregorian Chant established by Pope Pius X. Dom Pierre Combe’s book waffles back and forth regarding whether he was an official member (cf. pp. 275, 284-285).1 I personally do not believe Bas was a member, because BAS’ BIOGRAPHY would have mentioned this. Getting back to the COMMUNE SANCTORUM, we have scanned and uploaded this extremely rare book:

*  PDF Download • “COMMUNE SANCTORUM” (Julius Bas)
—Published in 1910 • 165 pages • 75.9MB • Commune sanctorum ad exemplar editionis vaticanae concinnatum cui accedunt: Missa votiva de beata, Missa de immaculata conceptione, Missa de Spiritu Sancto, Missa pro pace; Cantum Gregorianum transcripsit et modulationibus ornavit Julius Bas ad normam editionis rythmicae a solesmensibus monachis exaratae.

More on Bas • With regard to Julius Bas, many of his accompaniments can be downloaded from the LALANDE LIBRARY. You can download his 1923 Treatise on Gregorian Chant Accompaniment (which includes an interesting appendix on fugue subjects and tonal answers) in French or in German.

Fabulous Discovery! • While researching Julius Bas, I noticed he was chosen to provide the Gregorian accompaniments for a fascinating Roman Catholic hymnal published in 1915 by Father Sidney Sykes Hurlbut (1858-1920), pastor at Saint Mary’s Parish Church in Hagerstown. The book has a 1915 IMPRIMATUR from the Archbishop of Baltimore.

*  PDF Download • FATHER SIDNEY HURLBUT’S HYMNAL (1915)
—Official Title: A Treasury of Catholic Song • 312 pages.

Wonderful Content • Without question, Father Hurlbut’s tome is the most impressive of all Catholic hymnals published in America (during that time period). No other American hymnal came close to matching its quality until the 1970s, when Dr. Theodore Marier published “Hymns, Psalms, and Spiritual Canticles.” I feel comfortable making such an assertion because I’ve spent decades examining Catholic hymn books from that era. Many of the hymns contained in Father Hurlbut’s collection are also found in the Brébeuf Catholic Hymnal, such as: Splendor paternae gloriae; Aeterna coeli gloria; En clara vox redarguit; Jesu Redemptor omnium; A solis ortus cardine; Corde natus es parentis; Crudelis Herodes Deum; Audi benigne Conditor; O Sol salutis intimis; Vexilla Regis prodeunt; Ad regias Agni dapes; Aurora coelum purpurat; Anima Christi; O Esca viatorum; Qui procedis ab utroque; Ave vivens Hostia; Ave maris stella; Auctor beate saeculi; Quicumque certum quaeritis; Placare Christe servulis; Adoro te devote; and Salve caput cruentatum. Many of the excellent hymn tunes are also found in the Brébeuf—e.g. MELCOMBE, TOULON, WHITEHEAD, and ST VENANTIUS.

Surprising Content • I was amazed to see Catholic hymns included by Father Hurlbut which were not included in the Brébeuf Catholic Hymnal. Examples would be: Tandem fluctus tandem luctus; Jure plaudant omnia; Parvum quando cerno Deum; Linquunt tecta magi principis urbis; Jesu thronum majestatis; Solemne nos jejunii; Jesu nostros ob reatos; Salvete Christi vulnera; Cor meum tibi dedo; Petri laudes exsequamur; Saevo dolorum turbine; Praeclara custos virginum; Ubi thesaurus ibi cor; Supreme Rector coelitum; and Ave sacer Christi sanguis. Shown below are examples of the Gregorian accompaniments Julius Bas contributed to Father Hurlbut’s hymnal:

40622-Bas-Gregorian-Chant-Accomp-JPEG
40623-Julius-Bas-Stabat-Mater
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1 This article includes excerpts from: HISTOIRE DE LA RESTAURATION DU CHANT GRÉGORIEN D’APRES DES DOCUMENTS INEDITES: SOLESMES ET L’EDITION VATICANE published in 1969 by Dom Pierre Combe of Solesmes Abbey. The Catholic University Press published an English edition in 2003, translated by Dr. Theodore Marier and finished by a former student of his (since Dr. Marier had died before the work could be completed). Someone close to Dr. Marier told me that Marier found the work of translation tedious, and would often exclaim: “Well, I guess I’d better go subtract a few years off my time in Purgatory by translating Combe!” The 2003 version is called: “The Restoration of Gregorian Chant: Solesmes and the Vatican Edition.” Broadly speaking, the 1969 book by Dom Combe is a collection of journal articles. Many of the Italian sections in the 2003 version were translated by Monsignor Robert Skeris.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Commune Sanctorum Organ Accompaniment, Dr Theodore Marier, Giulio Bas Gregorian Chant, Julius Bas Gregorian Last Updated: May 12, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
    EARS BEFORE truly revolutionary changes were introduced by the post-conciliar reformers, Evelyn Waugh wrote (on 16 August 1964) to John Cardinal Heenan: “I think that a vociferous minority has imposed itself on the hierarchy and made them believe that a popular demand existed where there was in fact not even a preference.” We ask the kind reader— indeed, we beg you—to realize that those of us born in the 1940s and 1950s had no cognizance of Roman activities during the 1960s and 1970s. We were concerned with making sure we had the day’s bus fare, graduating from high school, taking care of our siblings, learning a trade, getting a job, courting a spouse. We questioned neither the nuns nor the Church.1 Do not believe for one instant any of us were following the liturgical machinations of Cardinal Lercaro or Father Bugnini in real time. Setting The Stage • To never question or resist Church authorities is praiseworthy. On the other hand, when a scandalous situation persists for decades, it must be brought into focus. Our series will do precisely that as we discuss the Lectionary Scandal from a variety of angles. We don’t do this to attack the Catholic Church. Our goal is bringing to light what’s been going on, so it can be fixed once and for all. Our subject is extremely knotty and difficult to navigate. Its complexity helps explain why the situation has persisted for such a long time.2 But if we immediately get “into the weeds” we’ll lose our audience. Therefore, it seems better to jump right in. So today, we’ll explore the legality of selling these texts. A Word On Copyright • Suppose Susie modifies a paragraph by Edgar Allan Poe. That doesn’t mean ipso facto she can assert copyright on it. If Susie takes a picture of a Corvette and uses Photoshop to color the tires blue, that doesn’t mean she henceforth “owns” all Corvettes in America. But when it comes to Responsorial Psalm translations, certain parties have been asserting copyright over them, selling them for a profit, and bullying publishers vis-à-vis hymnals and missals. Increasingly, Catholics are asking whether these translations are truly under copyright—because they are identical (or substantially identical) to other translations.3 Example After Example • Our series will provide copious examples supporting our claims. Sometimes we’ll rely on the readership for assistance, because—as we’ve stressed—our subject’s history couldn’t be more convoluted. There are countless manuscripts (in Greek, Hebrew, and Latin) we don’t have access to, so it would be foolish for us to claim that our observations are somehow the ‘final word’ on anything. Nevertheless, we demand accountability. Catholics in the pews are the ones who paid for all this. We demand to know who specifically made these decisions (which impact every English-speaking Catholic) and why specifically certain decisions were made. The Responsorial Psalms used in America are—broadly speaking—stolen from the hard work of others. In particular, they borrowed heavily from Father Cuthbert Lattey’s 1939 PSALTER TRANSLATION:
    *  PDF Download • COMPARISON CHART —We thank the CCW staff for technical assistance with this graph.
    Analysis • Although certain parties have been selling (!!!) that translation for decades, the chart demonstrates it’s not a candidate for copyright since it “borrows” or “steals” or “rearranges” so much material from other translations, especially the 1939 translation by Father Cuthbert Lattey. What this means in layman’s terms is that individuals have been selling a translation under false pretenses, a translation they don’t own (although they claim to). To make RESTITUTION, all that money will have to be returned. A few years ago, the head of ICEL gave a public speech in which he said they give some of “their” profits to the poor. While almsgiving is a good thing, it cannot justify theft. Our Constant Theme • Our series will be held together by one thread, which will be repeated constantly: “Who was responsible?” Since 1970, the conduct of those who made a profit by selling these sacred texts has been repugnant. Favoritism was shown toward certain entities—and we will document that with written proof. It is absolutely essential going forward that the faithful be told who is making these decisions. Moreover, vague justifications can no longer be accepted. If we’re told they are “making the translations better,” we must demand to know what specifically they’re doing and what specific criteria they’re following. Stay Tuned • If you’re wondering whether we’ll address the forthcoming (allegedly) Lectionary and the so-called ABBEY PSALMS AND CANTICLES, have no fear. We’ll have much to say about both. Please stay tuned. We believe this will end up being the longest series of articles ever submitted to Corpus Christi Watershed. To be continued. ROBERT O’NEILL Former associate of Monsignor Francis “Frank” P. Schmitt at Boys Town in Nebraska JAMES ARNOLD Formerly associated w/ King’s College, Cambridge A convert to the Catholic Church, and distant relative of J. H. Arnold MARIA B. Currently serves as a musician in the Roman Catholic Diocese of Charlotte. Those aware of the situation in her diocese won’t be surprised she chose to withhold her last name.
    1 Even if we’d been able to obtain Roman journals such as NOTITIAE, none of them contained English translations. But such an idea would never have occurred to a high school student or a college student growing up in the 1960s. 2 A number of shell corporations claim to own the various biblical translations mandated for Roman Catholics. They’ve made millions of dollars selling (!) these indulgenced texts. If time permits, we hope to enumerate these various shell corporations and explain: which texts they claim to own; how much they bring in each year; who runs them; and so forth. It would also be good to explore the morality of selling these indulgenced texts for a profit. Furthermore, for the last fifty years these organizations have employed several tactics to manipulate and bully others. If time permits, we will expose those tactics (including written examples). Some of us—who have been working on this problem for three decades—have amassed written documentation we’ll be sharing that demonstrates behavior at best “shady” and at worst criminal. 3 Again, we are not yet examining the morality of selling (!) indulgenced texts to Catholics mandated to use those same translations.
    —Guest Author
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The Catholic Church has a dignity far surpassing that of every merely human society, for it was founded by Christ the Lord. It is altogether fitting, therefore, that the language it uses should be noble, majestic, and non-vernacular.”

— Blessed John XXIII (22 February 1962)

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