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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Extremely Rare! Organ Accompaniment Book (165 pages)

Jeff Ostrowski · May 11, 2023

ANY SAINTS DO NOT have their own propers. Instead, one must utilize the COMMUNE SANCTORUM. Suppose someone asked you: “When it comes to the COMMUNE SANCTORUM, where can I find organ accompaniments matching the rhythm of the Liber Usualis?” You might respond: “Tons of organ accompaniments have been published by composers who follow the Liber Usualis rhythm. Henri Potiron, Dom Desrocquettes, Abbé Ferdinand Portier, Monsignor Manzetti, Feliks Raczkowski, Auguste Le Guennant, Father Carlo Rossini, Euphemia Bank, Dr. Theodore Marier, Father Andrew Green, Father Percy Jones, and Achille P. Bragers are examples of such composers. I’m sure many of them wrote accompaniments for the COMMUNE SANCTORUM.” However, this is not true!

Extremely Rare Book • As a matter of fact, only one composer has ever published a COMMUNE SANCTORUM accompaniment which matches the rhythm of the Liber Usualis. I speak of Maestro Julius Bas, who was commissioned by the Abbey of Solesmes (circa 1910) to compose harmonizations for the complete KYRIALE, GRADUALE, and ANTIPHONALE. Some say Julius Bas was a member of the famous Vatican Commission on Gregorian Chant established by Pope Pius X. Dom Pierre Combe’s book waffles back and forth regarding whether he was an official member (cf. pp. 275, 284-285).1 I personally do not believe Bas was a member, because BAS’ BIOGRAPHY would have mentioned this. Getting back to the COMMUNE SANCTORUM, we have scanned and uploaded this extremely rare book:

*  PDF Download • “COMMUNE SANCTORUM” (Julius Bas)
—Published in 1910 • 165 pages • 75.9MB • Commune sanctorum ad exemplar editionis vaticanae concinnatum cui accedunt: Missa votiva de beata, Missa de immaculata conceptione, Missa de Spiritu Sancto, Missa pro pace; Cantum Gregorianum transcripsit et modulationibus ornavit Julius Bas ad normam editionis rythmicae a solesmensibus monachis exaratae.

More on Bas • With regard to Julius Bas, many of his accompaniments can be downloaded from the LALANDE LIBRARY. You can download his 1923 Treatise on Gregorian Chant Accompaniment (which includes an interesting appendix on fugue subjects and tonal answers) in French or in German.

Fabulous Discovery! • While researching Julius Bas, I noticed he was chosen to provide the Gregorian accompaniments for a fascinating Roman Catholic hymnal published in 1915 by Father Sidney Sykes Hurlbut (1858-1920), pastor at Saint Mary’s Parish Church in Hagerstown. The book has a 1915 IMPRIMATUR from the Archbishop of Baltimore.

*  PDF Download • FATHER SIDNEY HURLBUT’S HYMNAL (1915)
—Official Title: A Treasury of Catholic Song • 312 pages.

Wonderful Content • Without question, Father Hurlbut’s tome is the most impressive of all Catholic hymnals published in America (during that time period). No other American hymnal came close to matching its quality until the 1970s, when Dr. Theodore Marier published “Hymns, Psalms, and Spiritual Canticles.” I feel comfortable making such an assertion because I’ve spent decades examining Catholic hymn books from that era. Many of the hymns contained in Father Hurlbut’s collection are also found in the Brébeuf Catholic Hymnal, such as: Splendor paternae gloriae; Aeterna coeli gloria; En clara vox redarguit; Jesu Redemptor omnium; A solis ortus cardine; Corde natus es parentis; Crudelis Herodes Deum; Audi benigne Conditor; O Sol salutis intimis; Vexilla Regis prodeunt; Ad regias Agni dapes; Aurora coelum purpurat; Anima Christi; O Esca viatorum; Qui procedis ab utroque; Ave vivens Hostia; Ave maris stella; Auctor beate saeculi; Quicumque certum quaeritis; Placare Christe servulis; Adoro te devote; and Salve caput cruentatum. Many of the excellent hymn tunes are also found in the Brébeuf—e.g. MELCOMBE, TOULON, WHITEHEAD, and ST VENANTIUS.

Surprising Content • I was amazed to see Catholic hymns included by Father Hurlbut which were not included in the Brébeuf Catholic Hymnal. Examples would be: Tandem fluctus tandem luctus; Jure plaudant omnia; Parvum quando cerno Deum; Linquunt tecta magi principis urbis; Jesu thronum majestatis; Solemne nos jejunii; Jesu nostros ob reatos; Salvete Christi vulnera; Cor meum tibi dedo; Petri laudes exsequamur; Saevo dolorum turbine; Praeclara custos virginum; Ubi thesaurus ibi cor; Supreme Rector coelitum; and Ave sacer Christi sanguis. Shown below are examples of the Gregorian accompaniments Julius Bas contributed to Father Hurlbut’s hymnal:

40622-Bas-Gregorian-Chant-Accomp-JPEG
40623-Julius-Bas-Stabat-Mater
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1 This article includes excerpts from: HISTOIRE DE LA RESTAURATION DU CHANT GRÉGORIEN D’APRES DES DOCUMENTS INEDITES: SOLESMES ET L’EDITION VATICANE published in 1969 by Dom Pierre Combe of Solesmes Abbey. The Catholic University Press published an English edition in 2003, translated by Dr. Theodore Marier and finished by a former student of his (since Dr. Marier had died before the work could be completed). Someone close to Dr. Marier told me that Marier found the work of translation tedious, and would often exclaim: “Well, I guess I’d better go subtract a few years off my time in Purgatory by translating Combe!” The 2003 version is called: “The Restoration of Gregorian Chant: Solesmes and the Vatican Edition.” Broadly speaking, the 1969 book by Dom Combe is a collection of journal articles. Many of the Italian sections in the 2003 version were translated by Monsignor Robert Skeris.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Commune Sanctorum Organ Accompaniment, Dr Theodore Marier, Giulio Bas Gregorian Chant, Julius Bas Gregorian Last Updated: May 12, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The Saint Jean de Brébeuf Hymnal will undoubtedly enrich liturgical life at the parish level by making accessible these ancient, noble, and theologically-rich Catholic hymns, translated into English in quite a beautiful way.”

— Rev. Fr. John Berg (Superior General, Priestly Fraternity of Saint Peter) 30-NOV-2018

Recent Posts

  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)

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