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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Truly Bizarre!” • Easter Vigil on Easter Sunday?

Jeff Ostrowski · April 11, 2023

E RECENTLY posted a lengthy article giving details on why the EASTER VIGIL was celebrated early on Holy Saturday morning (or early afternoon) for more than 1,000 years. A famous internet priest—known for his expertise in the sacred liturgy—called this article “a truly outstanding resource for anyone wishing to understand the changes made by Pope Pius XII to Holy Week.” The article is also thievery, because it rips off the highlights (“tip of the iceberg”) from the third edition of the SAINT EDMUND CAMPION MISSAL, which contains copious information, quotes, comparative charts, and so forth regarding the 1950 version of Holy Week vs. the 1962 version.1

Remarkable Discovery! • That lengthy article explains the damage done by tampering with the traditional times of celebration. Recently, an anonymous Twitter account revealed something jaw-dropping. Owing to the harm caused by the reformers’ fiddling with the traditional times, bishops’ conferences were asking Rome for solutions. But rather than allowing the traditional times, the Vatican gave permission to allow the EASTER VIGIL (a.k.a. “Easter Eve”) to be celebrated on Easter Sunday morning!

Permission was granted (for five years, beginning in 1968) by the Vatican.

BCL Newsletter • The BCL Newsletter circa 1968 gives more details:

Father Michael Irwin • There was a time during the 1990s when my family went to Mass at a parish where Father Michael Irwin (d. 2019) was the pastor. One year, I remember vividly how Father Irwin decided the EASTER VIGIL would start at 8:00pm. A certain faction of the parish were all part of a particular ‘traditionalist’ movement which was rather militant. [I will not specify its name, because it’s irrelevant.] This group decided to boycott the EASTER VIGIL that year, because—according to what they believed—the EASTER VIGIL must take place around Midnight, otherwise it’s “modernist.” Anyone who’s read my lengthy article will realize how wrongheaded such an idea was. Indeed, Father Irwin’s vigil was closer to the traditional time! (But, of course, the rebel faction didn’t realize that.) Even as a young child, it struck me as reprehensible to boycott the Mass of one’s pastor. Looking back, I still feel that way.

Conclusion • My colleague, Corrinne May, told me that I do a poor job of ending my articles. She says I often fail to give a proper summation. Therefore, let me say:

(1) The reformers harmed the church greatly by thoughtlessly modifying the traditional times of Holy Week. To give just one example, their tinkering destroyed TENEBRAE, an ancient ceremony held in high esteem by Catholics (during which they were exposed to more Sacred Scripture than at any other time).

(2) This damage was recognized at the time. For example, many churches in Rome simply ignored the new directives! They kept doing TENEBRAE. The American bishops, writing to Rome, explained the harm caused by moving the Easter Vigil from its traditional time (which had worked very well for 1,000+ years). Rather than allowing them to keep the traditional time, Rome gave permission to celebrate the Easter Vigil on the morning of Easter Sunday. Do we really believe that most Catholics—having attended the Easter Vigil on Easter Sunday morning—returned later that day to attend Easter Sunday Mass? As I pointed out in my lengthy article, the Easter Vigil Mass has less music than any other Mass. It has no INTROIT, no GRADUAL, no SEQUENCE, no CREDO, no OFFERTORY, no AGNUS DEI, no COMMUNION ANTIPHON, and so forth. Even the lowest ferial Mass has more music than the Easter Vigil Mass. Ever since 1955, the erroneous idea has arisen (and is still with us) that the EASTER VIGIL constitutes “the crown jewel” of the liturgical year. This erroneous idea has resulted in neglect of Easter Sunday. Because of this false notion, many Catholics never hear the “Victimæ Paschali,” or the “Hæc Dies,” or the ancient “Pascha Nostrum” Alleluia. And that’s lamentable.

(3) Those interested in the specific differences between the 1950 Holy Week and the 1962 Holy Week should consult the third edition of the SAINT EDMUND CAMPION MISSAL.

1 Indeed, the CAMPION MISSAL is the only hand-missal which contains both versions of Holy Week.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Easter Vigil on Easter Sunday Morning, Pre-1955 Holy Week, Primo mane diei Paschatis Last Updated: April 11, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Now with the elimination of Latin, the choirs that performed the treasures of sacred music are dying. Someone remarked that the study of sacred music is the history of its disappearance. In place of the authentic music demanded by the Vatican Council, all kinds of secular forms and inferior dance and combo music are heard.”

— Monsignor Richard J. Schuler (1971)

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  • Pipe Organ “Answers” in Plainsong?

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