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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Good Friday Hymn • From “Lyra Catholica”

Jeff Ostrowski · April 7, 2023

ULTON J. SHEEN used to say: “Three things cooperated in our fall: a disobedient man, ADAM; a proud woman, EVE; and a TREE. God takes these elements and uses them as the instruments of victory: the obedient new Adam, CHRIST; the humble new Eve, MARY; and the tree of the CROSS.” He was taking this idea from the PANGE LINGUA of Bishop Fortunatus, who lived in the 6th century. I often wonder how many Catholics can talk intelligently about the “double” PANGE LINGUA. Could 1% of Catholics? Or even fewer than that? Essentially, there is a double PANGE LINGUA right smack dab in the center of the liturgical year: One for Holy Thursday (Saint Thomas Aquinas), the other for Good Friday. In the Brébeuf Catholic Hymnal, both hymns are given splendid melodies and multiple translations.

Father Caswall • The English translation by Father Edward Caswall (d. 1878) is one of his best. It’s elegant, faithful to the Latin, and flows nicely. Here it is sung by my volunteer choir:

M To access this hymn’s media in the Brébeuf Portal, click here.

“Flecte Ramos, Arbor Alta” • One of my favorite verses from the PANGE LINGUA of Bishop Fortunatus is the Flecte ramos verse. The Campion Missal gives several translations:

Literal Translation:
O lofty tree, bend thy branches, relax the tension of thy fibres, soften that rigidness—with which nature has endowed thee—and offer a more tender support to the members of thy dying King.

Monsignor Knox:
Bend thy branches down to meet him,
  Bend that stubborn heart of thine;
Let thy native force, to greet him,
  All its ruggedness resign;
Gently let thy wood entreat him,
  Royal suff(e)rer, and divine.

Roman Catholic Primer (1717AD):
Tall Cedar rais’d to mate the Sky!
Hard as thou art, now mollify,
And teach Men how to treat their God:
Bow gently down beneath thy Load,
That unrelenting Man may learn
To change his Heart and feel Concern.

It’s very difficult to think of a more supreb hymn than the Good Friday PANGE LINGUA.

Random Samples • A few recent songs our choir sang:

*  Mp3 Download • “Stabat Mater”
—Translation: Historic Roman Catholic Translation (1687AD).

*  Mp3 Download • “Kyrie Eleyson”
—This will be sung at this year’s Sacred Music Symposium.

Please be warned: Choral sounds often come out harsh and poorly balanced, owing to the nature of microphones. A microphone is not able to accurately reproduce the complex, rich, beautiful choral sound.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Flecte Ramos Arbor Alta, Good Friday Reproaches, Pange Lingua Fortunatus Last Updated: April 7, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“We wish to express the hope that students of Gregorian Chant come back to the pure Vatican Edition, in the ancient block-note form, without the addition of any signs whatever, in order to achieve Gregorian unity.”

— Josef Gogniat (12 March 1938)

Recent Posts

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  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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