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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Good Friday Hymn • From “Lyra Catholica”

Jeff Ostrowski · April 7, 2023

ULTON J. SHEEN used to say: “Three things cooperated in our fall: a disobedient man, ADAM; a proud woman, EVE; and a TREE. God takes these elements and uses them as the instruments of victory: the obedient new Adam, CHRIST; the humble new Eve, MARY; and the tree of the CROSS.” He was taking this idea from the PANGE LINGUA of Bishop Fortunatus, who lived in the 6th century. I often wonder how many Catholics can talk intelligently about the “double” PANGE LINGUA. Could 1% of Catholics? Or even fewer than that? Essentially, there is a double PANGE LINGUA right smack dab in the center of the liturgical year: One for Holy Thursday (Saint Thomas Aquinas), the other for Good Friday. In the Brébeuf Catholic Hymnal, both hymns are given splendid melodies and multiple translations.

Father Caswall • The English translation by Father Edward Caswall (d. 1878) is one of his best. It’s elegant, faithful to the Latin, and flows nicely. Here it is sung by my volunteer choir:

M To access this hymn’s media in the Brébeuf Portal, click here.

“Flecte Ramos, Arbor Alta” • One of my favorite verses from the PANGE LINGUA of Bishop Fortunatus is the Flecte ramos verse. The Campion Missal gives several translations:

Literal Translation:
O lofty tree, bend thy branches, relax the tension of thy fibres, soften that rigidness—with which nature has endowed thee—and offer a more tender support to the members of thy dying King.

Monsignor Knox:
Bend thy branches down to meet him,
  Bend that stubborn heart of thine;
Let thy native force, to greet him,
  All its ruggedness resign;
Gently let thy wood entreat him,
  Royal suff(e)rer, and divine.

Roman Catholic Primer (1717AD):
Tall Cedar rais’d to mate the Sky!
Hard as thou art, now mollify,
And teach Men how to treat their God:
Bow gently down beneath thy Load,
That unrelenting Man may learn
To change his Heart and feel Concern.

It’s very difficult to think of a more supreb hymn than the Good Friday PANGE LINGUA.

Random Samples • A few recent songs our choir sang:

*  Mp3 Download • “Stabat Mater”
—Translation: Historic Roman Catholic Translation (1687AD).

*  Mp3 Download • “Kyrie Eleyson”
—This will be sung at this year’s Sacred Music Symposium.

Please be warned: Choral sounds often come out harsh and poorly balanced, owing to the nature of microphones. A microphone is not able to accurately reproduce the complex, rich, beautiful choral sound.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Flecte Ramos Arbor Alta, Good Friday Reproaches, Pange Lingua Fortunatus Last Updated: April 7, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

Thus in 1905 the Vatican Kyriale appeared with rhythmic signs and the following legend: “Præsens exemplar, rhythmicis signis a Solesmensibus monachis ornatum, typicae Vaticanæ editioni de cætero plane conforme repertum est.” (This copy, provided with rhythmic signs by the monks of Solesmes, completely agrees in every other respect with the Vatican original.)

— Dom Gregory Hügle, OSB

Recent Posts

  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

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