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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Good Friday Hymn • From “Lyra Catholica”

Jeff Ostrowski · April 7, 2023

ULTON J. SHEEN used to say: “Three things cooperated in our fall: a disobedient man, ADAM; a proud woman, EVE; and a TREE. God takes these elements and uses them as the instruments of victory: the obedient new Adam, CHRIST; the humble new Eve, MARY; and the tree of the CROSS.” He was taking this idea from the PANGE LINGUA of Bishop Fortunatus, who lived in the 6th century. I often wonder how many Catholics can talk intelligently about the “double” PANGE LINGUA. Could 1% of Catholics? Or even fewer than that? Essentially, there is a double PANGE LINGUA right smack dab in the center of the liturgical year: One for Holy Thursday (Saint Thomas Aquinas), the other for Good Friday. In the Brébeuf Catholic Hymnal, both hymns are given splendid melodies and multiple translations.

Father Caswall • The English translation by Father Edward Caswall (d. 1878) is one of his best. It’s elegant, faithful to the Latin, and flows nicely. Here it is sung by my volunteer choir:

M To access this hymn’s media in the Brébeuf Portal, click here.

“Flecte Ramos, Arbor Alta” • One of my favorite verses from the PANGE LINGUA of Bishop Fortunatus is the Flecte ramos verse. The Campion Missal gives several translations:

Literal Translation:
O lofty tree, bend thy branches, relax the tension of thy fibres, soften that rigidness—with which nature has endowed thee—and offer a more tender support to the members of thy dying King.

Monsignor Knox:
Bend thy branches down to meet him,
  Bend that stubborn heart of thine;
Let thy native force, to greet him,
  All its ruggedness resign;
Gently let thy wood entreat him,
  Royal suff(e)rer, and divine.

Roman Catholic Primer (1717AD):
Tall Cedar rais’d to mate the Sky!
Hard as thou art, now mollify,
And teach Men how to treat their God:
Bow gently down beneath thy Load,
That unrelenting Man may learn
To change his Heart and feel Concern.

It’s very difficult to think of a more supreb hymn than the Good Friday PANGE LINGUA.

Random Samples • A few recent songs our choir sang:

*  Mp3 Download • “Stabat Mater”
—Translation: Historic Roman Catholic Translation (1687AD).

*  Mp3 Download • “Kyrie Eleyson”
—This will be sung at this year’s Sacred Music Symposium.

Please be warned: Choral sounds often come out harsh and poorly balanced, owing to the nature of microphones. A microphone is not able to accurately reproduce the complex, rich, beautiful choral sound.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Flecte Ramos Arbor Alta, Good Friday Reproaches, Pange Lingua Fortunatus Last Updated: April 7, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“At the hour for the Divine Office, | as soon as the signal is heard, | let them abandon whatever they may have in hand | and hasten with the greatest speed, | yet with seriousness, so that there is no excuse for levity. | Let nothing be preferred to the sacred liturgy.”

— Rule of St. Benedict (Chapter 43)

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