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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Good Friday Hymn • From “Lyra Catholica”

Jeff Ostrowski · April 7, 2023

ULTON J. SHEEN used to say: “Three things cooperated in our fall: a disobedient man, ADAM; a proud woman, EVE; and a TREE. God takes these elements and uses them as the instruments of victory: the obedient new Adam, CHRIST; the humble new Eve, MARY; and the tree of the CROSS.” He was taking this idea from the PANGE LINGUA of Bishop Fortunatus, who lived in the 6th century. I often wonder how many Catholics can talk intelligently about the “double” PANGE LINGUA. Could 1% of Catholics? Or even fewer than that? Essentially, there is a double PANGE LINGUA right smack dab in the center of the liturgical year: One for Holy Thursday (Saint Thomas Aquinas), the other for Good Friday. In the Brébeuf Catholic Hymnal, both hymns are given splendid melodies and multiple translations.

Father Caswall • The English translation by Father Edward Caswall (d. 1878) is one of his best. It’s elegant, faithful to the Latin, and flows nicely. Here it is sung by my volunteer choir:

M To access this hymn’s media in the Brébeuf Portal, click here.

“Flecte Ramos, Arbor Alta” • One of my favorite verses from the PANGE LINGUA of Bishop Fortunatus is the Flecte ramos verse. The Campion Missal gives several translations:

Literal Translation:
O lofty tree, bend thy branches, relax the tension of thy fibres, soften that rigidness—with which nature has endowed thee—and offer a more tender support to the members of thy dying King.

Monsignor Knox:
Bend thy branches down to meet him,
  Bend that stubborn heart of thine;
Let thy native force, to greet him,
  All its ruggedness resign;
Gently let thy wood entreat him,
  Royal suff(e)rer, and divine.

Roman Catholic Primer (1717AD):
Tall Cedar rais’d to mate the Sky!
Hard as thou art, now mollify,
And teach Men how to treat their God:
Bow gently down beneath thy Load,
That unrelenting Man may learn
To change his Heart and feel Concern.

It’s very difficult to think of a more supreb hymn than the Good Friday PANGE LINGUA.

Random Samples • A few recent songs our choir sang:

*  Mp3 Download • “Stabat Mater”
—Translation: Historic Roman Catholic Translation (1687AD).

*  Mp3 Download • “Kyrie Eleyson”
—This will be sung at this year’s Sacred Music Symposium.

Please be warned: Choral sounds often come out harsh and poorly balanced, owing to the nature of microphones. A microphone is not able to accurately reproduce the complex, rich, beautiful choral sound.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Flecte Ramos Arbor Alta, Good Friday Reproaches, Pange Lingua Fortunatus Last Updated: April 7, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Catholics in America have been the heirs of a sentimental and subjective hymn tradition that, for some reason or other, has taken a deep and fast hold on the fancy of the average person.”

— Fr. Francis Brunner (1953)

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