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Corpus Christi Watershed

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Views from the Choir Loft

Three (3) Cheerful Items • “Sacred Music Revolution”

Jeff Ostrowski · April 1, 2023

HE WONDERFUL spiritual classic, The Imitation of Christ, says (bk.1, ch.9): “It is a very great thing to be under obedience, to live under a superior and not to be at our own disposal; for it is much safer to be subject than it is to command. […] Trust not too much to thine own thoughts: but be willing also to hear the sentiments of others. Although thine opinion be good, yet if for God’s sake thou leavest it—to follow that of another—it will be more profitable to thee.” Wise words, to be sure! At the same time, we remember that OUR BLESSED SAVIOR HIMSELF was condemned by Annas and Caiaphas, who were (basically) the highest church leaders at that time.

Focus on the Good • Here at Corpus Christi Watershed, we don’t subscribe to Pollyannaism. With sadness, we see high-ranking clerics who allow (or even embrace) scandalous behavior, give evil commands, and even publicly blaspheme. And yet we believe it’s better to emphasize the positive. And there is so much good in the world! A few days ago, I watched a video showing policemen rushing into an elementary school to save innocent children (just 9 years old) being slaughtered by an active shooter. These men were brave and unselfish. There is good in the world.

Three Examples:

Each day, I speak to musicians and priests all over the world. Believe it or not, tons of “pockets” do exist out there, in which faithful Catholics are promoting authentic sacred music. Today, I would like to share three cheerful examples.

Dr. Calabrese • I was sent an iPhone clip of Dr. Alfred Calabrese conducting a choral piece by composer Daniel Knaggs. I know something about how difficult it is for a microphone to accurately reproduce the rich sound of a choir. It’s almost impossible, because sound waves produced by an ensemble of voices is something physical, and it’s extremely complex. Robert Shaw was correct to call Dr. Calabrese “one of the most talented conductors.” The sound he gets from his singers is amazing. We are so blessed that Dr. Calabrese will be coming to Los Angeles this summer to conduct the sublime Salve Regina by Luca Marenzio at Sacred Music Symposium 2023.

Below is a small excerpt. I don’t know whether the full concert will be released online:

Corrinne May • Not long ago, Corrinne May was featured in Harper’s Bazaar, a famous American magazine. She was described by the magazine as “one of Singapore’s multi-platinum singer-songwriters.” Recently, Corrinne has been doing excellent work with choirs in Singapore. Her most recent project is adapting CANTUS GREGORIANUS from Latin into English. Here is a clip of her conducting an “Agnus Dei” adaptation I did based on the Miserére of Father Gregorio Allegri (d. 1652).

This clip was filmed recently in Singapore:

M To download the PDF score free of charge, go to #7554.

Volunteer Singers in Los Angeles • Working with the volunteer singers at my church is such a bright spot in my life. These are not professional musicians; they all come from the parish. Seeing these Catholics so dedicated to sacred music is truly inspirational. They make huge sacrifices to learn this music. Here’s a recording, taken from our rehearsal last night.

M To access this hymn’s media in the Brébeuf Portal, click here.

Strange But True • That hymn—which is very famous—was actually written by a Protestant named Charles Wesley. His poetry was praised by Father Leslie Rumble, of RADIO REPLIES. For years, I have been saying that if you look hard enough through the Brébeuf Hymnal, you’ll find a few hymns that are not Catholic. Another example would be “Hark! The Herald Angels Sing,” which was included by the Brébeuf editorial team even though it was written by a Protestant.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: MISERERE Gregorio Allegri, Robert Shaw Choral Conductor Last Updated: April 1, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Re: Low Mass: “It is desirable that in read Masses on Sundays and feast-days, the Gospel and Epistle be read by a lector in the vernacular for the convenience of the faithful.”

— 1958 document, issued under Pope Pius XII

Recent Posts

  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
  • “Hybrid” Chant Notation?
  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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