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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Vespers for Easter Wednesday, Thursday and Friday

Veronica Brandt · March 25, 2023

I HAVE the good fortune to be joining in a Homeschooler Retreat during Easter Week. We have a chaplain from the Priestly Fraternity of St Peter and the prospect of a week full of Sung Masses, Benediction, Rosaries and fun. This year there was a suggestion to add in Sung Vespers, possibly Wednesday, Thursday and/or Friday.

Albert Bloomfield has a huge collection of printables for Vespers and Tenebrae as previously mentioned on this blog. The target Vespers are very much like that for Easter Sunday, which has a 7 page booklet all ready as a PDF. The only thing required was to adjust the last page to change the Magnificat Antiphon, the mode for the Magnificat verses and the Collect.

The easy way would be to make a separate last page, but, as the rest of the booklet was made using LaTeX and Gregorio, I embarked on the task of updating and editing Albert Bloomfield’s gabc-chant Source Code. The project was last updated 9 years ago. Gregorio has changed a lot over those years. Some updates are simple substitutions, but others are more involved and some code is still a bit of a mystery to me.

This is the beauty of Open Source Software. When someone provides access to their work, then it can be preserved, adapted, and built upon. This case may not have saved me much time, but has made a much more handsome booklet and given me a window into a very different way of organizing big gregorio projects.

I have “forked” Albert Bloomfield’s repository, which means I have my own copy which links back to the original repository. Github tracks the changes. As of writing, I have changed 79 files with 8,993 additions and 387 deletions. I think many of those files are the intermediary files1 which I have been too lazy to exclude from the repository. This may have inflated the numbers. It did feel like quite a bit of work though.

  • EasterWedThursFri – this one is basically Easter Sunday with a heading saying “Easter Week” – I’ll use the first 6 pages and then the last page of the following 3 PDFs.
  • EasterWednesday
  • EasterThursday
  • EasterFriday

You may notice I also changed the page dimensions to A4 as US Letter paper is nigh impossible to obtain here in Australia. This is something I love about having access to the source code and being able to adapt existing work. This doesn’t happen very often in the world of sheet music – the Choral Public Domain Library being a notable exception.

A big THANK YOU to everyone who has contributed to this global collaboration making it possible to prepare Gregorian chant scores like this!


NOTES FROM THIS ARTICLE:

1   The software creates auxilliary files each time changes are made. Some examples are filenames ending with .aux, .gtex, .log, .glog, .toc, .ind, .idx. The original repository excludes most of these, but some, like .gtex files were a more recent development.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: March 25, 2023

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Abbat Pothier’s great accomplishment is having returned to the Catholic world—along with the traditional melody—the traditional way of performing it. The foundations laid by this providential man have been accepted by all those who practice Gregorian chant.”

— Dr. Peter Wagner (Commissionis Pontificiæ Gregorianæ Membrum)

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