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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Vespers for Easter Wednesday, Thursday and Friday

Veronica Brandt · March 25, 2023

I HAVE the good fortune to be joining in a Homeschooler Retreat during Easter Week. We have a chaplain from the Priestly Fraternity of St Peter and the prospect of a week full of Sung Masses, Benediction, Rosaries and fun. This year there was a suggestion to add in Sung Vespers, possibly Wednesday, Thursday and/or Friday.

Albert Bloomfield has a huge collection of printables for Vespers and Tenebrae as previously mentioned on this blog. The target Vespers are very much like that for Easter Sunday, which has a 7 page booklet all ready as a PDF. The only thing required was to adjust the last page to change the Magnificat Antiphon, the mode for the Magnificat verses and the Collect.

The easy way would be to make a separate last page, but, as the rest of the booklet was made using LaTeX and Gregorio, I embarked on the task of updating and editing Albert Bloomfield’s gabc-chant Source Code. The project was last updated 9 years ago. Gregorio has changed a lot over those years. Some updates are simple substitutions, but others are more involved and some code is still a bit of a mystery to me.

This is the beauty of Open Source Software. When someone provides access to their work, then it can be preserved, adapted, and built upon. This case may not have saved me much time, but has made a much more handsome booklet and given me a window into a very different way of organizing big gregorio projects.

I have “forked” Albert Bloomfield’s repository, which means I have my own copy which links back to the original repository. Github tracks the changes. As of writing, I have changed 79 files with 8,993 additions and 387 deletions. I think many of those files are the intermediary files1 which I have been too lazy to exclude from the repository. This may have inflated the numbers. It did feel like quite a bit of work though.

  • EasterWedThursFri – this one is basically Easter Sunday with a heading saying “Easter Week” – I’ll use the first 6 pages and then the last page of the following 3 PDFs.
  • EasterWednesday
  • EasterThursday
  • EasterFriday

You may notice I also changed the page dimensions to A4 as US Letter paper is nigh impossible to obtain here in Australia. This is something I love about having access to the source code and being able to adapt existing work. This doesn’t happen very often in the world of sheet music – the Choral Public Domain Library being a notable exception.

A big THANK YOU to everyone who has contributed to this global collaboration making it possible to prepare Gregorian chant scores like this!


NOTES FROM THIS ARTICLE:

1   The software creates auxilliary files each time changes are made. Some examples are filenames ending with .aux, .gtex, .log, .glog, .toc, .ind, .idx. The original repository excludes most of these, but some, like .gtex files were a more recent development.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: March 25, 2023

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“We must acknowledge that We have been somewhat disturbed and saddened by these requests. One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past.” [Paul VI responding to requests from monks asking permission to remove Latin from the Divine Office.]

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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