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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Lætáre Jerúsalem” • Introit (4th Sunday of Lent)

Jeff Ostrowski · March 16, 2023

T IS A GREAT paradox that, pretending to honor the “spirit” of Vatican II, many post-conciliar reformers flagrantly contradict its specific mandates. For example, Vatican II solemnly declared: “No other person, even if he be a priest, may add, remove, or change anything in the Liturgy on his own authority.” And yet, the post-conciliar reformers have denigrated and (virtually) eliminated the very texts of the sacred liturgy to such an extent that 95% of churches never sing, proclaim, or even read the Propria Missae. For example, how many Catholics (who attend the Ordinary Form) could recite from memory a single Introit antiphon? How many Catholics (who attend the Ordinary Form) have never—in their entire lives—heard even one Offertory antiphon?

“Lætare Sunday” • Consider this coming Sunday, which is LAETARE SUNDAY—the special day in Lent when priests wear rose-colored vestments. Why is it called “Lætare” Sunday? The reason is because the Propria Missæ speak of rejoicing. The Introit begins: “Lætáre, Jerúsalem … gaudéte cum lætítia” The Introit verse says: “Lætátus sum…” The Gradual begins: “Lætátus sum…” The Offertory antiphon begins: “Laudáte Dóminum…”

Rehearsal Video • To assist my volunteer choir, I have attempted to create this rehearsal videos for this coming Sunday’s INTROIT, sung according to the official rhythm of the Catholic Church:

M Direct link to video: https://ccwatershed.org/41871/

We’ve Been Here Before • It is true that I lament (above) the way that the post-conciliar Church has virtually abandoned the Mass Propers, in spite of what Vatican II said. But it’s okay. Our Church has seen hard times before, and we can rebuild. After all, Saint John Vianney himself did not even grow up with the Roman Rite—although I think he eventually adopted it—owing to a number of catastrophic events that transformed the Church in France before he was born.

Addendum:

A 2023 ‘live’ recording by a volunteer choir:

M Direct link to video: https://ccwatershed.org/41776/

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Editio Vaticana, Guillaume Couture Gregorian Chant, Lætare Sunday, Pink Vestments Pink Chasuble, Rose Colored Vestments Last Updated: March 21, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“The following question is asked by the Most Reverend Lord Bishop of the Diocese of Chur: May this Diocese’s ancient custom be continued of having the Celebrant in Sung Masses (excepting more solemn Masses) intone the Credo and when he is finished reciting it going on immediately to the offertory and finishing it while the credo is being sung by the choir?” (Dubium of Dec 1909)

— 11 December 1909

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  • New Bulletin Article • “12 October 2025”

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