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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Lætáre Jerúsalem” • Introit (4th Sunday of Lent)

Jeff Ostrowski · March 16, 2023

T IS A GREAT paradox that, pretending to honor the “spirit” of Vatican II, many post-conciliar reformers flagrantly contradict its specific mandates. For example, Vatican II solemnly declared: “No other person, even if he be a priest, may add, remove, or change anything in the Liturgy on his own authority.” And yet, the post-conciliar reformers have denigrated and (virtually) eliminated the very texts of the sacred liturgy to such an extent that 95% of churches never sing, proclaim, or even read the Propria Missae. For example, how many Catholics (who attend the Ordinary Form) could recite from memory a single Introit antiphon? How many Catholics (who attend the Ordinary Form) have never—in their entire lives—heard even one Offertory antiphon?

“Lætare Sunday” • Consider this coming Sunday, which is LAETARE SUNDAY—the special day in Lent when priests wear rose-colored vestments. Why is it called “Lætare” Sunday? The reason is because the Propria Missæ speak of rejoicing. The Introit begins: “Lætáre, Jerúsalem … gaudéte cum lætítia” The Introit verse says: “Lætátus sum…” The Gradual begins: “Lætátus sum…” The Offertory antiphon begins: “Laudáte Dóminum…”

Rehearsal Video • To assist my volunteer choir, I have attempted to create this rehearsal videos for this coming Sunday’s INTROIT, sung according to the official rhythm of the Catholic Church:

M Direct link to video: https://ccwatershed.org/41871/

We’ve Been Here Before • It is true that I lament (above) the way that the post-conciliar Church has virtually abandoned the Mass Propers, in spite of what Vatican II said. But it’s okay. Our Church has seen hard times before, and we can rebuild. After all, Saint John Vianney himself did not even grow up with the Roman Rite—although I think he eventually adopted it—owing to a number of catastrophic events that transformed the Church in France before he was born.

Addendum:

A 2023 ‘live’ recording by a volunteer choir:

M Direct link to video: https://ccwatershed.org/41776/

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Editio Vaticana, Guillaume Couture Gregorian Chant, Lætare Sunday, Pink Vestments Pink Chasuble, Rose Colored Vestments Last Updated: March 21, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Never before have men had so many time-saving devices. Yet, never before have they had so little free time. When the world unnecessarily accelerates, the Church must slow down.

— Archbishop Fulton J. Sheen

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