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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Lætáre Jerúsalem” • Introit (4th Sunday of Lent)

Jeff Ostrowski · March 16, 2023

T IS A GREAT paradox that, pretending to honor the “spirit” of Vatican II, many post-conciliar reformers flagrantly contradict its specific mandates. For example, Vatican II solemnly declared: “No other person, even if he be a priest, may add, remove, or change anything in the Liturgy on his own authority.” And yet, the post-conciliar reformers have denigrated and (virtually) eliminated the very texts of the sacred liturgy to such an extent that 95% of churches never sing, proclaim, or even read the Propria Missae. For example, how many Catholics (who attend the Ordinary Form) could recite from memory a single Introit antiphon? How many Catholics (who attend the Ordinary Form) have never—in their entire lives—heard even one Offertory antiphon?

“Lætare Sunday” • Consider this coming Sunday, which is LAETARE SUNDAY—the special day in Lent when priests wear rose-colored vestments. Why is it called “Lætare” Sunday? The reason is because the Propria Missæ speak of rejoicing. The Introit begins: “Lætáre, Jerúsalem … gaudéte cum lætítia” The Introit verse says: “Lætátus sum…” The Gradual begins: “Lætátus sum…” The Offertory antiphon begins: “Laudáte Dóminum…”

Rehearsal Video • To assist my volunteer choir, I have attempted to create this rehearsal videos for this coming Sunday’s INTROIT, sung according to the official rhythm of the Catholic Church:

M Direct link to video: https://ccwatershed.org/41871/

We’ve Been Here Before • It is true that I lament (above) the way that the post-conciliar Church has virtually abandoned the Mass Propers, in spite of what Vatican II said. But it’s okay. Our Church has seen hard times before, and we can rebuild. After all, Saint John Vianney himself did not even grow up with the Roman Rite—although I think he eventually adopted it—owing to a number of catastrophic events that transformed the Church in France before he was born.

Addendum:

A 2023 ‘live’ recording by a volunteer choir:

M Direct link to video: https://ccwatershed.org/41776/

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Editio Vaticana, Guillaume Couture Gregorian Chant, Lætare Sunday, Pink Vestments Pink Chasuble, Rose Colored Vestments Last Updated: March 21, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Ordained a diocesan priest on 7 October 1827, Guéranger was quickly named a canon (a member of the cathedral chapter of Tours). Around 1830, he demonstrated his interest in the liturgy when he began to use the Roman Missal and texts for the Divine Office, unlike many of his colleagues, who still made use of the diocesan editions commonly in use in pre-Revolutionary France.”

— Source unknown

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