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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Lætáre Jerúsalem” • Introit (4th Sunday of Lent)

Jeff Ostrowski · March 16, 2023

T IS A GREAT paradox that, pretending to honor the “spirit” of Vatican II, many post-conciliar reformers flagrantly contradict its specific mandates. For example, Vatican II solemnly declared: “No other person, even if he be a priest, may add, remove, or change anything in the Liturgy on his own authority.” And yet, the post-conciliar reformers have denigrated and (virtually) eliminated the very texts of the sacred liturgy to such an extent that 95% of churches never sing, proclaim, or even read the Propria Missae. For example, how many Catholics (who attend the Ordinary Form) could recite from memory a single Introit antiphon? How many Catholics (who attend the Ordinary Form) have never—in their entire lives—heard even one Offertory antiphon?

“Lætare Sunday” • Consider this coming Sunday, which is LAETARE SUNDAY—the special day in Lent when priests wear rose-colored vestments. Why is it called “Lætare” Sunday? The reason is because the Propria Missæ speak of rejoicing. The Introit begins: “Lætáre, Jerúsalem … gaudéte cum lætítia” The Introit verse says: “Lætátus sum…” The Gradual begins: “Lætátus sum…” The Offertory antiphon begins: “Laudáte Dóminum…”

Rehearsal Video • To assist my volunteer choir, I have attempted to create this rehearsal videos for this coming Sunday’s INTROIT, sung according to the official rhythm of the Catholic Church:

M Direct link to video: https://ccwatershed.org/41871/

We’ve Been Here Before • It is true that I lament (above) the way that the post-conciliar Church has virtually abandoned the Mass Propers, in spite of what Vatican II said. But it’s okay. Our Church has seen hard times before, and we can rebuild. After all, Saint John Vianney himself did not even grow up with the Roman Rite—although I think he eventually adopted it—owing to a number of catastrophic events that transformed the Church in France before he was born.

Addendum:

A 2023 ‘live’ recording by a volunteer choir:

M Direct link to video: https://ccwatershed.org/41776/

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Editio Vaticana, Guillaume Couture Gregorian Chant, Lætare Sunday, Pink Vestments Pink Chasuble, Rose Colored Vestments Last Updated: March 21, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Bishops have a duty towards both wise and foolish. They have to rouse the devotion of the carnal people with material ornament, since they are incapable of spiritual things.

— St. Bernard of Clairvaux (†1153)

Recent Posts

  • Music List • (Easter Sunday, 2026)
  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”

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