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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • Belgian “Ordinary of the Mass” (Organ Accompaniment) — 191 pages

Jeff Ostrowski · March 9, 2023

EFARIOUS. The word nefarious is defined by the dictionary as: flagrantly wicked or criminal. I would love to know how many readers experienced the same nefarious behavior I did while attending college. Each semester, we were forced to purchase outrageously overpriced textbooks. Each of them cost as much as $130.00—which is the equivalent of $342.36 in today’s currency. When the semester was over, we could sell our books back to the university, but usually only received about $8.00 (!) for each book. To make matters worse, each year the self-same textbooks were published in a “new edition.” The content was virtually identical, but all the formatting was altered, which meant the page numbers no longer corresponded. It’s insane that the perpetrators of this nefarious scheme were never prosecuted. (I really hope this situation no longer exists.)

The Opposite • When one encounters such nefarious acts, it’s easy to lose faith in humanity. Contrariwise, every so often one discovers people who—far from being nefarious—are generous, unselfish, and magnanimous. An example would be the professors at the LEMMENSINSTITUUT, who (at the height of WW2!) produced more than 3,000 pages of Gregorian Chant accompaniments. In an attempt to imitate this same spirit of generosity, we release today a professionally-scanned version of NOH Volume 5:

*  PDF Download • KYRIALE ORGAN ACCOMPANIMENTS (191 pages)
—Volume 5 • Nóva órgani harmónia ad graduále júxta editiónem vaticánam.

The following graphic shows the difference in quality between this professional scan and the version I created during the 1990s:

A few photographs of Volume 5:

“As It Was Intended” • The edition by the LEMMENSINSTITUUT does not follow the illicit elongations of Dom Mocquereau. Rather, they present the official edition as it was intended to be sung by its creators.1 The LEMMENSINSTITUUT marks each MMV (“Melismatic Mora Vocis”) with a tiny little dot. I am preparing an edition that contains little arrows to help singers notice the MMVs. My teacher found the MMVs very annoying to discern. I remember him laughing heartily, saying: “Those who followed the pure VATICANA had to place their noses next to the spine of the book to see whether the required width was actually there.” To him, such a procedure seemed absurd. Indeed, the bishop who baptized our children would often ask me: “Jeff, was it really true that singers had to place the plainsong books next to their noses to determine instances of morae vocis?” Indeed, in his 1939 textbook, Josef Gogniat confirms this method. In the following image, the spine of the book is placed close to one’s nose:

Do you see how this “Gogniat-Spine-Nose” method makes it easy to see whether there is blank space equal to (or exceeding) the width of a single note-head?

1 This may have something to do with the fact that the LEMMENSINSTITUUT is located in Belgium, which is the country where Abbat Pothier took refuge with his monastery during the French anti-clerical persecution.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Flor Peeters, Gregorian Chant Accompaniments, Kyriale Organ Accompaniments, Lemmensinstituut, Nova Organi Harmonia, Ordinarium Missae Last Updated: March 9, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“As liturgical art, church music is obliged to conform to ecclesiastical law. But to construct artificial polarities here, between legalistic order and a dynamic church music, demanded by the alleged needs of the day, would be to forsake the foundation of a music rooted in liturgical experience. What is in fact the pastoral value of the shoddy, the profane, the third-rate?”

— Dr. Robert Skeris (1996)

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