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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Belgian “Ordinary of the Mass” (Organ Accompaniment) — 191 pages

Jeff Ostrowski · March 9, 2023

EFARIOUS. The word nefarious is defined by the dictionary as: flagrantly wicked or criminal. I would love to know how many readers experienced the same nefarious behavior I did while attending college. Each semester, we were forced to purchase outrageously overpriced textbooks. Each of them cost as much as $130.00—which is the equivalent of $342.36 in today’s currency. When the semester was over, we could sell our books back to the university, but usually only received about $8.00 (!) for each book. To make matters worse, each year the self-same textbooks were published in a “new edition.” The content was virtually identical, but all the formatting was altered, which meant the page numbers no longer corresponded. It’s insane that the perpetrators of this nefarious scheme were never prosecuted. (I really hope this situation no longer exists.)

The Opposite • When one encounters such nefarious acts, it’s easy to lose faith in humanity. Contrariwise, every so often one discovers people who—far from being nefarious—are generous, unselfish, and magnanimous. An example would be the professors at the LEMMENSINSTITUUT, who (at the height of WW2!) produced more than 3,000 pages of Gregorian Chant accompaniments. In an attempt to imitate this same spirit of generosity, we release today a professionally-scanned version of NOH Volume 5:

*  PDF Download • KYRIALE ORGAN ACCOMPANIMENTS (191 pages)
—Volume 5 • Nóva órgani harmónia ad graduále júxta editiónem vaticánam.

The following graphic shows the difference in quality between this professional scan and the version I created during the 1990s:

A few photographs of Volume 5:

“As It Was Intended” • The edition by the LEMMENSINSTITUUT does not follow the illicit elongations of Dom Mocquereau. Rather, they present the official edition as it was intended to be sung by its creators.1 The LEMMENSINSTITUUT marks each MMV (“Melismatic Mora Vocis”) with a tiny little dot. I am preparing an edition that contains little arrows to help singers notice the MMVs. My teacher found the MMVs very annoying to discern. I remember him laughing heartily, saying: “Those who followed the pure VATICANA had to place their noses next to the spine of the book to see whether the required width was actually there.” To him, such a procedure seemed absurd. Indeed, the bishop who baptized our children would often ask me: “Jeff, was it really true that singers had to place the plainsong books next to their noses to determine instances of morae vocis?” Indeed, in his 1939 textbook, Josef Gogniat confirms this method. In the following image, the spine of the book is placed close to one’s nose:

Do you see how this “Gogniat-Spine-Nose” method makes it easy to see whether there is blank space equal to (or exceeding) the width of a single note-head?

1 This may have something to do with the fact that the LEMMENSINSTITUUT is located in Belgium, which is the country where Abbat Pothier took refuge with his monastery during the French anti-clerical persecution.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Flor Peeters, Gregorian Chant Accompaniments, Kyriale Organ Accompaniments, Lemmensinstituut, Nova Organi Harmonia, Ordinarium Missae Last Updated: March 9, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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