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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Belgian “Ordinary of the Mass” (Organ Accompaniment) — 191 pages

Jeff Ostrowski · March 9, 2023

EFARIOUS. The word nefarious is defined by the dictionary as: flagrantly wicked or criminal. I would love to know how many readers experienced the same nefarious behavior I did while attending college. Each semester, we were forced to purchase outrageously overpriced textbooks. Each of them cost as much as $130.00—which is the equivalent of $342.36 in today’s currency. When the semester was over, we could sell our books back to the university, but usually only received about $8.00 (!) for each book. To make matters worse, each year the self-same textbooks were published in a “new edition.” The content was virtually identical, but all the formatting was altered, which meant the page numbers no longer corresponded. It’s insane that the perpetrators of this nefarious scheme were never prosecuted. (I really hope this situation no longer exists.)

The Opposite • When one encounters such nefarious acts, it’s easy to lose faith in humanity. Contrariwise, every so often one discovers people who—far from being nefarious—are generous, unselfish, and magnanimous. An example would be the professors at the LEMMENSINSTITUUT, who (at the height of WW2!) produced more than 3,000 pages of Gregorian Chant accompaniments. In an attempt to imitate this same spirit of generosity, we release today a professionally-scanned version of NOH Volume 5:

*  PDF Download • KYRIALE ORGAN ACCOMPANIMENTS (191 pages)
—Volume 5 • Nóva órgani harmónia ad graduále júxta editiónem vaticánam.

The following graphic shows the difference in quality between this professional scan and the version I created during the 1990s:

A few photographs of Volume 5:

“As It Was Intended” • The edition by the LEMMENSINSTITUUT does not follow the illicit elongations of Dom Mocquereau. Rather, they present the official edition as it was intended to be sung by its creators.1 The LEMMENSINSTITUUT marks each MMV (“Melismatic Mora Vocis”) with a tiny little dot. I am preparing an edition that contains little arrows to help singers notice the MMVs. My teacher found the MMVs very annoying to discern. I remember him laughing heartily, saying: “Those who followed the pure VATICANA had to place their noses next to the spine of the book to see whether the required width was actually there.” To him, such a procedure seemed absurd. Indeed, the bishop who baptized our children would often ask me: “Jeff, was it really true that singers had to place the plainsong books next to their noses to determine instances of morae vocis?” Indeed, in his 1939 textbook, Josef Gogniat confirms this method. In the following image, the spine of the book is placed close to one’s nose:

Do you see how this “Gogniat-Spine-Nose” method makes it easy to see whether there is blank space equal to (or exceeding) the width of a single note-head?

1 This may have something to do with the fact that the LEMMENSINSTITUUT is located in Belgium, which is the country where Abbat Pothier took refuge with his monastery during the French anti-clerical persecution.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Flor Peeters, Gregorian Chant Accompaniments, Kyriale Organ Accompaniments, Lemmensinstituut, Nova Organi Harmonia, Ordinarium Missae Last Updated: March 9, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

The “jolly good guy” kind of pastor can be an irritant. […] Ministers of the Gospel are not used car salesmen whose heartiness is a mile wide and an inch deep. A bemused layman told me that a bishop joked with him, but turned away like a startled deer when asked an important question…

— Fr. George Rutler (7 August 2017)

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