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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Belgian Book of Gregorian Accompaniments (Official Edition)

Jeff Ostrowski · January 31, 2023

OLIEST PRIEST you ever met? That’s a tough question, but one of the holiest was certainly Father Valentine Young (d. 2020). I remember Father Valentine once said: “Jeff, I’ve reached a point in my life where I almost enjoy hearing accompanied plainsong more than unaccompanied.” That statement was two decades ago. At that point in my life, such a statement constituted formal heresy. You see, I used to believe the only ‘valid’ way to sing Gregorian Chant was a cappella (“without accompaniment”). But after almost three decades of singing plainsong, I have come to realize that a well-written accompaniment can add great beauty.1 The following is a recording from last Sunday. You will notice I accompanied our volunteer choir using the NOH harmonies:

Direct Link.

Rare Belgian Book • Corpus Christi Watershed has obtained an extremely rare book of organ accompaniments for Belgium. Readers probably know that each country has special feasts, often celebrating local saints. Interesting items abound in this book. For instance, they wrote an accompaniment for the enormously lengthy SEQUENCE for Saint Lambert of Maastricht (Bishop and Martyr). They wrote an accompaniment for the famous “Gaudeámus” Introit—for the feast of Saint Rumbold of Mechlin—which organists will which to compare with the other “Gaudeámus” harmonizations the LEMMENSINSTITUUT provided in the other volumes.

*  PDF Download • VOLUME VI (“Propers for Belgium”)
—Vol. 6 contains “special propers for the dioceses of Belgium” • 129 pages.

Upcoming Presentation • During this year’s Sacred Music Symposium—which will take place in June of 2023—I will be giving a presentation which will demonstrate (using multiple examples) that excellent Gregorian accompaniments employ the self-same techniques used by the great composers. Monsignor Jules Van Nuffel once wrote:

“A flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

Please Help Us • We desire to provide professional and pristine scans for other volumes of the NOH, especially VOLUME V, which contains the Ordinary of the Mass. But professional scans cost a lot of money. We’re a tiny 501(c)3 public charity. We exist solely by the generosity of small donors. We have no endowment; we have no major donors; we run no advertisements; we have no savings. We beg you to consider donating $5.00 per month, or even $3.00 per month.

1 So much depends upon the choir, the acoustic, and each situation. For instance, if I am singing the Requiem Mass with superb singers, I would be annoyed if somebody tried to add an accompaniment to our singing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Rev Fr Valentine Young OFM Last Updated: January 31, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

[Speaking about the Silent Canon, with audible “per ómnia”] — “So in all such cases it is usual for the otherwise silent celebrant occasionally to sing a clause aloud, to show how far he has arrived.”

— Father Fortescue (pages 313-314) • “A Study of the Roman Liturgy”

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