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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Belgian Book of Gregorian Accompaniments (Official Edition)

Jeff Ostrowski · January 31, 2023

OLIEST PRIEST you ever met? That’s a tough question, but one of the holiest was certainly Father Valentine Young (d. 2020). I remember Father Valentine once said: “Jeff, I’ve reached a point in my life where I almost enjoy hearing accompanied plainsong more than unaccompanied.” That statement was two decades ago. At that point in my life, such a statement constituted formal heresy. You see, I used to believe the only ‘valid’ way to sing Gregorian Chant was a cappella (“without accompaniment”). But after almost three decades of singing plainsong, I have come to realize that a well-written accompaniment can add great beauty.1 The following is a recording from last Sunday. You will notice I accompanied our volunteer choir using the NOH harmonies:

Direct Link.

Rare Belgian Book • Corpus Christi Watershed has obtained an extremely rare book of organ accompaniments for Belgium. Readers probably know that each country has special feasts, often celebrating local saints. Interesting items abound in this book. For instance, they wrote an accompaniment for the enormously lengthy SEQUENCE for Saint Lambert of Maastricht (Bishop and Martyr). They wrote an accompaniment for the famous “Gaudeámus” Introit—for the feast of Saint Rumbold of Mechlin—which organists will which to compare with the other “Gaudeámus” harmonizations the LEMMENSINSTITUUT provided in the other volumes.

*  PDF Download • VOLUME VI (“Propers for Belgium”)
—Vol. 6 contains “special propers for the dioceses of Belgium” • 129 pages.

Upcoming Presentation • During this year’s Sacred Music Symposium—which will take place in June of 2023—I will be giving a presentation which will demonstrate (using multiple examples) that excellent Gregorian accompaniments employ the self-same techniques used by the great composers. Monsignor Jules Van Nuffel once wrote:

“A flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

Please Help Us • We desire to provide professional and pristine scans for other volumes of the NOH, especially VOLUME V, which contains the Ordinary of the Mass. But professional scans cost a lot of money. We’re a tiny 501(c)3 public charity. We exist solely by the generosity of small donors. We have no endowment; we have no major donors; we run no advertisements; we have no savings. We beg you to consider donating $5.00 per month, or even $3.00 per month.

1 So much depends upon the choir, the acoustic, and each situation. For instance, if I am singing the Requiem Mass with superb singers, I would be annoyed if somebody tried to add an accompaniment to our singing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Rev Fr Valentine Young OFM Last Updated: January 31, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“By a decree of the synod of the diocese of Exeter in 1284, no one should claim any seat in a church; but whoever first entered a church for the purpose of devotion, might choose at his pleasure a place for praying.”

— A work by Fr. Husenbeth (d. 1872)

Recent Posts

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  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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