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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Belgian Book of Gregorian Accompaniments (Official Edition)

Jeff Ostrowski · January 31, 2023

OLIEST PRIEST you ever met? That’s a tough question, but one of the holiest was certainly Father Valentine Young (d. 2020). I remember Father Valentine once said: “Jeff, I’ve reached a point in my life where I almost enjoy hearing accompanied plainsong more than unaccompanied.” That statement was two decades ago. At that point in my life, such a statement constituted formal heresy. You see, I used to believe the only ‘valid’ way to sing Gregorian Chant was a cappella (“without accompaniment”). But after almost three decades of singing plainsong, I have come to realize that a well-written accompaniment can add great beauty.1 The following is a recording from last Sunday. You will notice I accompanied our volunteer choir using the NOH harmonies:

Direct Link.

Rare Belgian Book • Corpus Christi Watershed has obtained an extremely rare book of organ accompaniments for Belgium. Readers probably know that each country has special feasts, often celebrating local saints. Interesting items abound in this book. For instance, they wrote an accompaniment for the enormously lengthy SEQUENCE for Saint Lambert of Maastricht (Bishop and Martyr). They wrote an accompaniment for the famous “Gaudeámus” Introit—for the feast of Saint Rumbold of Mechlin—which organists will which to compare with the other “Gaudeámus” harmonizations the LEMMENSINSTITUUT provided in the other volumes.

*  PDF Download • VOLUME VI (“Propers for Belgium”)
—Vol. 6 contains “special propers for the dioceses of Belgium” • 129 pages.

Upcoming Presentation • During this year’s Sacred Music Symposium—which will take place in June of 2023—I will be giving a presentation which will demonstrate (using multiple examples) that excellent Gregorian accompaniments employ the self-same techniques used by the great composers. Monsignor Jules Van Nuffel once wrote:

“A flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

Please Help Us • We desire to provide professional and pristine scans for other volumes of the NOH, especially VOLUME V, which contains the Ordinary of the Mass. But professional scans cost a lot of money. We’re a tiny 501(c)3 public charity. We exist solely by the generosity of small donors. We have no endowment; we have no major donors; we run no advertisements; we have no savings. We beg you to consider donating $5.00 per month, or even $3.00 per month.

1 So much depends upon the choir, the acoustic, and each situation. For instance, if I am singing the Requiem Mass with superb singers, I would be annoyed if somebody tried to add an accompaniment to our singing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Rev Fr Valentine Young OFM Last Updated: January 31, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

At the Catholic gathering (Katholikentag) held at Breslau in August, the Papal Nuncio celebrated Mass for 80,000 participants, facing the people (the “Missa versus populum”).

— “Orate Fratres” Magazine (23 Jan. 1927)

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