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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Advent Hymn” • Composed by Flor Peeters

Jeff Ostrowski · November 29, 2022

AINT DOMINIC SAVIO said: “If I save one soul, I save my own.” I think most of us would agree that we’re not on fire for the Holy Faith as we ought to be. Furthermore, we do a terrible job sharing our Catholic Faith with others. The Gospel (Lk 19: 39-40) says: “Some of the Pharisees said to Jesus: Master, rebuke thy disciples; but He answered: I say to you, if they should keep silence, the very stones will cry out instead.” We do not cry out, telling others about JESUS CHRIST, His forgiveness, the life of Grace, and so forth. Indeed, we scarcely whimper.

A Small Way Forward • On the other hand, we have our “small victories.” For instance, it’s so rewarding to expose parishioners to the beautiful Catholic treasury of sacred music. The following hymn—NUMBER 186 in the Brébeuf Catholic Hymnal—was composed by Flor Peeters, who was organist at Malines Cathedral from 1923 until his death in 1986. Peeters was a famous pedagogue, known all over the world, and sometimes taught at Boys Town (Nebraska). The text is an ancient Catholic hymn called Cónditor Alme Síderum, which was been translated into English:

M To access this hymn’s media in the Brébeuf Portal, click here.

Jeff’s Deathbed • Until my dying day, I will never understand why some musicians are fine using hymn books which—broadly speaking—consist of “leftovers” from Protestant hymnals. The Brébeuf Catholic Hymnal doesn’t mimic or “build upon” Protestant hymnals. Rather, it draws upon the gorgeous and powerful Roman Catholic hymnody tradition. For example, ANALECTA HYMNICA MEDII AEVI by Father Dreves gives more than 10,000 Catholic hymns! I just don’t understand why anyone would discard all of those. I gave more detailed thoughts on this matter in 2019:

*  2019 Article • What Makes A “Catholic” Hymnal?

Organ Interludes • As you can hear by that live recording, we normally don’t sing all the verses one after the other. We have the men sing certain verses, or just the women, or SATB, or with Soprano descant, or with a different organ harmonization, and so forth. (We have discussed how crucial musical diversity is many times on this blog.) In that recording, you can hear my rather pathetic attempt at organ improvisation…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Advent Hymn Creator Alme, Analecta hymnica medii aevi, Different Ways To Sing Hymns, Flor Peeters Last Updated: November 30, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The scholar who lives only for his subject is but the fragment of a man; he lives in a shadow-world, mistaking means for ends.”

— Msgr. Ronald Knox (1888-1957)

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