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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reverence: Feeling or Action?

Veronica Brandt · November 19, 2022

ON THURSDAY there was a funny case of secular media sympathising with Latin Mass goers which in turn provoked an attempt to take the wind out of their sails with a bold article commanding the reader to Stop saying the Latin Mass is ‘more reverent’.

Now, there are a whole lot of people who react badly to being told what they can and cannot say, so pretty soon the article was being reposted with many people boldly proclaiming the very thing the title forbade.

I read the article and watched through the little video at the end and came to the conclusion that the two sides are arguing from different premises. The word “reverence” means different things:

reverence, 1.
A feeling of profound awe and respect and often love. synonym: honor. 2. An act showing respect, especially a bow or curtsy.

The Jesuits at America Magazine used the word “reverent” to describe a feeling or emotion. Using that definition, it makes sense that comparing different liturgies by the feeling aroused in the individual is very subjective and prone to many confounding variables.

The fans of the Traditional Latin Mass, however, were using the word “reverent” to describe tangible, visible actions which are objectively more reverent. A chart of such actions has been compiled by Jacob Bauer and shared on Facebook by Dr Peter Kwasniewski. These include but are not limited to:

  • The faithful receiving kneeling and on the tongue.
  • The faithful receiving from the hands of a priest/deacon.
  • The minister of Communion making the sign of the cross with the host over the Communicant.
  • The priest keeping his thumb and forefinger joined from Consecration to ablutions.
  • The priest genuflecting before and after any handling of the Sacred Species.
  • The priest genuflecting before and after each consecration.
  • Laypeople forbidden from touching the Sacred Species.
  • Laypeople forbidden from touching the sacred vessels.
  • The priest not turning his back on the tabernacle for more than a passing moment.

All these are features of liturgical norms up in force up until about sixty years ago which have since become optional or even suppressed. All these are reverences according to the definition, “act showing respect”. We can definitely say that the Latin Mass has more reverences.

They are tangible, concrete, visible actions. They may produce feelings of reverence, which is good, but that’s not the point. It’s a way of praying with our bodies, employing our bodies to express the belief of the True Presence of Christ in the Eucharist.

Maybe we can agree that the Latin Mass has more external signs of reverence. Maybe that will clarify our position.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: November 19, 2022

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The Pope is not an absolute monarch whose thoughts and desires are law. On the contrary: the Pope’s ministry is a guarantee of obedience to Christ and to his Word. He must not proclaim his own ideas, but rather constantly bind himself and the Church to obedience to God’s Word, in the face of every attempt to adapt it or water it down, and every form of opportunism.”

— ‘His Holiness, Pope Benedict XVI (11 May 2005)’

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