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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Release! • “Four Eucharistic Motets” (34 Pages)

Corpus Christi Watershed · September 2, 2022

N 2019, HIS EMINENCE Cardinal Seán Patrick O’Malley, O.F.M. Cap. announced 2020 would begin the Year of the Eucharist in the Archdiocese of Boston. “The Eucharist is the source and summit of the Christian life.” (CCC, No. 1324) Little did we know what was in store for the entire world in 2020. Forced abstinence from the Eucharist heightened for many the appreciation of the sacraments. During this time of trial for all and inspired by the Cathedral of the Holy Cross’ quartet of singers, Richard J. Clark set four (4) well-loved Eucharistic texts from Saint Thomas Aquinas and Pope Innocent III.* With USCCB Eucharistic Revival, these new choral works are especially timely. These motets are for four voices (SATB) with no divisi, so smaller ensembles may perform them.

This marvelous score (34 pages) is now available on Amazon:

*  Amazon Link • “Four Eucharistic Motets” (SATB)
—A joint publication by RJC Cecilia Music and Corpus Christi Watershed.

In The Media • “Four Eucharistic Motets” appear on the album From the Bell Tower by the Boston Cathedral Singers (available on iTunes, Amazon, Spotify, etc.). The album and the “Four Eucharistic Motets” were featured by Rome Reports TV News Agency.

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I. Ave verum corpus:

M * Direct YouTube URL.

II. Adore te devote:

M * Direct YouTube URL.

III. Pange lingua:

M * Direct YouTube URL.

IV. O sacrum convivium:

M * Direct YouTube URL.

ICHARD J. CLARK, an exceedingly versatile and eclectic musician, is highly regarded as a composer of sacred music in particular for the Roman Rite. His choral and instrumental works have been performed worldwide. His choral works have been performed under the baton of Grammy-winning conductor Fernando Malvar-Ruiz with The American Boychoir, Jennifer Lester (The Seraphim Singers), and John Robinson (Saint Paul’s Choir School). The Boston Globe has called Clark’s music and that of the Holy Cross Cathedral’s choir “stirring” and “profound.” He is the founder of RJC Cecilia Music and RJC Cecilia Records. He has served as conductor and clinician for the Sacred Music Symposium run by the Priestly Fraternity of Saint Peter in Los Angeles. Mr. Clark currently serves as Archdiocesan and Cathedral DIRECTOR OF MUSIC and ORGANIST at the Cathedral of the Holy Cross in Boston. A New York native, he lives with his wife and four children just outside of Boston, Massachusetts.

* Richard J. Clark would like to thank John Dunn, Director of Music Emeritus of the Saint Paul’s Choir School and Jeff Ostrowski, President of Corpus Christi Watershed for editorial assistance in this publication.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Four Eucharistic Motets, Richard J Clark Last Updated: September 2, 2022

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

The Council of Trent taught: “In this divine sacrifice which takes place at Mass, the same Christ is present and is immolated in an unbloody manner, Who once on the Cross offered Himself in a bloody manner. For the victim is one and the same, now offering through the ministry of priests, Who then offered Himself on the Cross; only the manner of offering is different” (Session XXII, cap. 2, Denzinger, n. 940).

— Pope Pius XII (2 November 1954)

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