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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Release! • “Four Eucharistic Motets” (34 Pages)

Corpus Christi Watershed · September 2, 2022

N 2019, HIS EMINENCE Cardinal Seán Patrick O’Malley, O.F.M. Cap. announced 2020 would begin the Year of the Eucharist in the Archdiocese of Boston. “The Eucharist is the source and summit of the Christian life.” (CCC, No. 1324) Little did we know what was in store for the entire world in 2020. Forced abstinence from the Eucharist heightened for many the appreciation of the sacraments. During this time of trial for all and inspired by the Cathedral of the Holy Cross’ quartet of singers, Richard J. Clark set four (4) well-loved Eucharistic texts from Saint Thomas Aquinas and Pope Innocent III.* With USCCB Eucharistic Revival, these new choral works are especially timely. These motets are for four voices (SATB) with no divisi, so smaller ensembles may perform them.

This marvelous score (34 pages) is now available on Amazon:

*  Amazon Link • “Four Eucharistic Motets” (SATB)
—A joint publication by RJC Cecilia Music and Corpus Christi Watershed.

In The Media • “Four Eucharistic Motets” appear on the album From the Bell Tower by the Boston Cathedral Singers (available on iTunes, Amazon, Spotify, etc.). The album and the “Four Eucharistic Motets” were featured by Rome Reports TV News Agency.

48156-FOUR-EUCHARISTIC-MOTETS-Richard-J-Clark
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48157-FOUR-EUCHARISTIC-MOTETS-Richard-J-Clark

I. Ave verum corpus:

M * Direct YouTube URL.

II. Adore te devote:

M * Direct YouTube URL.

III. Pange lingua:

M * Direct YouTube URL.

IV. O sacrum convivium:

M * Direct YouTube URL.

ICHARD J. CLARK, an exceedingly versatile and eclectic musician, is highly regarded as a composer of sacred music in particular for the Roman Rite. His choral and instrumental works have been performed worldwide. His choral works have been performed under the baton of Grammy-winning conductor Fernando Malvar-Ruiz with The American Boychoir, Jennifer Lester (The Seraphim Singers), and John Robinson (Saint Paul’s Choir School). The Boston Globe has called Clark’s music and that of the Holy Cross Cathedral’s choir “stirring” and “profound.” He is the founder of RJC Cecilia Music and RJC Cecilia Records. He has served as conductor and clinician for the Sacred Music Symposium run by the Priestly Fraternity of Saint Peter in Los Angeles. Mr. Clark currently serves as Archdiocesan and Cathedral DIRECTOR OF MUSIC and ORGANIST at the Cathedral of the Holy Cross in Boston. A New York native, he lives with his wife and four children just outside of Boston, Massachusetts.

* Richard J. Clark would like to thank John Dunn, Director of Music Emeritus of the Saint Paul’s Choir School and Jeff Ostrowski, President of Corpus Christi Watershed for editorial assistance in this publication.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Four Eucharistic Motets, Richard J Clark Last Updated: September 2, 2022

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“I have a great quarrel on with Dom Mocquereau over a very stiff book of his which we have translated & which a stupid American woman wants to be adapted to her understanding & terminology. It will be a little difficult to persuade the dear old man, for the lady is going to pay the piper. Truly money is at the root of all evils!”

— Dame Laurentia (talking about Justine Ward)

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