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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Release! • “Four Eucharistic Motets” (34 Pages)

Corpus Christi Watershed · September 2, 2022

N 2019, HIS EMINENCE Cardinal Seán Patrick O’Malley, O.F.M. Cap. announced 2020 would begin the Year of the Eucharist in the Archdiocese of Boston. “The Eucharist is the source and summit of the Christian life.” (CCC, No. 1324) Little did we know what was in store for the entire world in 2020. Forced abstinence from the Eucharist heightened for many the appreciation of the sacraments. During this time of trial for all and inspired by the Cathedral of the Holy Cross’ quartet of singers, Richard J. Clark set four (4) well-loved Eucharistic texts from Saint Thomas Aquinas and Pope Innocent III.* With USCCB Eucharistic Revival, these new choral works are especially timely. These motets are for four voices (SATB) with no divisi, so smaller ensembles may perform them.

This marvelous score (34 pages) is now available on Amazon:

*  Amazon Link • “Four Eucharistic Motets” (SATB)
—A joint publication by RJC Cecilia Music and Corpus Christi Watershed.

In The Media • “Four Eucharistic Motets” appear on the album From the Bell Tower by the Boston Cathedral Singers (available on iTunes, Amazon, Spotify, etc.). The album and the “Four Eucharistic Motets” were featured by Rome Reports TV News Agency.

48156-FOUR-EUCHARISTIC-MOTETS-Richard-J-Clark
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I. Ave verum corpus:

M * Direct YouTube URL.

II. Adore te devote:

M * Direct YouTube URL.

III. Pange lingua:

M * Direct YouTube URL.

IV. O sacrum convivium:

M * Direct YouTube URL.

ICHARD J. CLARK, an exceedingly versatile and eclectic musician, is highly regarded as a composer of sacred music in particular for the Roman Rite. His choral and instrumental works have been performed worldwide. His choral works have been performed under the baton of Grammy-winning conductor Fernando Malvar-Ruiz with The American Boychoir, Jennifer Lester (The Seraphim Singers), and John Robinson (Saint Paul’s Choir School). The Boston Globe has called Clark’s music and that of the Holy Cross Cathedral’s choir “stirring” and “profound.” He is the founder of RJC Cecilia Music and RJC Cecilia Records. He has served as conductor and clinician for the Sacred Music Symposium run by the Priestly Fraternity of Saint Peter in Los Angeles. Mr. Clark currently serves as Archdiocesan and Cathedral DIRECTOR OF MUSIC and ORGANIST at the Cathedral of the Holy Cross in Boston. A New York native, he lives with his wife and four children just outside of Boston, Massachusetts.

* Richard J. Clark would like to thank John Dunn, Director of Music Emeritus of the Saint Paul’s Choir School and Jeff Ostrowski, President of Corpus Christi Watershed for editorial assistance in this publication.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Four Eucharistic Motets, Richard J Clark Last Updated: September 2, 2022

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President’s Corner

    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Since the English is not meant to be sung, but only to tell people who do not understand Latin what the text means, a simple paraphrase in prose is sufficient. The versions are not always very literal. Literal translations from Latin hymns would often look odd in English. I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Fr. Adrian Fortescue (1913)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.