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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Intriguing Quote” • Msgr. Richard J. Schuler

Jeff Ostrowski · August 31, 2022

NEVER MET Monsignor Richard J. Schuler (d. 2007), but I know he served as editor of the Sacred Music Journal (Church Music Association of America) for many years. He was ordained on 18 August 1945 and had a very ‘full’ life. He was a musician, author, pastor, and seminary professor. I feel close to him, because his doctoral dissertation (if memory serves) was on the music of Giovanni Nanino. I repeat, I never met Msgr. Schuler—but if his writings are any indication, he seems to have been sharp-witted, bold, and scholarly. Here is a quote from Msgr. Richard J. Schuler which readers will find thought-provoking (or perhaps provocative):

𝗩𝗮𝘁𝗶𝗰𝗮𝗻 𝗜𝗜 𝗱𝗶𝗱 𝗻𝗼𝘁 𝘀𝘄𝗲𝗲𝗽 𝗮𝘄𝗮𝘆 𝘁𝗵𝗲 “𝗠𝗶𝘀𝘀𝗮 𝗥𝗼𝗺𝗮𝗻𝗮 𝗰𝗮𝗻𝘁𝗮𝘁𝗮.” 𝗥𝗮𝘁𝗵𝗲𝗿 𝗶𝘁 𝗱𝗶𝗱 𝗲𝘃𝗲𝗿𝘆𝘁𝗵𝗶𝗻𝗴 𝘁𝗼 𝗳𝗼𝘀𝘁𝗲𝗿 𝗶𝘁 𝗮𝗻𝗱 𝗽𝗿𝗲𝘀𝗲𝗿𝘃𝗲 𝗶𝘁. 𝗖𝗲𝗿𝘁𝗮𝗶𝗻 𝗮𝗰𝗰𝗿𝗲𝘁𝗶𝗼𝗻𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗮𝗴𝗲𝘀 𝘄𝗲𝗿𝗲 𝗺𝗼𝗱𝗶𝗳𝗶𝗲𝗱 𝗼𝗿 𝗿𝗲𝗺𝗼𝘃𝗲𝗱. 𝗧𝗵𝗲 𝘁𝗲𝘅𝘁𝘀 𝗿𝗲𝗺𝗮𝗶𝗻𝗲𝗱; 𝘁𝗵𝗲 𝘒𝘺𝘳𝘪𝘦, 𝘎𝘭𝘰𝘳𝘪𝘢, 𝘊𝘳𝘦𝘥𝘰, 𝘚𝘢𝘯𝘤𝘵𝘶𝘴-𝘉𝘦𝘯𝘦𝘥𝘪𝘤𝘵𝘶𝘴, 𝗮𝗻𝗱 𝘈𝘨𝘯𝘶𝘴 𝘋𝘦𝘪 𝗮𝗿𝗲 𝘀𝘁𝗶𝗹𝗹 𝗽𝗮𝗿𝘁 𝗼𝗳 𝘁𝗵𝗲 𝗠𝗮𝘀𝘀. 𝗧𝗵𝗲 𝘃𝗮𝗿𝗶𝗼𝘂𝘀 𝗽𝗿𝗼𝗽𝗲𝗿 𝘁𝗲𝘅𝘁𝘀 𝗵𝗮𝘃𝗲 𝗯𝗲𝗲𝗻 𝘀𝗵𝗶𝗳𝘁𝗲𝗱 𝗼𝗿 𝗿𝗲𝗮𝗿𝗿𝗮𝗻𝗴𝗲𝗱, 𝗯𝘂𝘁 𝘁𝗵𝗲 𝘪𝘯𝘵𝘳𝘰𝘪𝘵𝘶𝘴, 𝘨𝘳𝘢𝘥𝘶𝘢𝘭𝘦, 𝘢𝘭𝘭𝘦𝘭𝘶𝘪𝘢, 𝘰𝘧𝘧𝘦𝘳𝘵𝘰𝘳𝘪𝘶𝘮, 𝗮𝗻𝗱 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘰 𝗮𝗿𝗲 𝘀𝘁𝗶𝗹𝗹 𝗶𝗻𝘁𝗮𝗰𝘁 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗺𝗼𝘀𝘁 𝗽𝗮𝗿𝘁. 𝗪𝗵𝗮𝘁 𝘃𝗮𝗿𝗶𝗼𝘂𝘀 𝗮𝗴𝗲𝘀 𝗱𝗶𝗱 𝘁𝗼 𝗮𝗱𝗼𝗿𝗻 𝘁𝗵𝗼𝘀𝗲 𝘁𝗲𝘅𝘁𝘀 𝗶𝘀 𝘀𝘁𝗶𝗹𝗹 𝘂𝘀𝗲𝗳𝘂𝗹 𝗮𝗻𝗱 𝘁𝗼 𝗯𝗲 𝗳𝗼𝘀𝘁𝗲𝗿𝗲𝗱 𝗶𝗻 𝗼𝘂𝗿 𝗼𝘄𝗻 𝘁𝗶𝗺𝗲𝘀, 𝗮𝗰𝗰𝗼𝗿𝗱𝗶𝗻𝗴 𝘁𝗼 𝘁𝗵𝗲 𝗱𝗶𝗿𝗲𝗰𝘁𝗶𝗼𝗻𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗰𝗼𝘂𝗻𝗰𝗶𝗹. 𝗧𝗼 𝗽𝗿𝗼𝘃𝗲 𝗶𝘁, 𝘁𝗵𝗲 𝗖𝗵𝘂𝗿𝗰𝗵 𝗵𝗲𝗿𝘀𝗲𝗹𝗳 𝗵𝗮𝘀 𝗽𝘂𝗯𝗹𝗶𝘀𝗵𝗲𝗱 𝗮 𝗻𝗲𝘄 𝗲𝗱𝗶𝘁𝗶𝗼𝗻 𝗼𝗳 𝘁𝗵𝗲 “𝗚𝗿𝗮𝗱𝘂𝗮𝗹𝗲 𝗥𝗼𝗺𝗮𝗻𝘂𝗺” 𝘄𝗶𝘁𝗵 𝘁𝗵𝗲 𝗮𝗻𝗰𝗶𝗲𝗻𝘁 𝗚𝗿𝗲𝗴𝗼𝗿𝗶𝗮𝗻 𝗰𝗵𝗮𝗻𝘁𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗼𝗿𝗱𝗶𝗻𝗮𝗿𝘆 𝗮𝗻𝗱 𝗽𝗿𝗼𝗽𝗲𝗿 𝗽𝗮𝗿𝘁𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗠𝗮𝘀𝘀 𝗼𝗿𝗱𝗲𝗿𝗲𝗱 𝗳𝗼𝗿 𝘂𝘀𝗲. 𝗧𝗵𝗲 𝗻𝗲𝘄 “𝗠𝗶𝘀𝘀𝗮𝗹𝗲 𝗥𝗼𝗺𝗮𝗻𝘂𝗺” 𝗼𝗳 𝗣𝗼𝗽𝗲 𝗣𝗮𝘂𝗹 𝗩𝗜 𝗶𝘀 𝗲𝘀𝘀𝗲𝗻𝘁𝗶𝗮𝗹𝗹𝘆 𝘁𝗵𝗲 𝘀𝗮𝗺𝗲 𝗺𝗶𝘀𝘀𝗮𝗹 𝘁𝗵𝗮𝘁 𝘄𝗮𝘀 𝗶𝗻 𝘂𝘀𝗲 𝗳𝗿𝗼𝗺 𝘁𝗵𝗲 𝘁𝗶𝗺𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗖𝗼𝘂𝗻𝗰𝗶𝗹 𝗼𝗳 𝗧𝗿𝗲𝗻𝘁, 𝗼𝗿𝗱𝗲𝗿𝗲𝗱 𝗯𝘆 𝗣𝗼𝗽𝗲 𝗣𝗶𝘂𝘀 𝗩. 𝗪𝗵𝗶𝗹𝗲 𝘄𝗲 𝗵𝗮𝘃𝗲 𝗮 𝗻𝗲𝘄 𝗼𝗿𝗱𝗲𝗿, 𝗶𝘁 𝗶𝘀 𝘁𝗵𝗲 𝘀𝗮𝗺𝗲 𝗠𝗮𝘀𝘀.

If what Msgr. Schuler says is true, it’s difficult to see how any sane cleric could denigrate the Missale Vetustum.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Missale Vetustum, Richard J Schuler Last Updated: August 31, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Partly on account of these alterations, and partly because I have been unable to ascertain the authorship of many compositions—which have come to me either in manuscript or through other collections—I have thought it right to publish the volume without appending the names of writers to their works. This, however, I confess to be a defect…”

— Benjamin Hall Kennedy (1863)

Recent Posts

  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)

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