• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Intriguing Quote” • Msgr. Richard J. Schuler

Jeff Ostrowski · August 31, 2022

NEVER MET Monsignor Richard J. Schuler (d. 2007), but I know he served as editor of the Sacred Music Journal (Church Music Association of America) for many years. He was ordained on 18 August 1945 and had a very ‘full’ life. He was a musician, author, pastor, and seminary professor. I feel close to him, because his doctoral dissertation (if memory serves) was on the music of Giovanni Nanino. I repeat, I never met Msgr. Schuler—but if his writings are any indication, he seems to have been sharp-witted, bold, and scholarly. Here is a quote from Msgr. Richard J. Schuler which readers will find thought-provoking (or perhaps provocative):

𝗩𝗮𝘁𝗶𝗰𝗮𝗻 𝗜𝗜 𝗱𝗶𝗱 𝗻𝗼𝘁 𝘀𝘄𝗲𝗲𝗽 𝗮𝘄𝗮𝘆 𝘁𝗵𝗲 “𝗠𝗶𝘀𝘀𝗮 𝗥𝗼𝗺𝗮𝗻𝗮 𝗰𝗮𝗻𝘁𝗮𝘁𝗮.” 𝗥𝗮𝘁𝗵𝗲𝗿 𝗶𝘁 𝗱𝗶𝗱 𝗲𝘃𝗲𝗿𝘆𝘁𝗵𝗶𝗻𝗴 𝘁𝗼 𝗳𝗼𝘀𝘁𝗲𝗿 𝗶𝘁 𝗮𝗻𝗱 𝗽𝗿𝗲𝘀𝗲𝗿𝘃𝗲 𝗶𝘁. 𝗖𝗲𝗿𝘁𝗮𝗶𝗻 𝗮𝗰𝗰𝗿𝗲𝘁𝗶𝗼𝗻𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗮𝗴𝗲𝘀 𝘄𝗲𝗿𝗲 𝗺𝗼𝗱𝗶𝗳𝗶𝗲𝗱 𝗼𝗿 𝗿𝗲𝗺𝗼𝘃𝗲𝗱. 𝗧𝗵𝗲 𝘁𝗲𝘅𝘁𝘀 𝗿𝗲𝗺𝗮𝗶𝗻𝗲𝗱; 𝘁𝗵𝗲 𝘒𝘺𝘳𝘪𝘦, 𝘎𝘭𝘰𝘳𝘪𝘢, 𝘊𝘳𝘦𝘥𝘰, 𝘚𝘢𝘯𝘤𝘵𝘶𝘴-𝘉𝘦𝘯𝘦𝘥𝘪𝘤𝘵𝘶𝘴, 𝗮𝗻𝗱 𝘈𝘨𝘯𝘶𝘴 𝘋𝘦𝘪 𝗮𝗿𝗲 𝘀𝘁𝗶𝗹𝗹 𝗽𝗮𝗿𝘁 𝗼𝗳 𝘁𝗵𝗲 𝗠𝗮𝘀𝘀. 𝗧𝗵𝗲 𝘃𝗮𝗿𝗶𝗼𝘂𝘀 𝗽𝗿𝗼𝗽𝗲𝗿 𝘁𝗲𝘅𝘁𝘀 𝗵𝗮𝘃𝗲 𝗯𝗲𝗲𝗻 𝘀𝗵𝗶𝗳𝘁𝗲𝗱 𝗼𝗿 𝗿𝗲𝗮𝗿𝗿𝗮𝗻𝗴𝗲𝗱, 𝗯𝘂𝘁 𝘁𝗵𝗲 𝘪𝘯𝘵𝘳𝘰𝘪𝘵𝘶𝘴, 𝘨𝘳𝘢𝘥𝘶𝘢𝘭𝘦, 𝘢𝘭𝘭𝘦𝘭𝘶𝘪𝘢, 𝘰𝘧𝘧𝘦𝘳𝘵𝘰𝘳𝘪𝘶𝘮, 𝗮𝗻𝗱 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘰 𝗮𝗿𝗲 𝘀𝘁𝗶𝗹𝗹 𝗶𝗻𝘁𝗮𝗰𝘁 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗺𝗼𝘀𝘁 𝗽𝗮𝗿𝘁. 𝗪𝗵𝗮𝘁 𝘃𝗮𝗿𝗶𝗼𝘂𝘀 𝗮𝗴𝗲𝘀 𝗱𝗶𝗱 𝘁𝗼 𝗮𝗱𝗼𝗿𝗻 𝘁𝗵𝗼𝘀𝗲 𝘁𝗲𝘅𝘁𝘀 𝗶𝘀 𝘀𝘁𝗶𝗹𝗹 𝘂𝘀𝗲𝗳𝘂𝗹 𝗮𝗻𝗱 𝘁𝗼 𝗯𝗲 𝗳𝗼𝘀𝘁𝗲𝗿𝗲𝗱 𝗶𝗻 𝗼𝘂𝗿 𝗼𝘄𝗻 𝘁𝗶𝗺𝗲𝘀, 𝗮𝗰𝗰𝗼𝗿𝗱𝗶𝗻𝗴 𝘁𝗼 𝘁𝗵𝗲 𝗱𝗶𝗿𝗲𝗰𝘁𝗶𝗼𝗻𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗰𝗼𝘂𝗻𝗰𝗶𝗹. 𝗧𝗼 𝗽𝗿𝗼𝘃𝗲 𝗶𝘁, 𝘁𝗵𝗲 𝗖𝗵𝘂𝗿𝗰𝗵 𝗵𝗲𝗿𝘀𝗲𝗹𝗳 𝗵𝗮𝘀 𝗽𝘂𝗯𝗹𝗶𝘀𝗵𝗲𝗱 𝗮 𝗻𝗲𝘄 𝗲𝗱𝗶𝘁𝗶𝗼𝗻 𝗼𝗳 𝘁𝗵𝗲 “𝗚𝗿𝗮𝗱𝘂𝗮𝗹𝗲 𝗥𝗼𝗺𝗮𝗻𝘂𝗺” 𝘄𝗶𝘁𝗵 𝘁𝗵𝗲 𝗮𝗻𝗰𝗶𝗲𝗻𝘁 𝗚𝗿𝗲𝗴𝗼𝗿𝗶𝗮𝗻 𝗰𝗵𝗮𝗻𝘁𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗼𝗿𝗱𝗶𝗻𝗮𝗿𝘆 𝗮𝗻𝗱 𝗽𝗿𝗼𝗽𝗲𝗿 𝗽𝗮𝗿𝘁𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗠𝗮𝘀𝘀 𝗼𝗿𝗱𝗲𝗿𝗲𝗱 𝗳𝗼𝗿 𝘂𝘀𝗲. 𝗧𝗵𝗲 𝗻𝗲𝘄 “𝗠𝗶𝘀𝘀𝗮𝗹𝗲 𝗥𝗼𝗺𝗮𝗻𝘂𝗺” 𝗼𝗳 𝗣𝗼𝗽𝗲 𝗣𝗮𝘂𝗹 𝗩𝗜 𝗶𝘀 𝗲𝘀𝘀𝗲𝗻𝘁𝗶𝗮𝗹𝗹𝘆 𝘁𝗵𝗲 𝘀𝗮𝗺𝗲 𝗺𝗶𝘀𝘀𝗮𝗹 𝘁𝗵𝗮𝘁 𝘄𝗮𝘀 𝗶𝗻 𝘂𝘀𝗲 𝗳𝗿𝗼𝗺 𝘁𝗵𝗲 𝘁𝗶𝗺𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗖𝗼𝘂𝗻𝗰𝗶𝗹 𝗼𝗳 𝗧𝗿𝗲𝗻𝘁, 𝗼𝗿𝗱𝗲𝗿𝗲𝗱 𝗯𝘆 𝗣𝗼𝗽𝗲 𝗣𝗶𝘂𝘀 𝗩. 𝗪𝗵𝗶𝗹𝗲 𝘄𝗲 𝗵𝗮𝘃𝗲 𝗮 𝗻𝗲𝘄 𝗼𝗿𝗱𝗲𝗿, 𝗶𝘁 𝗶𝘀 𝘁𝗵𝗲 𝘀𝗮𝗺𝗲 𝗠𝗮𝘀𝘀.

If what Msgr. Schuler says is true, it’s difficult to see how any sane cleric could denigrate the Missale Vetustum.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Missale Vetustum, Richard J Schuler Last Updated: August 31, 2022

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“During Lent…the use of musical instruments is allowed only so as to support the singing. Nevertheless, Laetare Sunday (the Fourth Sunday of Lent), Solemnities and Feasts are exceptions to this rule.”

— ‘Roman Missal, 3rd Edition (2011)’

Recent Posts

  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up