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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Need Easy Organ Pieces? Try This Little-Known Composer

Keven Smith · August 2, 2022

T’S A STRUGGLE that every church organist knows all too well: you want to glorify God and provide beauty to your congregation by playing new repertoire regularly. But you haven’t had adequate practice time since college. You probably have a day job and a family. And easier organ music often doesn’t seem worth playing, musically speaking.

What to do? You could spend hours searching the internet for those rare interesting-yet-playable gems. Or you could head straight to IMSLP and look up Gaël Liardon.

Who Is Gaël Liardon?

Gaël Liardon was a brilliant composer and keyboard player who died in 2018 just two months shy of 45 years old. In terms of digital footprint, he’s a mysterious figure; his Wikipedia page contains only seven sentences and offers no details on his tragic death. Fortunately for us all, this brilliant Swiss musician left behind several dozen fine organ compositions on IMSLP.

On the day Liardon died, his friend and fellow Swiss keyboardist Benjamin Righetti went to St. Francois in Lausanne (where he is the titular organist) and recorded Liardon’s O heiliger Geist, o heiliger Gott. This trio is my favorite of Liardon’s organ works and an excellent introduction to his compositional style:

Finding Liardon’s Music

As I mentioned, many of Liardon’s compositions are available on IMSLP. (The usual warnings about copyrights apply.) He wrote beautiful, sophisticated pieces on many famous hymn tunes. Even as an advanced beginner, I’ve found some of them quite accessible. There are fuguettes that don’t even require pedals.

My organ teacher sent me a link to the trio above just days after Liardon died. It was a poignant experience to “meet” such an impressive composer from my generation yet realize that he had already passed into eternity. I’m puzzled that Benjamin Righetti’s performance has only garnered 11,000 views, especially considering that I’m responsible for several hundred of those.

Keep this talented man’s music alive—and breathe new life into your repertoire—by exploring Gaël Liardon’s compositions today.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: organ, organ repertoire Last Updated: August 2, 2022

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“What matters is to prefer God to all else; to be ready to sacrifice all, rather than commit one sin.”

— Cardinal Merry Del Val (shortly before his death)

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