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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Need Easy Organ Pieces? Try This Little-Known Composer

Keven Smith · August 2, 2022

T’S A STRUGGLE that every church organist knows all too well: you want to glorify God and provide beauty to your congregation by playing new repertoire regularly. But you haven’t had adequate practice time since college. You probably have a day job and a family. And easier organ music often doesn’t seem worth playing, musically speaking.

What to do? You could spend hours searching the internet for those rare interesting-yet-playable gems. Or you could head straight to IMSLP and look up Gaël Liardon.

Who Is Gaël Liardon?

Gaël Liardon was a brilliant composer and keyboard player who died in 2018 just two months shy of 45 years old. In terms of digital footprint, he’s a mysterious figure; his Wikipedia page contains only seven sentences and offers no details on his tragic death. Fortunately for us all, this brilliant Swiss musician left behind several dozen fine organ compositions on IMSLP.

On the day Liardon died, his friend and fellow Swiss keyboardist Benjamin Righetti went to St. Francois in Lausanne (where he is the titular organist) and recorded Liardon’s O heiliger Geist, o heiliger Gott. This trio is my favorite of Liardon’s organ works and an excellent introduction to his compositional style:

Finding Liardon’s Music

As I mentioned, many of Liardon’s compositions are available on IMSLP. (The usual warnings about copyrights apply.) He wrote beautiful, sophisticated pieces on many famous hymn tunes. Even as an advanced beginner, I’ve found some of them quite accessible. There are fuguettes that don’t even require pedals.

My organ teacher sent me a link to the trio above just days after Liardon died. It was a poignant experience to “meet” such an impressive composer from my generation yet realize that he had already passed into eternity. I’m puzzled that Benjamin Righetti’s performance has only garnered 11,000 views, especially considering that I’m responsible for several hundred of those.

Keep this talented man’s music alive—and breathe new life into your repertoire—by exploring Gaël Liardon’s compositions today.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: organ, organ repertoire Last Updated: August 2, 2022

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The Second Plenary Council of Baltimore (Tit. VI, Cap. iii, 379) did order that Vespers be sung, and in their entirety, in all churches on Sundays and feast days and that Vespers be not omitted on account of other services. However, the Fathers of the Council inserted the clause, “quatenus fieri potest,” in consideration of practical difficulties in the carrying out of the decree.

— The American Ecclesiastical Review (Febr. 1949)

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  • Music List • (2nd Sunday of Lent)
  • PDF Download • “Funerals in the Ordinary Form”
  • Extreme Unction
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  • Which Mass?

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