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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Need Easy Organ Pieces? Try This Little-Known Composer

Keven Smith · August 2, 2022

T’S A STRUGGLE that every church organist knows all too well: you want to glorify God and provide beauty to your congregation by playing new repertoire regularly. But you haven’t had adequate practice time since college. You probably have a day job and a family. And easier organ music often doesn’t seem worth playing, musically speaking.

What to do? You could spend hours searching the internet for those rare interesting-yet-playable gems. Or you could head straight to IMSLP and look up Gaël Liardon.

Who Is Gaël Liardon?

Gaël Liardon was a brilliant composer and keyboard player who died in 2018 just two months shy of 45 years old. In terms of digital footprint, he’s a mysterious figure; his Wikipedia page contains only seven sentences and offers no details on his tragic death. Fortunately for us all, this brilliant Swiss musician left behind several dozen fine organ compositions on IMSLP.

On the day Liardon died, his friend and fellow Swiss keyboardist Benjamin Righetti went to St. Francois in Lausanne (where he is the titular organist) and recorded Liardon’s O heiliger Geist, o heiliger Gott. This trio is my favorite of Liardon’s organ works and an excellent introduction to his compositional style:

Finding Liardon’s Music

As I mentioned, many of Liardon’s compositions are available on IMSLP. (The usual warnings about copyrights apply.) He wrote beautiful, sophisticated pieces on many famous hymn tunes. Even as an advanced beginner, I’ve found some of them quite accessible. There are fuguettes that don’t even require pedals.

My organ teacher sent me a link to the trio above just days after Liardon died. It was a poignant experience to “meet” such an impressive composer from my generation yet realize that he had already passed into eternity. I’m puzzled that Benjamin Righetti’s performance has only garnered 11,000 views, especially considering that I’m responsible for several hundred of those.

Keep this talented man’s music alive—and breathe new life into your repertoire—by exploring Gaël Liardon’s compositions today.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: organ, organ repertoire Last Updated: August 2, 2022

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

Jeffrey Tucker: “What are your thoughts on what passes for sacred music in most Catholic parishes today?” Richard Morris: “There’s nothing sacred about it. The tunes, rhythms, and messages are drawn mainly from secular culture. When it isn’t aesthetically repugnant and downright offensive to the Faith, it is utterly forgettable.”

— James Richard Morris (concert organist)

Recent Posts

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  • “Simplified” Keyboard Accompaniment (PDF)
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  • Father Cuthbert Lattey • “The Hebrew MSS”

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