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Views from the Choir Loft

Need Easy Organ Pieces? Try This Little-Known Composer

Keven Smith · August 2, 2022

T’S A STRUGGLE that every church organist knows all too well: you want to glorify God and provide beauty to your congregation by playing new repertoire regularly. But you haven’t had adequate practice time since college. You probably have a day job and a family. And easier organ music often doesn’t seem worth playing, musically speaking.

What to do? You could spend hours searching the internet for those rare interesting-yet-playable gems. Or you could head straight to IMSLP and look up Gaël Liardon.

Who Is Gaël Liardon?

Gaël Liardon was a brilliant composer and keyboard player who died in 2018 just two months shy of 45 years old. In terms of digital footprint, he’s a mysterious figure; his Wikipedia page contains only seven sentences and offers no details on his tragic death. Fortunately for us all, this brilliant Swiss musician left behind several dozen fine organ compositions on IMSLP.

On the day Liardon died, his friend and fellow Swiss keyboardist Benjamin Righetti went to St. Francois in Lausanne (where he is the titular organist) and recorded Liardon’s O heiliger Geist, o heiliger Gott. This trio is my favorite of Liardon’s organ works and an excellent introduction to his compositional style:

Finding Liardon’s Music

As I mentioned, many of Liardon’s compositions are available on IMSLP. (The usual warnings about copyrights apply.) He wrote beautiful, sophisticated pieces on many famous hymn tunes. Even as an advanced beginner, I’ve found some of them quite accessible. There are fuguettes that don’t even require pedals.

My organ teacher sent me a link to the trio above just days after Liardon died. It was a poignant experience to “meet” such an impressive composer from my generation yet realize that he had already passed into eternity. I’m puzzled that Benjamin Righetti’s performance has only garnered 11,000 views, especially considering that I’m responsible for several hundred of those.

Keep this talented man’s music alive—and breathe new life into your repertoire—by exploring Gaël Liardon’s compositions today.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: organ, organ repertoire Last Updated: August 2, 2022

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Chants closely related to the readings should, of course, be appropriately transferred for use with these readings. For pastoral reasons also there is an option regarding the chants for the Proper of Seasons: namely, as circumstances suggest, to replace the text proper to a day with another text belonging to the same season.”

— Ordo Cantus Missae (1971)

Recent Posts

  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?

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