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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Breaking! • Official Release of “Stowe Missal Eucharistic Motets” for 3 voices (Kevin Allen)

Corpus Christi Watershed · July 26, 2022

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URING THIS SUMMER’S spectacular church music Symposium, there was a panel discussion. Each faculty member recommended an indispensable piece of choral music for those who direct volunteer choirs. Jeff Ostrowski recommended Kevin Allen’s Matri Divinæ Collection—written for SAB choir—declaring: “These pristine pieces are absolute gold. They have the Solfège markings already written in, they’re fresh and fun, and (especially if your singers have varying degrees of experience) you should start with these at the beginning of every season!”

Stowe Missal Motets: Composer Kevin Allen has just released another collection which is quite similar to Matri Divinæ. That’s because: (1) They’re for three voices (Soprano, Alto, Bass); (2) They have the Solfège already written in; (3) They are modern and fresh; and (4) They include additional psalm-tones to match perfectly the liturgical action happening at the Altar:

*  Amazon • “Stowe Missal Eucharistic Motets” (SAB)
—Sold by Amazon (all proceeds go directly to the composer).

Provenance Of These Texts: It is not known when the famous STOWE MISSAL was created. In the Catholic Encyclopedia, Father Adrian Fortescue dates it around 615AD, but some scholars think it may have been earlier (while others suggest its genesis came later). Around 1200AD, frequent reception of Holy Communion by the faithful became rare, but the STOWE MISSAL contains the texts of various songs to be sung during the distribution of Holy Communion.

Sample Score: Those who wish to do so may download a Stowe Missal Motet Sample Score. To share a video recording with your friends—which helps spread the word about serious Catholic composers such as Mr. Allen—please click here.

Rehearsal Videos: Jeff Ostrowski, in an effort to assist volunteer choirs, has already recorded practice videos for one of these majestic motets (“Commíxtio Córporis”). These free rehearsal videos for each individual voice await you at #53338.

Completely New: The “Stowe Missal Eucharistic Motets” were commissioned by Corpus Christi Watershed in honor of the USCCB’s declared National Eucharistic Revival, which began on 19 June 2022. They were premiered at Sacred Music Symposium 2022:

Photographs:

Kevin Allen: Kevin Allen has been highly regarded as a composer of opera, chamber, and orchestral music. Mr. Allen has also developed a unique reputation as a composer of church music for the Roman Rite. Mr. Allen’s works—both sacred and secular—have been performed in churches and concert halls throughout the world. Mr. Allen is the founding director of the Collins Consort, the American Composer’s Project, and the Schola Immaculata. He directs music at the Monastery of the Holy Cross in Chicago.

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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: 3-part SAB motets, Composer Kevin Allen, Easy Polyphony For Amateurs, National Eucharistic Revival, Simple Polyphony, Soprano Alto Bass Polyphony, Stowe Missal Eucharistic, Stowe Missal Motets Last Updated: August 12, 2022

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Abbat Pothier’s great accomplishment is having returned to the Catholic world—along with the traditional melody—the traditional way of performing it. The foundations laid by this providential man have been accepted by all those who practice Gregorian chant.”

— Dr. Peter Wagner (Commissionis Pontificiæ Gregorianæ Membrum)

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