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Views from the Choir Loft

Breaking! • Official Release of “Stowe Missal Eucharistic Motets” for 3 voices (Kevin Allen)

Corpus Christi Watershed · July 26, 2022

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URING THIS SUMMER’S spectacular church music Symposium, there was a panel discussion. Each faculty member recommended an indispensable piece of choral music for those who direct volunteer choirs. Jeff Ostrowski recommended Kevin Allen’s Matri Divinæ Collection—written for SAB choir—declaring: “These pristine pieces are absolute gold. They have the Solfège markings already written in, they’re fresh and fun, and (especially if your singers have varying degrees of experience) you should start with these at the beginning of every season!”

Stowe Missal Motets: Composer Kevin Allen has just released another collection which is quite similar to Matri Divinæ. That’s because: (1) They’re for three voices (Soprano, Alto, Bass); (2) They have the Solfège already written in; (3) They are modern and fresh; and (4) They include additional psalm-tones to match perfectly the liturgical action happening at the Altar:

*  Amazon • “Stowe Missal Eucharistic Motets” (SAB)
—Sold by Amazon (all proceeds go directly to the composer).

Provenance Of These Texts: It is not known when the famous STOWE MISSAL was created. In the Catholic Encyclopedia, Father Adrian Fortescue dates it around 615AD, but some scholars think it may have been earlier (while others suggest its genesis came later). Around 1200AD, frequent reception of Holy Communion by the faithful became rare, but the STOWE MISSAL contains the texts of various songs to be sung during the distribution of Holy Communion.

Sample Score: Those who wish to do so may download a Stowe Missal Motet Sample Score. To share a video recording with your friends—which helps spread the word about serious Catholic composers such as Mr. Allen—please click here.

Rehearsal Videos: Jeff Ostrowski, in an effort to assist volunteer choirs, has already recorded practice videos for one of these majestic motets (“Commíxtio Córporis”). These free rehearsal videos for each individual voice await you at #53338.

Completely New: The “Stowe Missal Eucharistic Motets” were commissioned by Corpus Christi Watershed in honor of the USCCB’s declared National Eucharistic Revival, which began on 19 June 2022. They were premiered at Sacred Music Symposium 2022:

Photographs:

Kevin Allen: Kevin Allen has been highly regarded as a composer of opera, chamber, and orchestral music. Mr. Allen has also developed a unique reputation as a composer of church music for the Roman Rite. Mr. Allen’s works—both sacred and secular—have been performed in churches and concert halls throughout the world. Mr. Allen is the founding director of the Collins Consort, the American Composer’s Project, and the Schola Immaculata. He directs music at the Monastery of the Holy Cross in Chicago.

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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: 3-part SAB motets, Composer Kevin Allen, Easy Polyphony For Amateurs, National Eucharistic Revival, Simple Polyphony, Soprano Alto Bass Polyphony, Stowe Missal Eucharistic, Stowe Missal Motets Last Updated: July 27, 2026

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Corpus Christi Watershed

President’s Corner

    Calling Dr. Weaver!

    A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

Ambrose and Prudentius took something classical and made it Christian; the revisers and their imitators took something Christian and tried to make it classical. The result may be pedantry, and sometimes perhaps poetry; but it is not piety. “Accessit Latinitas, discessit pietas.”

— Fr. Joseph Connelly (1954)

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