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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Breaking! • Official Release of “Stowe Missal Eucharistic Motets” for 3 voices (Kevin Allen)

Corpus Christi Watershed · July 26, 2022

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URING THIS SUMMER’S spectacular church music Symposium, there was a panel discussion. Each faculty member recommended an indispensable piece of choral music for those who direct volunteer choirs. Jeff Ostrowski recommended Kevin Allen’s Matri Divinæ Collection—written for SAB choir—declaring: “These pristine pieces are absolute gold. They have the Solfège markings already written in, they’re fresh and fun, and (especially if your singers have varying degrees of experience) you should start with these at the beginning of every season!”

Stowe Missal Motets: Composer Kevin Allen has just released another collection which is quite similar to Matri Divinæ. That’s because: (1) They’re for three voices (Soprano, Alto, Bass); (2) They have the Solfège already written in; (3) They are modern and fresh; and (4) They include additional psalm-tones to match perfectly the liturgical action happening at the Altar:

*  Amazon • “Stowe Missal Eucharistic Motets” (SAB)
—Sold by Amazon (all proceeds go directly to the composer).

Provenance Of These Texts: It is not known when the famous STOWE MISSAL was created. In the Catholic Encyclopedia, Father Adrian Fortescue dates it around 615AD, but some scholars think it may have been earlier (while others suggest its genesis came later). Around 1200AD, frequent reception of Holy Communion by the faithful became rare, but the STOWE MISSAL contains the texts of various songs to be sung during the distribution of Holy Communion.

Sample Score: Those who wish to do so may download a Stowe Missal Motet Sample Score. To share a video recording with your friends—which helps spread the word about serious Catholic composers such as Mr. Allen—please click here.

Rehearsal Videos: Jeff Ostrowski, in an effort to assist volunteer choirs, has already recorded practice videos for one of these majestic motets (“Commíxtio Córporis”). These free rehearsal videos for each individual voice await you at #53338.

Completely New: The “Stowe Missal Eucharistic Motets” were commissioned by Corpus Christi Watershed in honor of the USCCB’s declared National Eucharistic Revival, which began on 19 June 2022. They were premiered at Sacred Music Symposium 2022:

Photographs:

Kevin Allen: Kevin Allen has been highly regarded as a composer of opera, chamber, and orchestral music. Mr. Allen has also developed a unique reputation as a composer of church music for the Roman Rite. Mr. Allen’s works—both sacred and secular—have been performed in churches and concert halls throughout the world. Mr. Allen is the founding director of the Collins Consort, the American Composer’s Project, and the Schola Immaculata. He directs music at the Monastery of the Holy Cross in Chicago.

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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: 3-part SAB motets, Composer Kevin Allen, Easy Polyphony For Amateurs, National Eucharistic Revival, Simple Polyphony, Soprano Alto Bass Polyphony, Stowe Missal Eucharistic, Stowe Missal Motets Last Updated: August 12, 2022

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Corpus Christi Watershed

President’s Corner

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski
    Kids’ Choir Sings Thomas Aquinas
    Last Sunday, a children’s choir I’m teaching sang with us for the very first time at Sunday Mass. Females from our main choir sang along with them. If you’re curious to hear how they sounded, you can listen to a ‘live’ recording. That’s an English version of TANTUM ERGO by Saint Thomas Aquinas. That haunting melody is called GAUFESTRE and was employed for this 2-Voice Arrangement of a special hymn for 9 November (“Feast of the Dedication of the Lateran Basilica in Rome”) which replaces a Sunday this year.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of September (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“This chapter hereby extends the prohibition of 13 June 1561 against loaning singers or instrumentalists on any account whatsoever to include even the humblest choirboy.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (10 June 1562)

Recent Posts

  • “American Catholic Hymnal” (1991)
  • Involving Women in the Communion?
  • “Toward a More Sacred Style With Pastoral Charity” • Guest Article by Dr. Myrna Keough
  • “Music List” • 27th in Ordinary Time (Year C)
  • Kids’ Choir Sings Thomas Aquinas

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