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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Breaking! • Official Release of “Stowe Missal Eucharistic Motets” for 3 voices (Kevin Allen)

Corpus Christi Watershed · July 26, 2022

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URING THIS SUMMER’S spectacular church music Symposium, there was a panel discussion. Each faculty member recommended an indispensable piece of choral music for those who direct volunteer choirs. Jeff Ostrowski recommended Kevin Allen’s Matri Divinæ Collection—written for SAB choir—declaring: “These pristine pieces are absolute gold. They have the Solfège markings already written in, they’re fresh and fun, and (especially if your singers have varying degrees of experience) you should start with these at the beginning of every season!”

Stowe Missal Motets: Composer Kevin Allen has just released another collection which is quite similar to Matri Divinæ. That’s because: (1) They’re for three voices (Soprano, Alto, Bass); (2) They have the Solfège already written in; (3) They are modern and fresh; and (4) They include additional psalm-tones to match perfectly the liturgical action happening at the Altar:

*  Amazon • “Stowe Missal Eucharistic Motets” (SAB)
—Sold by Amazon (all proceeds go directly to the composer).

Provenance Of These Texts: It is not known when the famous STOWE MISSAL was created. In the Catholic Encyclopedia, Father Adrian Fortescue dates it around 615AD, but some scholars think it may have been earlier (while others suggest its genesis came later). Around 1200AD, frequent reception of Holy Communion by the faithful became rare, but the STOWE MISSAL contains the texts of various songs to be sung during the distribution of Holy Communion.

Sample Score: Those who wish to do so may download a Stowe Missal Motet Sample Score. To share a video recording with your friends—which helps spread the word about serious Catholic composers such as Mr. Allen—please click here.

Rehearsal Videos: Jeff Ostrowski, in an effort to assist volunteer choirs, has already recorded practice videos for one of these majestic motets (“Commíxtio Córporis”). These free rehearsal videos for each individual voice await you at #53338.

Completely New: The “Stowe Missal Eucharistic Motets” were commissioned by Corpus Christi Watershed in honor of the USCCB’s declared National Eucharistic Revival, which began on 19 June 2022. They were premiered at Sacred Music Symposium 2022:

Photographs:

Kevin Allen: Kevin Allen has been highly regarded as a composer of opera, chamber, and orchestral music. Mr. Allen has also developed a unique reputation as a composer of church music for the Roman Rite. Mr. Allen’s works—both sacred and secular—have been performed in churches and concert halls throughout the world. Mr. Allen is the founding director of the Collins Consort, the American Composer’s Project, and the Schola Immaculata. He directs music at the Monastery of the Holy Cross in Chicago.

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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: 3-part SAB motets, Composer Kevin Allen, Easy Polyphony For Amateurs, National Eucharistic Revival, Simple Polyphony, Soprano Alto Bass Polyphony, Stowe Missal Eucharistic, Stowe Missal Motets Last Updated: August 12, 2022

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Corpus Christi Watershed

President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

[Speaking of those who wish to eliminate Latin from the liturgy.] “One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past; one may well wonder why these things have been fostered.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing

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