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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

FSSP Guadalajara • “Conferencia de Musica Sagrada”

Andrea Leal · July 12, 2022

OR THE VERY FIRST time, FSSP Guadalara will putting on a sacred music conference to train musicians for the Traditional Latin Mass from July 10-16th. Experts in Gregorian chant, organ, and choir direction will lead the classes. FSSP Seminarian Jacob Kasak, titular organist for the FSSP seminary Our Lady of Guadalupe in Denton, Nebraska will be present. I will leave the description below without translation since this is a Spanish-language conference and those who are interested will be able to fully understand:

El programa musical de la Cuasi parroquia de San Pedro en Cadenas que está administrada por la FSSP en Guadalajara, México, ha preparado el Primer Curso de capacitación litúrgico-musical para la misa tradicional.

México y en particular Guadalajara cuanta con una gran tradición musical en general y la que concierne a la que se compone para el servicio litúrgico no es la excepción: desde los archivos catedralicios Virreinales pasando por la tradición musical mexicana del siglo XIX y la escuelas de composición y órgano que dieron origen a lo aún hoy podemos oír en la Santa Misa.

Esta tradición unida al magisterio de la Iglesia es la base de lo que se verá en esta primera edición del curso, cuya finalidad es adiestrar de una manera práctica y concisa a los músicos que en el resto del país están interesados en poder acompañar dignamente en la misa tradicional, pero que por obvias razones hay un sesgo importante en su formación.

Los expositores serán los directores del mismo programa musical: Aida Orozco, Omar Padilla y José María López Valencia, expertos en Canto Gregoriano, órgano, composición, canto y dirección coral, que junto al seminarista Jacob Kasak organista titular del Seminario de Ntra. Sra. De Guadalupe (FSSP) de Denton USA y músico profesional de carrera, que estará en Guadalajara especialmente para este evento. Juan Pablo Orozco joven organista también estará compartiendo su experiencia.

Comenzará el domingo 10 de julio y terminará el sábado 16, Las ponencias y los cursos serán por la mañana y por la tarde siempre con la participación en la santa misa. El repertorio que se abordará será el clásico en la parte organística y en la parte coral y vocal será música sagrada mexicana en general sin descuidar los grandes maestros universales.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 12, 2022

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Far from dreading an encounter with the Iroquois, Fr. Garnier often told us he would be quite content to fall into their hands and remain their prisoner if—while they were torturing him—he at least had a chance of instructing them as long as his torments lasted. If they allowed him to live, it would afford him a golden opportunity to work for their conversion, which was now impossible, since the gateway to their country was closed as long as they were our enemies.

— Father Ragueneau (Jesuit Relations)

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