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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

FSSP Guadalajara • “Conferencia de Musica Sagrada”

Andrea Leal · July 12, 2022

OR THE VERY FIRST time, FSSP Guadalara will putting on a sacred music conference to train musicians for the Traditional Latin Mass from July 10-16th. Experts in Gregorian chant, organ, and choir direction will lead the classes. FSSP Seminarian Jacob Kasak, titular organist for the FSSP seminary Our Lady of Guadalupe in Denton, Nebraska will be present. I will leave the description below without translation since this is a Spanish-language conference and those who are interested will be able to fully understand:

El programa musical de la Cuasi parroquia de San Pedro en Cadenas que está administrada por la FSSP en Guadalajara, México, ha preparado el Primer Curso de capacitación litúrgico-musical para la misa tradicional.

México y en particular Guadalajara cuanta con una gran tradición musical en general y la que concierne a la que se compone para el servicio litúrgico no es la excepción: desde los archivos catedralicios Virreinales pasando por la tradición musical mexicana del siglo XIX y la escuelas de composición y órgano que dieron origen a lo aún hoy podemos oír en la Santa Misa.

Esta tradición unida al magisterio de la Iglesia es la base de lo que se verá en esta primera edición del curso, cuya finalidad es adiestrar de una manera práctica y concisa a los músicos que en el resto del país están interesados en poder acompañar dignamente en la misa tradicional, pero que por obvias razones hay un sesgo importante en su formación.

Los expositores serán los directores del mismo programa musical: Aida Orozco, Omar Padilla y José María López Valencia, expertos en Canto Gregoriano, órgano, composición, canto y dirección coral, que junto al seminarista Jacob Kasak organista titular del Seminario de Ntra. Sra. De Guadalupe (FSSP) de Denton USA y músico profesional de carrera, que estará en Guadalajara especialmente para este evento. Juan Pablo Orozco joven organista también estará compartiendo su experiencia.

Comenzará el domingo 10 de julio y terminará el sábado 16, Las ponencias y los cursos serán por la mañana y por la tarde siempre con la participación en la santa misa. El repertorio que se abordará será el clásico en la parte organística y en la parte coral y vocal será música sagrada mexicana en general sin descuidar los grandes maestros universales.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 12, 2022

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

Benedict XVI in particular felt it was wrong to prohibit the celebration of Mass in the ancient rite in parish churches, as it is always dangerous to corner a group of faithful so as to make them feel persecuted and to inspire in them a sense of having to safeguard their identity at all costs in the face of the “enemy.”

— Archbishop Georg Gänswein

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