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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

FSSP Guadalajara • “Conferencia de Musica Sagrada”

Andrea Leal · July 12, 2022

OR THE VERY FIRST time, FSSP Guadalara will putting on a sacred music conference to train musicians for the Traditional Latin Mass from July 10-16th. Experts in Gregorian chant, organ, and choir direction will lead the classes. FSSP Seminarian Jacob Kasak, titular organist for the FSSP seminary Our Lady of Guadalupe in Denton, Nebraska will be present. I will leave the description below without translation since this is a Spanish-language conference and those who are interested will be able to fully understand:

El programa musical de la Cuasi parroquia de San Pedro en Cadenas que está administrada por la FSSP en Guadalajara, México, ha preparado el Primer Curso de capacitación litúrgico-musical para la misa tradicional.

México y en particular Guadalajara cuanta con una gran tradición musical en general y la que concierne a la que se compone para el servicio litúrgico no es la excepción: desde los archivos catedralicios Virreinales pasando por la tradición musical mexicana del siglo XIX y la escuelas de composición y órgano que dieron origen a lo aún hoy podemos oír en la Santa Misa.

Esta tradición unida al magisterio de la Iglesia es la base de lo que se verá en esta primera edición del curso, cuya finalidad es adiestrar de una manera práctica y concisa a los músicos que en el resto del país están interesados en poder acompañar dignamente en la misa tradicional, pero que por obvias razones hay un sesgo importante en su formación.

Los expositores serán los directores del mismo programa musical: Aida Orozco, Omar Padilla y José María López Valencia, expertos en Canto Gregoriano, órgano, composición, canto y dirección coral, que junto al seminarista Jacob Kasak organista titular del Seminario de Ntra. Sra. De Guadalupe (FSSP) de Denton USA y músico profesional de carrera, que estará en Guadalajara especialmente para este evento. Juan Pablo Orozco joven organista también estará compartiendo su experiencia.

Comenzará el domingo 10 de julio y terminará el sábado 16, Las ponencias y los cursos serán por la mañana y por la tarde siempre con la participación en la santa misa. El repertorio que se abordará será el clásico en la parte organística y en la parte coral y vocal será música sagrada mexicana en general sin descuidar los grandes maestros universales.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 12, 2022

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“A flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

— Monsignor Jules Van Nuffel (circa 1940)

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