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We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

“By day 4, tears were running down my face.”

Corpus Christi Watershed · July 12, 2022

M This email is from South Dakota.
M This mother of young children
M attended our annual Symposium:

I’m A Volunteer: I serve as a volunteer cantor (in a music program run entirely by volunteers) in a midwestern parish of around 900 families. I have attended the same parish for the majority of my life, having been baptized there as an infant—on Saint Cecilia’s Feast Day, which demonstrates God really does have a sense of humor. When I was a girl, I had no awareness that traditional Catholic hymns existed, because I never heard any. We sang about “gathering,” we sang about “mountains” (or to mountains, more accurately), we sang about “bread and grapes and tables,” and we sang about “leaving,” more or less. When I selected a college, I chose a Lutheran school because I wanted to participate in choir … and I didn’t think of choirs as things Catholics really did, unless there were banjos involved. None of this ever sat quite right with me, although I was happy to help with music at my parish because I loved the faith and I loved my community and I loved to sing.

Mother Travels 1,500 Miles: So, if there is a ‘typical’ attendee of the symposium, I would have reason to assume that I am probably not it. I am not a choirmaster. I am not a music major. I have little experience with the Latin Mass (as the closest stable EF parish is three hours away). I’m a midwestern mother of preschoolers who discovered the work of Corpus Christi Watershed because I decided one Easter several years ago that I couldn’t handle singing about “rivers of glory” anymore during the sprinkling rite and there had to be a better way. (Which there is … the PDF file is right on the website for hapless volunteers such as myself who are handed the latest copy of Breaking Bread and absolutely nothing else!) That was an important step in a long journey for me, which most recently became a literal journey of about 1,500 miles when—with the support and encouragement of my husband—I bought a plane ticket and flew to California for this year’s symposium!

Like Nothing I’d Ever Experienced: From what I have written, you can likely guess that your symposium was like nothing I had ever experienced. I am not accustomed to being at a loss for words, but I truly can’t tell you how much it meant to me to be able to attend. To be surrounded by such a gracious, kind, and encouraging group of Catholics who love the Lord, love music, and love their parishes … to benefit from the wisdom and expertise of a faculty who are experts in their fields but whose humility and love for the Church shone through everything they did, and moreover who were able to share their knowledge in such a way that all participants, despite our differing backgrounds and circumstances, went home with new ideas and skills that we could implement immediately … to sing such glorious and transcendent music, truly befitting the liturgy … it was one of the most moving things I have ever experienced.

The Prayer We Said: The powerful prayer of Cardinal Merry del Val, with which we began each day’s work, struck me profoundly. The first morning we prayed, I found it arresting. By day 4, there were tears running down my face. I spent some time when I returned home reflecting on why exactly that might be, and it occurred to me (after a time) that it related to my biggest takeaway from the symposium (notwithstanding all the wonderful tips and tricks we learned!), which is that the work of parish musicians matters immensely, that it is worth making significant sacrifices for, and that we do not labor alone, even though it may feel so from time to time.

Doing What I Can (1): As a volunteer cantor without authority over the parish’s music program, there are many things that I can’t do. I can’t build a choir loft. I can’t switch the parish from disposable OCP resources to something like the Saint Jean de Brébeuf Hymnal—as much as I would like to! I can’t cause an organist to appear out of thin air. But, after attending this year’s incredible symposium, I feel more confident than ever that there are things I can do, and that they will make a difference in the end … even if progress is slow. I can continue to scour the Breaking Bread for every last traditional hymn and piece of plainsong it contains … and sing them with joy and reverence.

Doing What I Can (2): I can continue to search reputable websites and the hymnals I have in my home for supplementary music to use whenever I obtain permission to deviate from the “four hymn OCP sandwich” I’m expected to provide—permission I am obtaining with greater frequency of late—and I can continue to enthusiastically share such music with those who do have authority to decide what resources our parish uses. I can continue to show up promptly and cheerfully and treat my accompanists with respect, letting them know that I am grateful for their willingness to try music that differs from what they have been accustomed to playing. I can continue to call friends and fellow parishioners up from time to time and ask them if they would like to sing together for an important feast, and if they would be willing to work up a motet. I can promise them dessert afterwards. And God willing, I can return to the symposium, and maybe talk another musician or two from my parish into joining me! My deepest gratitude goes to your entire team and to all involved in putting together such a wonderful event. I really can’t thank you enough—but what I have written above is my feeble attempt.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Daily Offering Cardinal Merry Del Val, Rafael Merry del Val, Raphael Cardinal Merry Del Val, Sacred Music Symposium 2022 Last Updated: May 28, 2025

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“I have a great quarrel on with Dom Mocquereau over a very stiff book of his which we have translated & which a stupid American woman wants to be adapted to her understanding & terminology. It will be a little difficult to persuade the dear old man, for the lady is going to pay the piper. Truly money is at the root of all evils!”

— Dame Laurentia (talking about Justine Ward)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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