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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“By day 4, tears were running down my face.”

Corpus Christi Watershed · July 12, 2022

M This email is from South Dakota.
M This mother of young children
M attended our annual Symposium:

I’m A Volunteer: I serve as a volunteer cantor (in a music program run entirely by volunteers) in a midwestern parish of around 900 families. I have attended the same parish for the majority of my life, having been baptized there as an infant—on Saint Cecilia’s Feast Day, which demonstrates God really does have a sense of humor. When I was a girl, I had no awareness that traditional Catholic hymns existed, because I never heard any. We sang about “gathering,” we sang about “mountains” (or to mountains, more accurately), we sang about “bread and grapes and tables,” and we sang about “leaving,” more or less. When I selected a college, I chose a Lutheran school because I wanted to participate in choir … and I didn’t think of choirs as things Catholics really did, unless there were banjos involved. None of this ever sat quite right with me, although I was happy to help with music at my parish because I loved the faith and I loved my community and I loved to sing.

Mother Travels 1,500 Miles: So, if there is a ‘typical’ attendee of the symposium, I would have reason to assume that I am probably not it. I am not a choirmaster. I am not a music major. I have little experience with the Latin Mass (as the closest stable EF parish is three hours away). I’m a midwestern mother of preschoolers who discovered the work of Corpus Christi Watershed because I decided one Easter several years ago that I couldn’t handle singing about “rivers of glory” anymore during the sprinkling rite and there had to be a better way. (Which there is … the PDF file is right on the website for hapless volunteers such as myself who are handed the latest copy of Breaking Bread and absolutely nothing else!) That was an important step in a long journey for me, which most recently became a literal journey of about 1,500 miles when—with the support and encouragement of my husband—I bought a plane ticket and flew to California for this year’s symposium!

Like Nothing I’d Ever Experienced: From what I have written, you can likely guess that your symposium was like nothing I had ever experienced. I am not accustomed to being at a loss for words, but I truly can’t tell you how much it meant to me to be able to attend. To be surrounded by such a gracious, kind, and encouraging group of Catholics who love the Lord, love music, and love their parishes … to benefit from the wisdom and expertise of a faculty who are experts in their fields but whose humility and love for the Church shone through everything they did, and moreover who were able to share their knowledge in such a way that all participants, despite our differing backgrounds and circumstances, went home with new ideas and skills that we could implement immediately … to sing such glorious and transcendent music, truly befitting the liturgy … it was one of the most moving things I have ever experienced.

The Prayer We Said: The powerful prayer of Cardinal Merry del Val, with which we began each day’s work, struck me profoundly. The first morning we prayed, I found it arresting. By day 4, there were tears running down my face. I spent some time when I returned home reflecting on why exactly that might be, and it occurred to me (after a time) that it related to my biggest takeaway from the symposium (notwithstanding all the wonderful tips and tricks we learned!), which is that the work of parish musicians matters immensely, that it is worth making significant sacrifices for, and that we do not labor alone, even though it may feel so from time to time.

Doing What I Can (1): As a volunteer cantor without authority over the parish’s music program, there are many things that I can’t do. I can’t build a choir loft. I can’t switch the parish from disposable OCP resources to something like the Saint Jean de Brébeuf Hymnal—as much as I would like to! I can’t cause an organist to appear out of thin air. But, after attending this year’s incredible symposium, I feel more confident than ever that there are things I can do, and that they will make a difference in the end … even if progress is slow. I can continue to scour the Breaking Bread for every last traditional hymn and piece of plainsong it contains … and sing them with joy and reverence.

Doing What I Can (2): I can continue to search reputable websites and the hymnals I have in my home for supplementary music to use whenever I obtain permission to deviate from the “four hymn OCP sandwich” I’m expected to provide—permission I am obtaining with greater frequency of late—and I can continue to enthusiastically share such music with those who do have authority to decide what resources our parish uses. I can continue to show up promptly and cheerfully and treat my accompanists with respect, letting them know that I am grateful for their willingness to try music that differs from what they have been accustomed to playing. I can continue to call friends and fellow parishioners up from time to time and ask them if they would like to sing together for an important feast, and if they would be willing to work up a motet. I can promise them dessert afterwards. And God willing, I can return to the symposium, and maybe talk another musician or two from my parish into joining me! My deepest gratitude goes to your entire team and to all involved in putting together such a wonderful event. I really can’t thank you enough—but what I have written above is my feeble attempt.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Daily Offering Cardinal Merry Del Val, Rafael Merry del Val, Raphael Cardinal Merry Del Val, Sacred Music Symposium 2022 Last Updated: May 28, 2025

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “7 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article is called: “Professor Bouyer’s Regret.”
    —Jeff Ostrowski
    Cardinal Ranjith on “Active Participation”
    From 2005–2009, Malcolm Cardinal Ranjith served as Secretary of the Congregation for Divine Worship and the Discipline of the Sacraments. He was considered ‘papabile’ during the last conclave. On 8 December 2008, he wrote this powerful statement concerning Gregorian Chant, participatio actuosa, celebration “ad orientem,” and other subjects. When it comes to the question of what “sacred” means, Monsignor Robert A. Skeris provides a marvelous answer.
    —Jeff Ostrowski
    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

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