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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“By day 4, tears were running down my face.”

Corpus Christi Watershed · July 12, 2022

M This email is from South Dakota.
M This mother of young children
M attended our annual Symposium:

I’m A Volunteer: I serve as a volunteer cantor (in a music program run entirely by volunteers) in a midwestern parish of around 900 families. I have attended the same parish for the majority of my life, having been baptized there as an infant—on Saint Cecilia’s Feast Day, which demonstrates God really does have a sense of humor. When I was a girl, I had no awareness that traditional Catholic hymns existed, because I never heard any. We sang about “gathering,” we sang about “mountains” (or to mountains, more accurately), we sang about “bread and grapes and tables,” and we sang about “leaving,” more or less. When I selected a college, I chose a Lutheran school because I wanted to participate in choir … and I didn’t think of choirs as things Catholics really did, unless there were banjos involved. None of this ever sat quite right with me, although I was happy to help with music at my parish because I loved the faith and I loved my community and I loved to sing.

Mother Travels 1,500 Miles: So, if there is a ‘typical’ attendee of the symposium, I would have reason to assume that I am probably not it. I am not a choirmaster. I am not a music major. I have little experience with the Latin Mass (as the closest stable EF parish is three hours away). I’m a midwestern mother of preschoolers who discovered the work of Corpus Christi Watershed because I decided one Easter several years ago that I couldn’t handle singing about “rivers of glory” anymore during the sprinkling rite and there had to be a better way. (Which there is … the PDF file is right on the website for hapless volunteers such as myself who are handed the latest copy of Breaking Bread and absolutely nothing else!) That was an important step in a long journey for me, which most recently became a literal journey of about 1,500 miles when—with the support and encouragement of my husband—I bought a plane ticket and flew to California for this year’s symposium!

Like Nothing I’d Ever Experienced: From what I have written, you can likely guess that your symposium was like nothing I had ever experienced. I am not accustomed to being at a loss for words, but I truly can’t tell you how much it meant to me to be able to attend. To be surrounded by such a gracious, kind, and encouraging group of Catholics who love the Lord, love music, and love their parishes … to benefit from the wisdom and expertise of a faculty who are experts in their fields but whose humility and love for the Church shone through everything they did, and moreover who were able to share their knowledge in such a way that all participants, despite our differing backgrounds and circumstances, went home with new ideas and skills that we could implement immediately … to sing such glorious and transcendent music, truly befitting the liturgy … it was one of the most moving things I have ever experienced.

The Prayer We Said: The powerful prayer of Cardinal Merry del Val, with which we began each day’s work, struck me profoundly. The first morning we prayed, I found it arresting. By day 4, there were tears running down my face. I spent some time when I returned home reflecting on why exactly that might be, and it occurred to me (after a time) that it related to my biggest takeaway from the symposium (notwithstanding all the wonderful tips and tricks we learned!), which is that the work of parish musicians matters immensely, that it is worth making significant sacrifices for, and that we do not labor alone, even though it may feel so from time to time.

Doing What I Can (1): As a volunteer cantor without authority over the parish’s music program, there are many things that I can’t do. I can’t build a choir loft. I can’t switch the parish from disposable OCP resources to something like the Saint Jean de Brébeuf Hymnal—as much as I would like to! I can’t cause an organist to appear out of thin air. But, after attending this year’s incredible symposium, I feel more confident than ever that there are things I can do, and that they will make a difference in the end … even if progress is slow. I can continue to scour the Breaking Bread for every last traditional hymn and piece of plainsong it contains … and sing them with joy and reverence.

Doing What I Can (2): I can continue to search reputable websites and the hymnals I have in my home for supplementary music to use whenever I obtain permission to deviate from the “four hymn OCP sandwich” I’m expected to provide—permission I am obtaining with greater frequency of late—and I can continue to enthusiastically share such music with those who do have authority to decide what resources our parish uses. I can continue to show up promptly and cheerfully and treat my accompanists with respect, letting them know that I am grateful for their willingness to try music that differs from what they have been accustomed to playing. I can continue to call friends and fellow parishioners up from time to time and ask them if they would like to sing together for an important feast, and if they would be willing to work up a motet. I can promise them dessert afterwards. And God willing, I can return to the symposium, and maybe talk another musician or two from my parish into joining me! My deepest gratitude goes to your entire team and to all involved in putting together such a wonderful event. I really can’t thank you enough—but what I have written above is my feeble attempt.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Daily Offering Cardinal Merry Del Val, Rafael Merry del Val, Raphael Cardinal Merry Del Val, Sacred Music Symposium 2022 Last Updated: May 28, 2025

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

At the Catholic gathering (Katholikentag) held at Breslau in August, the Papal Nuncio celebrated Mass for 80,000 participants, facing the people (the “Missa versus populum”).

— “Orate Fratres” Magazine (23 Jan. 1927)

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