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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “A Canon Choirs Love!”

Jeff Ostrowski · May 21, 2022

HE WORLD OF MUSIC is not the same as it was 100 years ago. For example, even the most poverty-stricken American owns a smart phone these days, and can instantly listen to millions of great recordings (completely free of charge). Anyone with internet access can turn on their phone and enjoy, for example, the magnificent performance of MOZART’S REQUIEM conducted by Sir Georg Solti in Saint Stephen’s Cathedral (Vienna) on 5 December 1991, on the 200th anniversary of Mozart’s death. Has this caused a greater appreciation by Americans of classical music? Someday, I would like to address that important question.

Quality Vs. Quantity: When I was a teenager, a man was boisterously bragging about how “spectacular” his musical program was. I remember he proudly rattled off all the composers performed at his Church: Wolfgang Amadeus Mozart, Ludwig Van Beethoven, Hermann Schroeder, Gabriel Fauré, and so forth. But when I visited his church, the music sounded awful—because it was very poorly performed. I began to understand that “quantity” does not equal “quality.”

Ugly Scores: I am willing to produce ugly-looking scores if they lead to a beautiful performance. An example of such a score can be found at #53683—which is Credo VII with added polyphonic snippets by Father Francisco Guerrero. In essence, the score teaches musicians it isn’t necessary to sing the entire Creed in polyphony. One can “mix” it with plainsong. Below is an example of a “polyphonic snippet” found in that ugly-looking score. You will notice Father Guerrero takes the chant melody (“Beata Mater”) and creates a perfect canon between Soprano and Alto. Choirs really enjoy singing canons.

M Rehearsal videos for each individual voice await you at #53683.

Sadness: Most readers won’t click on the individual voice parts, and that makes me sad. And most readers won’t download the free PDF, either. When we post a “scandalous” liturgical video, we get 40,000 views. I wish we could get as many views for the rehearsal videos, because we must revive authentic sacred music!

Messing With Byrd: If one serves in a parish where only English is allowed, someone should (perhaps) create an English version of the Guerrero canon above. We have sung that canon as contrafactum with several other texts, which you can find at the Lalemant Polyphonic website. Many times, people at the university sing music they don’t realize is actually contrafactum; e.g. Byrd’s “I will not leave you comfortless” (which is an English contrafactum of Byrd’s “Non vos relínquam órphanos”).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Easy Canons for Singers, Father Francisco Guerrero, Francisco Guerrero Composer, Hermann Schroeder, Ludwig van Beethoven, Wolfgang Amadeus Mozart Last Updated: May 23, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski
    “Pope Leo XIV Has Announced…”
    My pastor asked me to write brief articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The most recent article speaks about the recent announcement by Pope Leo XIV, which does have an impact on church musicians. Scheduled for publication on 2025 08 10th, it’s called: “Pope Leo XIV Has Announced…”
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“This chapter hereby extends the prohibition of 13 June 1561 against loaning singers or instrumentalists on any account whatsoever to include even the humblest choirboy.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (10 June 1562)

Recent Posts

  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”
  • “Pope Leo XIV Has Announced…”
  • “Chants” • 18th Sunday in Ordinary Time

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