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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Musician-Saints Throughout the Ages

Daniel Tucker · May 13, 2022

NE OF THE greatest gifts that we have as Catholics is the assurance of the prayers of the saints, “on whose constant intercession in [God’s] presence we rely for unfailing help” (Eucharistic Prayer III). The saints in heaven are perfected in charity and united to us as fellow members of Christ’s mystical body, the Church. As a result, we can be sure that they love us, are aware of our needs, and rejoice to make intercession on our behalf with the Father.

In order that we might get to know them better, I thought I would offer some short biographical sketches of men and women who were church musicians themselves and who can empathize with the joys and struggles of our profession. This list is not meant to be exhaustive; some of these saints (and blesseds, venerables, and servants of God) are well-known, while many others are not. I hope that these brief sketches will inspire us all to “run with perseverance the race marked out for us,” confident that we are “surrounded by so great a cloud of witnesses” (Hebrews 12:1)!

Servant of God Antonio Cuipa (+1704): Apalachee chief Antonio Cuipa was born to a Christian family in present-day Florida and educated by the Franciscans. He traveled with Franciscan missionaries throughout the region, attracting the attention of his fellow Native Americans by his skillful flute and guitar playing, which he then followed up with powerful evangelical preaching. As he was being martyred by members of a warring tribe, he was comforted by a vision of the Blessed Virgin Mary. His cause for his canonization alongside his companions (known collectively as the Martyrs of La Florida) is currently open.

Saint Beningus of Armagh (+467): Converted to Christianity by St. Patrick, Beningus’ beautiful voice earned him the title of “Patrick’s psalm-singer.” He was a choir director who later became coadjutor bishop of the Diocese of Armagh alongside St. Patrick around the year 450. His feast day is celebrated on November 9.

Blessed Carlos Manuel Rodríguez Santiago (1918-1963): With only one year of piano lessons under his belt, Carlos taught himself organ so that he could play for the Holy Sacrifice of the Mass. He was extraordinarily devoted to the sacred liturgy, even going so far as to translate the Latin prayers of the Mass into Spanish and publishing a newsletter so that his fellow laypeople could better understand the liturgy. He gave lectures on the prayers of the Mass and organized study groups to help people fall more in love with Jesus through the Church’s liturgy. He died from cancer at the age of 44, and his feast day is celebrated on July 13.

Saint Cecilia of Rome (early 3rd century): In spite of the fact that she herself does not seem to have been a musician, Saint Cecilia is said to have “sang in her heart” to the Lord (Lovewell, The Life of St. Cecilia) as the musicians played at her wedding. She has long been the patron saint of music and musicians, and many musical works have been dedicated to her, such as Benjamin Britten’s famous “Hymn to St. Cecilia.” Her feast day is celebrated on November 22.

Blessed Dina Bélanger (1897-1929): Born in Québec to devout parents, young Dina quickly became an accomplished pianist. Her mother and father sent her for conservatory studies at the Juilliard School in New York City, and after graduating she spent years concertizing throughout Canada. But throughout her accomplished musical career, Dina’s devotion to the Faith never left her. She became a Third Order Dominican and later professed vows in another order of women religious, taking the name Marie de Sainte-Cécile de Rome (after the aforementioned patron saint of musicians). She died of tuberculosis at the age of 32, and her feast day is celebrated on September 4.

Saint Ephrem the Syrian (c. 306-373): A deacon and Doctor of the Church, St. Ephrem is remembered for the hundreds of poems, sermons, and (most especially) hymns that he wrote to combat the various heresies that were prevalent in his day, especially after the First Council of Nicaea was held in 325. He was a trusted and compassionate servant of the Church in modern-day Turkey, being charged with the distribution of food during a widespread famine and eventually succumbing to a plague he contracted while tending to the sick. His feast day is celebrated on June 9.

Blessed Ezequiel Huerta Gutiérrez (1876-1972): A husband, father of ten children, and gifted multi-instrumentalist, this Mexican tenor and choir director from the Archdiocese of Guadalajara was martyred during the Cristero War. He was beatified along with his brother and seven other lay martyrs by Pope Benedict XVI in November 2005.

Pope Saint Gregory the Great (c. 540-604): A Doctor of the Church, St. Gregory was one of the medieval Church’s great administrators and reformers. The music collectively referred to as “Gregorian chant” has Pope St. Gregory the Great for its namesake.

Blessed Hermann of Reichenau (1013-1054): A cleft palate, cerebral palsy, spinal muscular atrophy, and eventual blindness didn’t stop Blessed Hermann from composing influential works in fields as diverse as mathematics, history, astronomy, and music theory. Educated in a Benedictine monastery from the age of seven (when his parents could no longer care for him), this great composer is credited with melodies we still sing today, such as the Veni Sancte Spiritus, Salve Regina, and Alma Redemptoris Mater. He was beatified in 1863.

Saint Hildegard of Bingen (c. 1098-1179): One of the most famous saints of the Middle Ages, Saint Hildegard was a Benedictine abbess, mystic, botanist, historian, playwright, poet, musician, and more. In her day, she was one of the most prolific and well-regarded composers of liturgical music (hymns, antiphons, and other kinds of chant) the Church had ever known. While the history of her canonization is complex, Pope Benedict XVI officially extended her liturgical remembrance to the universal Church in 2012 through a process known as ”equivalent canonization.” A few months after that, she became one of only a handful of women (and of only about three dozen saints in total) to be named a Doctor of the Church on account of the originality of her teaching and her holiness of life.

Blessed Jarogniew Wojciechowski (1922-1942): Jarogniew was a Polish teenager who played the piano and sang in the parish choir. He aspired to study composition, but went to serve as a soldier instead and was sentenced to death by the Nazis when he was only 19. In a letter shortly before his execution, he wrote: “Entrust your feelings in every moment of your life only to Jesus and Mary, because in them you will find solace.” He was among a group of 108 Polish martyrs beatified by Pope St. John Paul II in June 1999.

Blessed Lucien Botovasoa (1908-1943): Lucien, a husband and father, had a great devotion to St. Francis of Assisi and was a founding member of the third-order (secular) Franciscan community in his native Madagascar. As a schoolteacher, he made a habit of reading an excerpt from the lives of the saints to his students at the end of every lesson. Besides his day job in the school, he was also the parish choir director, a gifted singer, and harmonium player. When the local government turned against the Church, Lucien was martyred by some of his former students. He was beatified in April of 2018, and his feast day is celebrated on April 14.

Venerable Satoko Kitahara (1929-1958): Disillusioned by her job in a Japanese airplane warehouse during World War II, young Satoko Kitahara converted to Catholicism in 1949 after being instructed by Mercedarian missionaries. Inspired by St. Elizabeth of Hungary’s service to the poor, she took the baptismal name Elizabeth, to which she later added “Maria” on account of her singular devotion to the Mother of God. Once thinking she would become a concert pianist, she instead taught piano lessons to impoverished children. Although her family was quite wealthy, she spent the last decade of her life living in the slums of Tokyo so that she could better care for the children there. After a protracted battle with tuberculosis, she died at the age of 28. Having confirmed her life of heroic virtue, Pope Francis declared her Venerable in 2015.

For much of the above information I am indebted to my friend Meg Hunter-Kilmer, a self-professed “saint ninja” and research fellow at the University of Notre Dame’s McGrath Institute for Church Life, whose evangelical zeal and tireless devotion to hagiography are a gift to the whole Church. She has recently released two books about the saints: “Pray for Us: 75 Saints Who Sinned, Suffered, and Struggled on Their Way to Holiness” (for adults) and “Saints Around the World” (for children and adults).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 13, 2022

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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President’s Corner

    PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
    EARS BEFORE truly revolutionary changes were introduced by the post-conciliar reformers, Evelyn Waugh wrote (on 16 August 1964) to John Cardinal Heenan: “I think that a vociferous minority has imposed itself on the hierarchy and made them believe that a popular demand existed where there was in fact not even a preference.” We ask the kind reader— indeed, we beg you—to realize that those of us born in the 1940s and 1950s had no cognizance of Roman activities during the 1960s and 1970s. We were concerned with making sure we had the day’s bus fare, graduating from high school, taking care of our siblings, learning a trade, getting a job, courting a spouse. We questioned neither the nuns nor the Church.1 Do not believe for one instant any of us were following the liturgical machinations of Cardinal Lercaro or Father Bugnini in real time. Setting The Stage • To never question or resist Church authorities is praiseworthy. On the other hand, when a scandalous situation persists for decades, it must be brought into focus. Our series will do precisely that as we discuss the Lectionary Scandal from a variety of angles. We don’t do this to attack the Catholic Church. Our goal is bringing to light what’s been going on, so it can be fixed once and for all. Our subject is extremely knotty and difficult to navigate. Its complexity helps explain why the situation has persisted for such a long time.2 But if we immediately get “into the weeds” we’ll lose our audience. Therefore, it seems better to jump right in. So today, we’ll explore the legality of selling these texts. A Word On Copyright • Suppose Susie modifies a paragraph by Edgar Allan Poe. That doesn’t mean ipso facto she can assert copyright on it. If Susie takes a picture of a Corvette and uses Photoshop to color the tires blue, that doesn’t mean she henceforth “owns” all Corvettes in America. But when it comes to Responsorial Psalm translations, certain parties have been asserting copyright over them, selling them for a profit, and bullying publishers vis-à-vis hymnals and missals. Increasingly, Catholics are asking whether these translations are truly under copyright—because they are identical (or substantially identical) to other translations.3 Example After Example • Our series will provide copious examples supporting our claims. Sometimes we’ll rely on the readership for assistance, because—as we’ve stressed—our subject’s history couldn’t be more convoluted. There are countless manuscripts (in Greek, Hebrew, and Latin) we don’t have access to, so it would be foolish for us to claim that our observations are somehow the ‘final word’ on anything. Nevertheless, we demand accountability. Catholics in the pews are the ones who paid for all this. We demand to know who specifically made these decisions (which impact every English-speaking Catholic) and why specifically certain decisions were made. The Responsorial Psalms used in America are—broadly speaking—stolen from the hard work of others. In particular, they borrowed heavily from Father Cuthbert Lattey’s 1939 PSALTER TRANSLATION:
    *  PDF Download • COMPARISON CHART —We thank the CCW staff for technical assistance with this graph.
    Analysis • Although certain parties have been selling (!!!) that translation for decades, the chart demonstrates it’s not a candidate for copyright since it “borrows” or “steals” or “rearranges” so much material from other translations, especially the 1939 translation by Father Cuthbert Lattey. What this means in layman’s terms is that individuals have been selling a translation under false pretenses, a translation they don’t own (although they claim to). To make RESTITUTION, all that money will have to be returned. A few years ago, the head of ICEL gave a public speech in which he said they give some of “their” profits to the poor. While almsgiving is a good thing, it cannot justify theft. Our Constant Theme • Our series will be held together by one thread, which will be repeated constantly: “Who was responsible?” Since 1970, the conduct of those who made a profit by selling these sacred texts has been repugnant. Favoritism was shown toward certain entities—and we will document that with written proof. It is absolutely essential going forward that the faithful be told who is making these decisions. Moreover, vague justifications can no longer be accepted. If we’re told they are “making the translations better,” we must demand to know what specifically they’re doing and what specific criteria they’re following. Stay Tuned • If you’re wondering whether we’ll address the forthcoming (allegedly) Lectionary and the so-called ABBEY PSALMS AND CANTICLES, have no fear. We’ll have much to say about both. Please stay tuned. We believe this will end up being the longest series of articles ever submitted to Corpus Christi Watershed. To be continued. ROBERT O’NEILL Former associate of Monsignor Francis “Frank” P. Schmitt at Boys Town in Nebraska JAMES ARNOLD Formerly associated w/ King’s College, Cambridge A convert to the Catholic Church, and distant relative of J. H. Arnold MARIA B. Currently serves as a musician in the Roman Catholic Diocese of Charlotte. Those aware of the situation in her diocese won’t be surprised she chose to withhold her last name.
    1 Even if we’d been able to obtain Roman journals such as NOTITIAE, none of them contained English translations. But such an idea would never have occurred to a high school student or a college student growing up in the 1960s. 2 A number of shell corporations claim to own the various biblical translations mandated for Roman Catholics. They’ve made millions of dollars selling (!) these indulgenced texts. If time permits, we hope to enumerate these various shell corporations and explain: which texts they claim to own; how much they bring in each year; who runs them; and so forth. It would also be good to explore the morality of selling these indulgenced texts for a profit. Furthermore, for the last fifty years these organizations have employed several tactics to manipulate and bully others. If time permits, we will expose those tactics (including written examples). Some of us—who have been working on this problem for three decades—have amassed written documentation we’ll be sharing that demonstrates behavior at best “shady” and at worst criminal. 3 Again, we are not yet examining the morality of selling (!) indulgenced texts to Catholics mandated to use those same translations.
    —Guest Author
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The People’s Hymnal suffers from a too literal and awkward translation. And even in the lovely Slovak “Memorare” in The Saint Gregory Hymnal we are still asked to sing “that anyone who sought thee, or made to thee his moan.” Why not “groan” or “bone” or even “phone?” The only thing necessary, it seems, is that it rhyme with “known.”

— Mons. Francis P. Schmitt (1958)

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  • “Music List” • 17th in Ordinary Time (Year C)
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  • Communion • “Ask & You Shall Receive”
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