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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Yes or No?” • Thoughts On Singing The Creed

Jeff Ostrowski · May 7, 2022

NE OF THE GREAT Church musicians of the century returned over and over again to a simple question: “What does his choir sound like?” In other words, somebody may use all the fancy words in the world, pontificating in a haughty manner—but when you hear his choir sing, you’ll be able to tell (instantaneously) whether the person is a charlatan. Once you hear with your own ears someone’s choir, you can decide whether it’s logical to seek his advice. If his choir sounds terrible, why would you trust his advice?

Pernicious Plague: The world of Catholic music is experiencing a pernicious plague. People on the internet (often hiding behind fake names) give tons of advice regarding choral music. Yet many have never stood in front of a choir in real life! Some may have sung in choirs—perhaps in high school or college—but that’s not the same as directing a choir in real life. The advice they give is frequently absurd and harmful. (They don’t realize this, because they have never stood in front of a choir.) People hiding behind fake internet names usually do so because they’re embarrassed of their credentials. Never forget that!

There Is Hope: Something exciting is coming in June: Sacred Music Symposium 2022. The experts serving as its clinicians direct choirs in real life; they are not charlatans. As I type these words, there are still a few spots remaining. Anyone serious about church music should consider attending this sensational conference.

Singing The Creed: I have never attended an Ordinary Form parish that actually sings the Creed, although MUSICAM SACRAM (5 March 1967) says Catholics are supposed to. In the Extraordinary Form, the Creed is sung often. At the Sacred Music Symposium, participants will notice the Creed is being sung in plainsong (Credo VII), but with SATB “snippets” inserted. This was done by design. It’s supposed to show participants that singing the entire Creed in polyphony is not required. For instance, some directors use plainsong but switch to polyphony for the “Et Incarnatus Est.” The following little harmonization—which might be dubbed “NOH Fauxbourdon”—fits nicely with Credo VII:

Rehearsal videos for each individual voice await you at #53998.

The Creed In English? It is also possible to sing the Creed in English. Those who desire a dignified setting might wish to explore the Saint Felix Creed Setting I composed about ten years ago.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: NOH Fauxbourdon, Singing the Creed Last Updated: May 7, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

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  • Music List • (5th Sund. Ordinary Time)
  • PDF • “Communion” (5th Sunday in Ordin.)
  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”

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