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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Yes or No?” • Thoughts On Singing The Creed

Jeff Ostrowski · May 7, 2022

NE OF THE GREAT Church musicians of the century returned over and over again to a simple question: “What does his choir sound like?” In other words, somebody may use all the fancy words in the world, pontificating in a haughty manner—but when you hear his choir sing, you’ll be able to tell (instantaneously) whether the person is a charlatan. Once you hear with your own ears someone’s choir, you can decide whether it’s logical to seek his advice. If his choir sounds terrible, why would you trust his advice?

Pernicious Plague: The world of Catholic music is experiencing a pernicious plague. People on the internet (often hiding behind fake names) give tons of advice regarding choral music. Yet many have never stood in front of a choir in real life! Some may have sung in choirs—perhaps in high school or college—but that’s not the same as directing a choir in real life. The advice they give is frequently absurd and harmful. (They don’t realize this, because they have never stood in front of a choir.) People hiding behind fake internet names usually do so because they’re embarrassed of their credentials. Never forget that!

There Is Hope: Something exciting is coming in June: Sacred Music Symposium 2022. The experts serving as its clinicians direct choirs in real life; they are not charlatans. As I type these words, there are still a few spots remaining. Anyone serious about church music should consider attending this sensational conference.

Singing The Creed: I have never attended an Ordinary Form parish that actually sings the Creed, although MUSICAM SACRAM (5 March 1967) says Catholics are supposed to. In the Extraordinary Form, the Creed is sung often. At the Sacred Music Symposium, participants will notice the Creed is being sung in plainsong (Credo VII), but with SATB “snippets” inserted. This was done by design. It’s supposed to show participants that singing the entire Creed in polyphony is not required. For instance, some directors use plainsong but switch to polyphony for the “Et Incarnatus Est.” The following little harmonization—which might be dubbed “NOH Fauxbourdon”—fits nicely with Credo VII:

Rehearsal videos for each individual voice await you at #53998.

The Creed In English? It is also possible to sing the Creed in English. Those who desire a dignified setting might wish to explore the Saint Felix Creed Setting I composed about ten years ago.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: NOH Fauxbourdon, Singing the Creed Last Updated: May 7, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“We know that originally the offertories of the repertoire included a series of verses, just like the introit and the communion, but generally more ornate. Many of these are musical compositions of great beauty. They quickly fell into disuse, and we find them only in the most ancient manuscripts. The only remaining trace of this older arrangement in our present-day liturgy is that of the offertory of the Requiem Mass.”

— Dom Joseph Gajard (1956)

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