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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Yes or No?” • Thoughts On Singing The Creed

Jeff Ostrowski · May 7, 2022

NE OF THE GREAT Church musicians of the century returned over and over again to a simple question: “What does his choir sound like?” In other words, somebody may use all the fancy words in the world, pontificating in a haughty manner—but when you hear his choir sing, you’ll be able to tell (instantaneously) whether the person is a charlatan. Once you hear with your own ears someone’s choir, you can decide whether it’s logical to seek his advice. If his choir sounds terrible, why would you trust his advice?

Pernicious Plague: The world of Catholic music is experiencing a pernicious plague. People on the internet (often hiding behind fake names) give tons of advice regarding choral music. Yet many have never stood in front of a choir in real life! Some may have sung in choirs—perhaps in high school or college—but that’s not the same as directing a choir in real life. The advice they give is frequently absurd and harmful. (They don’t realize this, because they have never stood in front of a choir.) People hiding behind fake internet names usually do so because they’re embarrassed of their credentials. Never forget that!

There Is Hope: Something exciting is coming in June: Sacred Music Symposium 2022. The experts serving as its clinicians direct choirs in real life; they are not charlatans. As I type these words, there are still a few spots remaining. Anyone serious about church music should consider attending this sensational conference.

Singing The Creed: I have never attended an Ordinary Form parish that actually sings the Creed, although MUSICAM SACRAM (5 March 1967) says Catholics are supposed to. In the Extraordinary Form, the Creed is sung often. At the Sacred Music Symposium, participants will notice the Creed is being sung in plainsong (Credo VII), but with SATB “snippets” inserted. This was done by design. It’s supposed to show participants that singing the entire Creed in polyphony is not required. For instance, some directors use plainsong but switch to polyphony for the “Et Incarnatus Est.” The following little harmonization—which might be dubbed “NOH Fauxbourdon”—fits nicely with Credo VII:

Rehearsal videos for each individual voice await you at #53998.

The Creed In English? It is also possible to sing the Creed in English. Those who desire a dignified setting might wish to explore the Saint Felix Creed Setting I composed about ten years ago.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: NOH Fauxbourdon, Singing the Creed Last Updated: May 7, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The idea that the Roman basilica is the ideal design for a Christian church building because it made it possible for the priest and the people to face one another is complete nonsense. That would have been the last thing that the early Christians had in mind.”

— Father Louis Bouyer

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