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Views from the Choir Loft

“Yes or No?” • Thoughts On Singing The Creed

Jeff Ostrowski · May 7, 2022

NE OF THE GREAT Church musicians of the century returned over and over again to a simple question: “What does his choir sound like?” In other words, somebody may use all the fancy words in the world, pontificating in a haughty manner—but when you hear his choir sing, you’ll be able to tell (instantaneously) whether the person is a charlatan. Once you hear with your own ears someone’s choir, you can decide whether it’s logical to seek his advice. If his choir sounds terrible, why would you trust his advice?

Pernicious Plague: The world of Catholic music is experiencing a pernicious plague. People on the internet (often hiding behind fake names) give tons of advice regarding choral music. Yet many have never stood in front of a choir in real life! Some may have sung in choirs—perhaps in high school or college—but that’s not the same as directing a choir in real life. The advice they give is frequently absurd and harmful. (They don’t realize this, because they have never stood in front of a choir.) People hiding behind fake internet names usually do so because they’re embarrassed of their credentials. Never forget that!

There Is Hope: Something exciting is coming in June: Sacred Music Symposium 2022. The experts serving as its clinicians direct choirs in real life; they are not charlatans. As I type these words, there are still a few spots remaining. Anyone serious about church music should consider attending this sensational conference.

Singing The Creed: I have never attended an Ordinary Form parish that actually sings the Creed, although MUSICAM SACRAM (5 March 1967) says Catholics are supposed to. In the Extraordinary Form, the Creed is sung often. At the Sacred Music Symposium, participants will notice the Creed is being sung in plainsong (Credo VII), but with SATB “snippets” inserted. This was done by design. It’s supposed to show participants that singing the entire Creed in polyphony is not required. For instance, some directors use plainsong but switch to polyphony for the “Et Incarnatus Est.” The following little harmonization—which might be dubbed “NOH Fauxbourdon”—fits nicely with Credo VII:

Rehearsal videos for each individual voice await you at #53998.

The Creed In English? It is also possible to sing the Creed in English. Those who desire a dignified setting might wish to explore the Saint Felix Creed Setting I composed about ten years ago.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: NOH Fauxbourdon, Singing the Creed Last Updated: May 7, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

To end an impropriety, noticed particularly at orchestral Vespers, when two or three Psalms are sung with full orchestra, and then the other Psalms and the Hymn are rapidly hurried through with organ accompaniment only […] we order that at Mass all portions of the text, including “Agnus Dei,” be sung with orchestral accompaniment. […] Moreover, the musicians are not allowed to put the instruments away and leave their places before the conclusion of the sacred function.

— Cardinal Patrizi (18 November 1856)

Recent Posts

  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
  • “Hybrid” Chant Notation?
  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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