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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Schizophrenia” • Pius XII Annihilated Tenebræ

Jeff Ostrowski · April 7, 2022

OME PEOPLE can’t think for themselves. By their very nature, such “sheep” require opinion makers to tell them how they feel about something. We observe this not only in politics, but in countless other spheres. For example, some folks wait until the following morning—when they read newspaper reviews by critics—to determine whether they enjoyed the concert! Our society also contains many “contrarians” who adopt the opposite position about everything … no matter what. Contrarians (especially liturgical contrarians) can’t think for themselves.

“Schizophrenia Flaw”: Regarding liturgical reforms of the 1950s and 1960s, some have been convinced that everything undertaken by the reformers was evil—FULL STOP. That’s what they’ve been told, so they believe it (even though many can’t defend this position). That being said, serious Catholics—not “sheep”—have soberly discovered major flaws in the reforms, especially the schizophrenia flaw. On one hand, the reformers said they wanted to restore the “pristine and original” traditions of the primitive Church. On the other hand, the reformers fabricated a whole bunch of new stuff so the liturgy would become “suitable” to homo modernus and the zeitgeist. I know of no author who has attempted to reconcile, explain, or justify the (obviously contradictory) “schizophrenia flaw.”

His Own Words: An indisputable expert on the reforms was Ferdinando Cardinal Antonelli, who on 10/4/1962 was named “Secretary of the Conciliar Commission on the Liturgy.” Cardinal Antonelli wrote as follows (regarding the Holy Week reform of Pius XII): “Its object was to facilitate the participation of all the faithful in the great mysteries of our redemption.” Cardinal Antonelli also said—writing to the Holy Father—that the only people displeased with these reforms are “those who either from indolence or lack of liturgical sensibility do not want anything to change.”

Such Arrogance! Talk about worshipping the zeitgeist! Imagine condemning the ancient traditions of the Church in such a way! Imagine declaring that anyone who disagrees with your modifications is “indolent” (lazy) or “lacks liturgical sensibility!” And yet, in 1955, Cardinal Antonelli and his cadre of reformers—which was a secret committee known as the Commissio Piana—got rid of something which the faithful loved very much. I’m talking about TENEBRAE, which the 1955 reforms de facto destroyed:

*  PDF Download • SUPPRESSION OF TENEBRAE
—The 1962 Holy Week seems to forbid Tenebræ.

They Knew It: The reformers knew what they were doing! For example, in one of their meetings:

“Msgr. Carinci observed that
the Matins of Tenebrae was
much beloved of the faithful, with
many of them participating at it.”

So the faithful loved it and participated in it … yet it must be destroyed? What happened to “facilitating the participation of all the faithful” (see above)? My friends, this is schizophrenia. Indeed, one of the reformers (Cardinal Anselmo Albareda) on 23 March 1954 “stressed that what was required by the principles of reform, even if at times costly, obliged that the present situation be suspended, even if everybody was attached to it.” For the record, I’m told that many churches in Rome simply ignored the suppression of Tenebræ in the 1950s.


NOTES FROM THIS ARTICLE:

*   Source of these quotations:
Father Nicola Giampietro’s Il cardinale Giuseppe Ferdinando Antonelli e gli sviluppi della riforma liturgica dal 1948 al 1970 (Pontifical Institute of Sacred Liturgy, 1996).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cardinal Ferdinando Giuseppe Antonelli OFM Last Updated: May 3, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Gregorian chant is the sacred chant, proper and principal of the Roman Church. Therefore, not only can it be used in all liturgical actions, but unless there are mitigating circumstances, it is preferable to use it instead of other kinds of sacred music.”

— §16, De Musica Sacra (1958)

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