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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Schizophrenia” • Pius XII Annihilated Tenebræ

Jeff Ostrowski · April 7, 2022

OME PEOPLE can’t think for themselves. By their very nature, such “sheep” require opinion makers to tell them how they feel about something. We observe this not only in politics, but in countless other spheres. For example, some folks wait until the following morning—when they read newspaper reviews by critics—to determine whether they enjoyed the concert! Our society also contains many “contrarians” who adopt the opposite position about everything … no matter what. Contrarians (especially liturgical contrarians) can’t think for themselves.

“Schizophrenia Flaw”: Regarding liturgical reforms of the 1950s and 1960s, some have been convinced that everything undertaken by the reformers was evil—FULL STOP. That’s what they’ve been told, so they believe it (even though many can’t defend this position). That being said, serious Catholics—not “sheep”—have soberly discovered major flaws in the reforms, especially the schizophrenia flaw. On one hand, the reformers said they wanted to restore the “pristine and original” traditions of the primitive Church. On the other hand, the reformers fabricated a whole bunch of new stuff so the liturgy would become “suitable” to homo modernus and the zeitgeist. I know of no author who has attempted to reconcile, explain, or justify the (obviously contradictory) “schizophrenia flaw.”

His Own Words: An indisputable expert on the reforms was Ferdinando Cardinal Antonelli, who on 10/4/1962 was named “Secretary of the Conciliar Commission on the Liturgy.” Cardinal Antonelli wrote as follows (regarding the Holy Week reform of Pius XII): “Its object was to facilitate the participation of all the faithful in the great mysteries of our redemption.” Cardinal Antonelli also said—writing to the Holy Father—that the only people displeased with these reforms are “those who either from indolence or lack of liturgical sensibility do not want anything to change.”

Such Arrogance! Talk about worshipping the zeitgeist! Imagine condemning the ancient traditions of the Church in such a way! Imagine declaring that anyone who disagrees with your modifications is “indolent” (lazy) or “lacks liturgical sensibility!” And yet, in 1955, Cardinal Antonelli and his cadre of reformers—which was a secret committee known as the Commissio Piana—got rid of something which the faithful loved very much. I’m talking about TENEBRAE, which the 1955 reforms de facto destroyed:

*  PDF Download • SUPPRESSION OF TENEBRAE
—The 1962 Holy Week seems to forbid Tenebræ.

They Knew It: The reformers knew what they were doing! For example, in one of their meetings:

“Msgr. Carinci observed that
the Matins of Tenebrae was
much beloved of the faithful, with
many of them participating at it.”

So the faithful loved it and participated in it … yet it must be destroyed? What happened to “facilitating the participation of all the faithful” (see above)? My friends, this is schizophrenia. Indeed, one of the reformers (Cardinal Anselmo Albareda) on 23 March 1954 “stressed that what was required by the principles of reform, even if at times costly, obliged that the present situation be suspended, even if everybody was attached to it.” For the record, I’m told that many churches in Rome simply ignored the suppression of Tenebræ in the 1950s.


NOTES FROM THIS ARTICLE:

*   Source of these quotations:
Father Nicola Giampietro’s Il cardinale Giuseppe Ferdinando Antonelli e gli sviluppi della riforma liturgica dal 1948 al 1970 (Pontifical Institute of Sacred Liturgy, 1996).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cardinal Ferdinando Giuseppe Antonelli OFM Last Updated: May 3, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

What earlier generations held as sacred, remains sacred and great for us too, and it cannot be all of a sudden entirely forbidden or even considered harmful.

— ‘His Holiness, Pope Benedict XVI (7 July 2007)’

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