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Views from the Choir Loft

“Schizophrenia” • Pius XII Annihilated Tenebræ

Jeff Ostrowski · April 7, 2022

OME PEOPLE can’t think for themselves. By their very nature, such “sheep” require opinion makers to tell them how they feel about something. We observe this not only in politics, but in countless other spheres. For example, some folks wait until the following morning—when they read newspaper reviews by critics—to determine whether they enjoyed the concert! Our society also contains many “contrarians” who adopt the opposite position about everything … no matter what. Contrarians (especially liturgical contrarians) can’t think for themselves.

“Schizophrenia Flaw”: Regarding liturgical reforms of the 1950s and 1960s, some have been convinced that everything undertaken by the reformers was evil—FULL STOP. That’s what they’ve been told, so they believe it (even though many can’t defend this position). That being said, serious Catholics—not “sheep”—have soberly discovered major flaws in the reforms, especially the schizophrenia flaw. On one hand, the reformers said they wanted to restore the “pristine and original” traditions of the primitive Church. On the other hand, the reformers fabricated a whole bunch of new stuff so the liturgy would become “suitable” to homo modernus and the zeitgeist. I know of no author who has attempted to reconcile, explain, or justify the (obviously contradictory) “schizophrenia flaw.”

His Own Words: An indisputable expert on the reforms was Ferdinando Cardinal Antonelli, who on 10/4/1962 was named “Secretary of the Conciliar Commission on the Liturgy.” Cardinal Antonelli wrote as follows (regarding the Holy Week reform of Pius XII): “Its object was to facilitate the participation of all the faithful in the great mysteries of our redemption.” Cardinal Antonelli also said—writing to the Holy Father—that the only people displeased with these reforms are “those who either from indolence or lack of liturgical sensibility do not want anything to change.”

Such Arrogance! Talk about worshipping the zeitgeist! Imagine condemning the ancient traditions of the Church in such a way! Imagine declaring that anyone who disagrees with your modifications is “indolent” (lazy) or “lacks liturgical sensibility!” And yet, in 1955, Cardinal Antonelli and his cadre of reformers—which was a secret committee known as the Commissio Piana—got rid of something which the faithful loved very much. I’m talking about TENEBRAE, which the 1955 reforms de facto destroyed:

*  PDF Download • SUPPRESSION OF TENEBRAE
—The 1962 Holy Week seems to forbid Tenebræ.

They Knew It: The reformers knew what they were doing! For example, in one of their meetings:

“Msgr. Carinci observed that
the Matins of Tenebrae was
much beloved of the faithful, with
many of them participating at it.”

So the faithful loved it and participated in it … yet it must be destroyed? What happened to “facilitating the participation of all the faithful” (see above)? My friends, this is schizophrenia. Indeed, one of the reformers (Cardinal Anselmo Albareda) on 23 March 1954 “stressed that what was required by the principles of reform, even if at times costly, obliged that the present situation be suspended, even if everybody was attached to it.” For the record, I’m told that many churches in Rome simply ignored the suppression of Tenebræ in the 1950s.


NOTES FROM THIS ARTICLE:

*   Source of these quotations:
Father Nicola Giampietro’s Il cardinale Giuseppe Ferdinando Antonelli e gli sviluppi della riforma liturgica dal 1948 al 1970 (Pontifical Institute of Sacred Liturgy, 1996).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cardinal Ferdinando Giuseppe Antonelli OFM Last Updated: May 3, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“I vividly remember going to church with him in Bournemouth. He was a devout Roman Catholic and it was soon after the Church had changed the liturgy (from Latin to English). My grandfather obviously didn’t agree with this and made all the responses very loudly in Latin while the rest of the congregation answered in English. I found the whole experience quite excruciating, but my grandfather was oblivious. He simply had to do what he believed to be right.”

— Simon Tolkien (2003)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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