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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Three Hymns for Lent” • (Rec. 03/10/2022)

Jeff Ostrowski · March 15, 2022

NE OF MY PROFESSORS used to say: “Sometimes what goes without saying needs to be said.” The Brébeuf hymnal was designed to get congregations singing. The Brébeuf is not a reprint of the Liber Usualis. The Brébeuf is not a reprint of Cantus Varii, the Liber Cantualis, or Cantus Selecti. The Brébeuf is not a reprint of the Antiphonale Romanum or the Liber Gradualis. The Brébeuf hymnal was designed for congregations; therefore, most of its hymns are in English.1 It has never been the tradition in America to have congregations sing hymns in Latin—although Adéste Fidéles is certainly an exception to that rule. Neither is it traditional for priests to preach their homilies in Latin.

Leading The Way: The Brébeuf hymnal contains approximately 700 hymns. It does contain Latin hymns, but these are provided with metrical and literal English translations. The literal translations were done by a brilliant FSSP priest, and—until he contributed his works to the Brébeuf hymnal—several of these ancient Latin hymns had never been given a literal English translation before. The Brébeuf melodies (such as SAXONY) can also be adapted to Latin—it’s a book which inspires and leads the way. Here’s an example of how that works:

*  PDF Download • “O Sol Salutis, Intimis”
—Before 1629AD, this hymn was known as Jam Christe Sol Justitiæ.

Same Melody, 2nd Time: You can also sing that same melody in English. Page 215 in the Brébeuf hymnal has an English translation of Ex More Docti Mystico by Father Fitzpatrick, an Oblate of Mary:

REHEARSAL VIDEOS for each individual voice await you at #215.

Same Melody, 3rd Time: If you look on page 93 of the Brébeuf hymnal, you will see another ancient hymn for Lent: Audi Benigne Conditor. The same melody can be used, with a marvelous translation by Father Fitzpatrick:

REHEARSAL VIDEOS for each individual voice await you at #093.

 


NOTES FROM THIS ARTICLE:

1   Choirs will want to purchase the Brébeuf choral supplement, and organists will want the Brébeuf accompaniment volumes.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Audi Benigne Conditor, Ex More Docti Mystico, O Sol Salutis Intimis, Rare Hymns for Lent Last Updated: February 25, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

The “Nova Organi Harmonia” demanded from each of us an unusual commitment; we have dedicated to it the best of our energies. Would it be, therefore, presumptuous on our part to be satisfied with the result and to expect its welcome reception in the musical world?

— Msgr. Jules Van Nuffel (circa 1940)

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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