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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Three Hymns for Lent” • (Rec. 03/10/2022)

Jeff Ostrowski · March 15, 2022

NE OF MY PROFESSORS used to say: “Sometimes what goes without saying needs to be said.” The Brébeuf hymnal was designed to get congregations singing. The Brébeuf is not a reprint of the Liber Usualis. The Brébeuf is not a reprint of Cantus Varii, the Liber Cantualis, or Cantus Selecti. The Brébeuf is not a reprint of the Antiphonale Romanum or the Liber Gradualis. The Brébeuf hymnal was designed for congregations; therefore, most of its hymns are in English.1 It has never been the tradition in America to have congregations sing hymns in Latin—although Adéste Fidéles is certainly an exception to that rule. Neither is it traditional for priests to preach their homilies in Latin.

Leading The Way: The Brébeuf hymnal contains approximately 700 hymns. It does contain Latin hymns, but these are provided with metrical and literal English translations. The literal translations were done by a brilliant FSSP priest, and—until he contributed his works to the Brébeuf hymnal—several of these ancient Latin hymns had never been given a literal English translation before. The Brébeuf melodies (such as SAXONY) can also be adapted to Latin—it’s a book which inspires and leads the way. Here’s an example of how that works:

*  PDF Download • “O Sol Salutis, Intimis”
—Before 1629AD, this hymn was known as Jam Christe Sol Justitiæ.

Same Melody, 2nd Time: You can also sing that same melody in English. Page 215 in the Brébeuf hymnal has an English translation of Ex More Docti Mystico by Father Fitzpatrick, an Oblate of Mary:

REHEARSAL VIDEOS for each individual voice await you at #215.

Same Melody, 3rd Time: If you look on page 93 of the Brébeuf hymnal, you will see another ancient hymn for Lent: Audi Benigne Conditor. The same melody can be used, with a marvelous translation by Father Fitzpatrick:

REHEARSAL VIDEOS for each individual voice await you at #093.

 


NOTES FROM THIS ARTICLE:

1   Choirs will want to purchase the Brébeuf choral supplement, and organists will want the Brébeuf accompaniment volumes.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Audi Benigne Conditor, Ex More Docti Mystico, O Sol Salutis Intimis, Rare Hymns for Lent Last Updated: February 25, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Père Joseph Gelineau represented everything that had gone wrong with the Church since the new liturgists had gained control.”

— Jean Langlais

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