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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF • “Hymn Suggestions For Each Sunday”

Jeff Ostrowski · March 9, 2022

HERE WAS A TYPE of “schizophrenia” in the liturgical movement of the last 150 years. On one hand, leaders of the liturgical movement wanted to control rigidly the participation of the faithful, claiming the “best” type of participation is saying the exact prayers the priest does—an idea which was condemned by Pope Pius XII in §108 of Mediator Dei (20 Nov 1947). On the other hand, leaders of the liturgical movement often encouraged (sometimes illicitly) “paraphrases” of the Mass, similar to a BETSINGMESSE.1

The Situation We Have • The reformers of the 1960s said they wanted people to “sing the Mass” rather than “singing at Mass.” However, when the time came they did the opposite; they de facto eliminated the Mass propers and replaced them with religious songs and hymns. We are 100% free to complain about this situation; but that’s the situation we have, whether we like it or not. A mature person knows how to work within the confines of reality. The conscientious choirmaster takes people where they are and then—carefully and prudently—leads them to something higher.

“RRRC” • In many situations, it would not be prudent to “rip away” and destroy everything the congregation knows. If the congregation is accustomed to singing hymns at Mass, only a lunatic would come in and ban all hymns. A better approach would be to replace the goofy modern songs with RRRC: “Rich, Robust, Roman Catholic” hymns. Sophia Institute Press has put together a list of hymns for each Sunday. See what you think of it:

*  PDF Download • “Hymn Suggestions For Each Sunday”
—For the “Ordinary Form” (Lent until Pentecost); “Extraordinary Form” charts are also being produced.

Personal Preference • For myself, I never use a “hymn list.” The Brébeuf hymnal has about 900 hymns; terrific texts with marvelous melodies. Sometimes I even switch the hymns at the last moment. It may depend on which singers are available; or we may be focusing on a particular SATB setting; or I might want to explore a new tune I’ve not done as often; or one of the choirs may be having “issues” with pitch that day; and so forth. I love the enormous range of options the Brébeuf hymnal provides, and choosing them is a breeze thanks to the impressive snippets index.

Hymns At Mass? • Occasionally, someone will say: “Hymns don’t belong at Mass—they only belong in the Divine Office.” But such a statement cannot withstand scrutiny. A position paper from Sophia Institute Press handles the matter very well—and I’m not going to repeat what is said there. I would simply note that “general Communion” (viz. the faithful receiving the Eucharist during Mass along with the Celebrant) fell out of favor for about 1,000 years. By the 1960s, it had been revived—and it made a huge difference at Mass. It adds approximately 15 minutes to each Mass. To give you some idea, let’s say there are 20,000 parishes in the United States. Doing a few basic calculations, “general Communion” added something like 3,920,000 hours to the celebration of Mass. The notion that hymns would not be used to “fill in” the liturgical action strikes me as absurd. Of course, motets and organ music would also work very nicely.


NOTES FROM THIS ARTICLE:

1   Indeed, the young Annibale Bugnini made a name for himself by forcing his congregation to participate according to his preferences. Specifically, Bugnini created Italian signposts with a vernacular “paraphrase” of the Mass prayers, and he forced the congregation to recite these signboards aloud while Mass was going on. On this, cf. Yves Chiron (Annibale Bugnini, 2018) page 25.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Pius X Liturgical Movement, singing at Mass, Singing the Mass Last Updated: March 9, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”

— Archbishop Marcel Lefebvre (1965) praising vernacular readings at Mass

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