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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF • “Hymn Suggestions For Each Sunday”

Jeff Ostrowski · March 9, 2022

HERE WAS A TYPE of “schizophrenia” in the liturgical movement of the last 150 years. On one hand, leaders of the liturgical movement wanted to control rigidly the participation of the faithful, claiming the “best” type of participation is saying the exact prayers the priest does—an idea which was condemned by Pope Pius XII in §108 of Mediator Dei (20 Nov 1947). On the other hand, leaders of the liturgical movement often encouraged (sometimes illicitly) “paraphrases” of the Mass, similar to a BETSINGMESSE.1

The Situation We Have • The reformers of the 1960s said they wanted people to “sing the Mass” rather than “singing at Mass.” However, when the time came they did the opposite; they de facto eliminated the Mass propers and replaced them with religious songs and hymns. We are 100% free to complain about this situation; but that’s the situation we have, whether we like it or not. A mature person knows how to work within the confines of reality. The conscientious choirmaster takes people where they are and then—carefully and prudently—leads them to something higher.

“RRRC” • In many situations, it would not be prudent to “rip away” and destroy everything the congregation knows. If the congregation is accustomed to singing hymns at Mass, only a lunatic would come in and ban all hymns. A better approach would be to replace the goofy modern songs with RRRC: “Rich, Robust, Roman Catholic” hymns. Sophia Institute Press has put together a list of hymns for each Sunday. See what you think of it:

*  PDF Download • “Hymn Suggestions For Each Sunday”
—For the “Ordinary Form” (Lent until Pentecost); “Extraordinary Form” charts are also being produced.

Personal Preference • For myself, I never use a “hymn list.” The Brébeuf hymnal has about 900 hymns; terrific texts with marvelous melodies. Sometimes I even switch the hymns at the last moment. It may depend on which singers are available; or we may be focusing on a particular SATB setting; or I might want to explore a new tune I’ve not done as often; or one of the choirs may be having “issues” with pitch that day; and so forth. I love the enormous range of options the Brébeuf hymnal provides, and choosing them is a breeze thanks to the impressive snippets index.

Hymns At Mass? • Occasionally, someone will say: “Hymns don’t belong at Mass—they only belong in the Divine Office.” But such a statement cannot withstand scrutiny. A position paper from Sophia Institute Press handles the matter very well—and I’m not going to repeat what is said there. I would simply note that “general Communion” (viz. the faithful receiving the Eucharist during Mass along with the Celebrant) fell out of favor for about 1,000 years. By the 1960s, it had been revived—and it made a huge difference at Mass. It adds approximately 15 minutes to each Mass. To give you some idea, let’s say there are 20,000 parishes in the United States. Doing a few basic calculations, “general Communion” added something like 3,920,000 hours to the celebration of Mass. The notion that hymns would not be used to “fill in” the liturgical action strikes me as absurd. Of course, motets and organ music would also work very nicely.


NOTES FROM THIS ARTICLE:

1   Indeed, the young Annibale Bugnini made a name for himself by forcing his congregation to participate according to his preferences. Specifically, Bugnini created Italian signposts with a vernacular “paraphrase” of the Mass prayers, and he forced the congregation to recite these signboards aloud while Mass was going on. On this, cf. Yves Chiron (Annibale Bugnini, 2018) page 25.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Pius X Liturgical Movement, singing at Mass, Singing the Mass Last Updated: March 9, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

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