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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Hymns for Small Choirs” • The Season of Epiphany

Jeff Ostrowski · January 17, 2022

HE LITURGICAL REFORMS from the 1960s are certainly not irreversible. We know this because so many have already been reversed (and re-reversed) over the last five decades. Examples would include: Communion in the hand; female Altar servers; using an audible voice for the Canon; whether we are free to ignore the Vatican II mandates on Latin; women lectors inside the Sanctuary; secular texts replacing the Propria Missae; whether cardinals are free to reject the second Eucharistic Prayer; whether the USCCB can overrule the GIRM; whether we are free to ignore Vatican II mandates on Gregorian Chant; and so forth.1

Epiphany Too Short: It’s only a matter of time until serious reforms will be made. When that time arrives, the Church must restore the season of Epiphany—which traditionally was very lengthy. The three “cardinal” feasts of the Church (according to Father Fortescue) are: EPIPHANY, EASTER, and PENTECOST. For at least 1,700 years, each cardinal feast gave a “marked character” to its season: Sundays after Epiphany, Sundays after Easter, and Sundays after Pentecost.

(1) Epiphany (which originally included the Nativity) = Christ’s Divinity;
(2) Easter (and its preparatory season, Lent) = Redemption and Resurrection;
(3) Pentecost = how Christ sanctifies the Church.

Trio Of Maniacs: Vatican II never said anything about Epiphany: not one word. The people who reformed the calendar decided to make Christmas and Epiphany very short. (One of the major 1960s reformers—Father Louis Bouyer—called the calendar reformers “a trio of maniacs.”) This year, the season of Epiphany only lasted three days—although it was slightly longer in dioceses where the Epiphany was moved to a Sunday. Three days. Three days! In the traditional calendar, the season of Epiphany sometimes lasted six weeks! Destroying Epiphany was in direct disobedience to Vatican II; cf. SACROSANCTUM CONCILIUM §23.

Lack Voices? No Problem: The Brébeuf hymnal is the best source of authentic Catholic hymns for the season of Epiphany. Oh, so many excellent hymns from which to choose! One of them (O Sola Magnarum Urbium) goes all the way back to the 4th century—and the Brébeuf hymnal includes several different translations and melodies for it. Due to the high rate of Covid-19, last Sunday it was necessary for us to choose hymns that can be sung well with a limited number of voices.

Some of you might appreciate these live recordings from last Sunday:

Final Thought: It’s sometimes claimed that the feast of the Baptism of the Lord is a “Novus Ordo” invention. This is not true, and betrays a misunderstanding of the different mysteries or “manifestations” celebrated on the Epiphany. Father Adrian Fortescue reminds us: “The Epiphany commemorates three manifestations of Christ’s divinity: the visit of the Wise men, our Lord ’s Baptism, and the miracle at Cana.”

Below are two items for your consideration; one from 1759AD and the other from 1962:

The following hymn—#286 in the Brébeuf hymnal—is for the Baptism of the Lord:


NOTES FROM THIS ARTICLE:

1   Notice I’m not telling you whether I agree with certain items; I’m simply pointing out that post-conciliar legislation has frequently been reversed (and re-reversed). You don’t have to take my word for it; the very people who came up with the reforms have made this clear. For example, Giacomo Cardinal Lercaro was president of the CONSILIUM, which was responsible for the 1960s liturgical reforms. On 2 March 1965, Lercaro published an article (in l’Avennire d’Italia) which strongly condemned those who criticized the reforms. But his article also condemned liturgical abuses Lercaro called “fanciful” and “deplorable.” What were those “abuses” condemned by the chief reformer? Lercaro was very specific: (1) Communion in the hand; (2) speaking the Canon in an audible voice.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Baptism of the Lord, Cardinal Giacomo Lercaro Consilium President, Hymns for Small Choirs, Louis Bouyer Oratorian Priest, Non Abluunt Lymphae Deum Last Updated: January 17, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

The “Nova Organi Harmonia” demanded from each of us an unusual commitment; we have dedicated to it the best of our energies. Would it be, therefore, presumptuous on our part to be satisfied with the result and to expect its welcome reception in the musical world?

— Msgr. Jules Van Nuffel (circa 1940)

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