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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“A Plea to the Bishops” • By Monsignor Charles Pope

Corpus Christi Watershed · January 5, 2022

ONSIGNOR CHARLES POPE has published a heartfelt plea. He wants the bishops of the world to respond to the words of Pope Francis, who said on 26 September 2021: “The Holy Spirit does not want closedness; He wants openness, and welcoming communities where there is a place for everyone.” Pope Francis also said: “We are called to build an increasingly inclusive world that excludes no one.”

An excerpt from his article:

As a pastor of souls, I cannot find words to express the hurt and anger (righteous, I pray) I experience over the treatment of Catholics who are attached to the older forms of the liturgy and the sacraments. I have not seen such language or harshness directed against any other group, in or out of the Church. The tone is singular and shocking. Those who love the Traditional Latin Mass are my brothers and sisters in the Lord and I have long admired their tenacity and orthodoxy. Many of them have large families and take the faith very seriously. For them, Catholicism is not only a faith, but also a culture both ancient and new. They are up for the battle of living the faith in an increasingly secular world. They are not a particularly large segment of the Church in the United States, but they are one of the few segments of the Church that is growing and flourishing. They love the faith and the Mass, and I grieve that they are being treated so brusquely and harshly.

The article Monsignor Pope echoes a recent article by the president of Corpus Christi Watershed. Consider the following words of Monsignor Pope:

[Archbishop Roche] in effect says, “We really prefer you to be in isolated places, but if you must use one of our parish churches, it must be made clear: you are not really ‘us.’ You cannot appear on our schedule, you cannot celebrate your TLM at a time when any of us might be around, and, while we consent to have you here now, as soon as ‘another venue’ is found you will be asked to leave forthwith.”

Read the full article by Monsignor Pope at the National Catholic Register:

*  Article • “A Plea to the Bishops”
—From the Peripheries of ‘Traditionis Custodes,’ a Plea to the Bishops.

The existence of the Missale Vetustum is no longer a secret—even secular outlets are talking about it:

Father Robert Sirico recently published an article in a major secular newspaper—and here’s an excerpt:

Pope Francis told bishops from the Czech Republic in 2014 that he “cannot understand the younger generation” who flock to the old Mass. […] Stereotypes may often be shortcuts to the truth, but not always. And certainly not in this case. In my experience, it is not just the elderly who like the smells and bells of the Church’s old rituals—a great many young people love traditional worship. I joke that my old parish’s Latin Mass is the “teen Mass.”

Some older people have great difficulty understanding why so many serious young Catholics prefer the Missale Vetustum.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Missale Vetustum, Traditionis Custodes Motu Proprio Last Updated: January 6, 2022

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”

— Paul Hume (1956)

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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