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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“A Plea to the Bishops” • By Monsignor Charles Pope

Corpus Christi Watershed · January 5, 2022

ONSIGNOR CHARLES POPE has published a heartfelt plea. He wants the bishops of the world to respond to the words of Pope Francis, who said on 26 September 2021: “The Holy Spirit does not want closedness; He wants openness, and welcoming communities where there is a place for everyone.” Pope Francis also said: “We are called to build an increasingly inclusive world that excludes no one.”

An excerpt from his article:

As a pastor of souls, I cannot find words to express the hurt and anger (righteous, I pray) I experience over the treatment of Catholics who are attached to the older forms of the liturgy and the sacraments. I have not seen such language or harshness directed against any other group, in or out of the Church. The tone is singular and shocking. Those who love the Traditional Latin Mass are my brothers and sisters in the Lord and I have long admired their tenacity and orthodoxy. Many of them have large families and take the faith very seriously. For them, Catholicism is not only a faith, but also a culture both ancient and new. They are up for the battle of living the faith in an increasingly secular world. They are not a particularly large segment of the Church in the United States, but they are one of the few segments of the Church that is growing and flourishing. They love the faith and the Mass, and I grieve that they are being treated so brusquely and harshly.

The article Monsignor Pope echoes a recent article by the president of Corpus Christi Watershed. Consider the following words of Monsignor Pope:

[Archbishop Roche] in effect says, “We really prefer you to be in isolated places, but if you must use one of our parish churches, it must be made clear: you are not really ‘us.’ You cannot appear on our schedule, you cannot celebrate your TLM at a time when any of us might be around, and, while we consent to have you here now, as soon as ‘another venue’ is found you will be asked to leave forthwith.”

Read the full article by Monsignor Pope at the National Catholic Register:

*  Article • “A Plea to the Bishops”
—From the Peripheries of ‘Traditionis Custodes,’ a Plea to the Bishops.

The existence of the Missale Vetustum is no longer a secret—even secular outlets are talking about it:

Father Robert Sirico recently published an article in a major secular newspaper—and here’s an excerpt:

Pope Francis told bishops from the Czech Republic in 2014 that he “cannot understand the younger generation” who flock to the old Mass. […] Stereotypes may often be shortcuts to the truth, but not always. And certainly not in this case. In my experience, it is not just the elderly who like the smells and bells of the Church’s old rituals—a great many young people love traditional worship. I joke that my old parish’s Latin Mass is the “teen Mass.”

Some older people have great difficulty understanding why so many serious young Catholics prefer the Missale Vetustum.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Missale Vetustum, Traditionis Custodes Motu Proprio Last Updated: January 6, 2022

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“The chapter secretary is authorized to write a letter beseeching a royal pardon for Caspar de Cuevas, cathedral sackbut player, who is imprisoned on a murder charge.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (23 March 1566)

Recent Posts

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  • Simplified Accompaniment (Easter Hymn)
  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)

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