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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • Vespers Organ Accompaniment — “Our Lady of Guadalupe” (12 December)

Jeff Ostrowski · December 12, 2021

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ARDINAL BARTOLUCCI was challenged (in 2008) vis-à-vis whether the pre-conciliar rites were “participatory.” He responded forcefully, citing a little town “in this beautiful countryside, at one time inhabited by people full of faith and piety. On Sunday at Vespers the priest would have been able to intone the Deus in adjutórium meum inténde and then fall asleep in the high-backed chair—not waking up until the CHAPTER—and the peasants would have continued on their own—and the heads of family would have intoned the antiphon!”

Our Lady of Guadalupe: Feel free to download this booklet I created for December 12th—“Feast of Our Lady of Guadalupe”—which in Mexico replaces the 3rd Sunday of Advent. For the Missale Antiquius, Our Lady of Guadalupe was a Double of the First Class in San Francisco, Santa Fe, Sacramento, Tucson, and Los Angeles.

*  PDF Download • Our Lady of Guadalupe (VESPERS)
—Congregational Booklet for December 12th (Vespers).
—Print on “double-sided” to create your booklet.

The organ accompaniment I created is pretty messy, but feel free to download it.

A False Claim :

Latin Mass parishes are falsely accused of “not following Vatican II.” How long will such a bizarre accusation be allowed? We recently saw that Bishop Robert E. Guglielmone issued a document explicitly contradicting Vatican II. He justified this by saying we must “follow” the Second Vatican Council. Does “following the Council” mean doing the exact opposite of what Vatican II specifically mandated? In what universe does that make sense? Here’s a quick reminder:

Vatican II said:
“Pastors of souls should see to it that the chief hours, especially Vespers, are celebrated in common in church on Sundays and the more solemn feasts. And the laity, too, are encouraged to recite the divine office, either with the priests, or among themselves, or even individually” (SC §100).

Vatican II said:
“Lauds and Vespers are the two hinges on which the daily office turns” (SC §89a).

Vatican II said:
“The Latin language is to be retained by clerics in the divine office” (SC §101).

You can watch a YouTube Video (with scrolling score) showing our congregation singing Vespers.

A Digression: In my Vespers booklet above, perhaps you noticed I sometimes ignore the episemata of the Classical Solesmes Method. If you’ve been following this blog for any length of time, you already know that I have all kinds of issues with adding such editorial “suggestions” (!) to the official edition, and Abbat Pothier was correct to point out that rarely do they reflect the Romanian signs accurately. Speaking of melismatic moræ vocis, those familiar with Gregorian Chant will have noticed some strange figurations in the “Ave Maria” from the 3rd Sunday of Advent. For instance, these two notes are supposed to form a “long note” according to the Classical Solesmes Method, but they’re too far apart for that:

In the Editio Vaticana—which is still the official edition of the Church—there is a “melismatic mora” there, which means there is supposed to be a “pause” (slight elongation) at the end of that neume:

This is the only example I know of where Dom Mocquereau changed or modified something significant in a subsequent edition, because you can see that the 1908 Solesmes edition does mark that melismatic mora:

A Case In Point: It would seem that Solesmes Abbey got a little “bolder” when it came to disobeying the Vatican after their 1908 edition met with success! By the way, the aforementioned Offertory (“Ave María”) is a perfect example of Solesmes contradicting the official edition in tons of places:

*  PDF Download • Melismatic Moræ Vocis (“Ave Maria”)
—The Solesmes edition of 1908 compared to the “pure” Editio Vaticana.

Finally, some examples of the “Ave María” plainsong from the Middle Ages:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: December 12th, Feast of Our Lady of Guadalupe, melismatic morae vocis, Vespers, Vespers Organist Scores Last Updated: December 3, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Today the Church has made a big mistake, turning the clock back 500 years with guitars and popular songs. I don’t like it at all. Gregorian Chant is a vital and important tradition of the Church and to waste this—by having guys mix religious words with profane, Western songs—is hugely grave, hugely grave.”

— Maestro Ennio Morricone (10 Sept 2009)

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