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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Two Easy Advent Hymns”

Andrea Leal · November 27, 2021

F YOU’RE INTERESTED in adding a new hymn into your Advent repertoire, Ecce Clara Vox Intonat is one that can be learned without too much difficulty. A quick YouTube search will provide a plethora of recordings to help you learn it. You can access a poetic translation; I also provide a literal translation—see below—by Father Joesph Connelly, who served as professor of Gregorian Chant at Saint Mary’s Seminary (New Oscott, Birmingham) from 1934-1956.

*  PDF Download • Vox Clara Ecce Intonat
—Easy Gregorian Hymn for Advent.

Literal Translation:
1. The Baptist’s message of rebuke rings loud and clear through all the world of darkness: Away with dreams of darkness. Jesus, the light, is shining in the sky.
2. Let the slothful soul now arise and no longer lie earth-bound, for a new sun is now shining, Christ, Who will take away every sin.
3. Behold the Lamb is sent to us to pay freely the debt we owe. Therefore let all of us together, with tears of sorrow, ask for His pardon…
4. So that when He comes in glory at the end of time and causes fear in all hearts, He will not then punish us, as our sins deserve, but in His pity be our protector.

A Little History: Ecce Clara Vox Intonat seems to have originated in the 6th century, and is sometimes attributed to St. Ambrose. It has historically been used during the Office of Lauds during Advent, but when you read through the translation you might agree that it could certainly be sung during Sunday Masses in Advent, perhaps especially during the 3rd Sunday of Advent in the Extraordinary Form where the Gospel quotes John the Baptist saying, “I am the voice of one crying out in the wilderness, make straight the way of the Lord…” (John 1: 19-28)

REMINDER: If you want one more easy hymn to sing during Advent, why not try the Gaude, Dei Genitrix? It is also quite appropriate to the Advent season.

*  PDF Download • Gaude Dei Genitrix
—Easy Gregorian Hymn for Advent.

Rejoice, Mother of God, spotless Virgin;
rejoice, for thou hast received joy from the Angel;
rejoice, thou hast brought forth the splendor of eternal light; Mother, Rejoice;
rejoice, Virgin Mother of God;
thou only art Mother and Virgin;
all creation praises thee,
Mother of the Light;
be for us, we pray,
a perpetual intercessor.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ecce Clara Vox Intonat, Gaude Dei Genitrix, HYMN Gaude Dei Genetrix Last Updated: November 27, 2021

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“To treat harmony and rhythm in this matter was a difficult matter. Facing numerous problems both large and small—that arose constantly—we understood that a flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

— ‘Mons. Jules Van Nuffel, NOH Preface’

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