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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

From the Bell Tower – Boston Cathedral Singers Release First Album

Richard J. Clark · November 5, 2021

Available on Apple iTunes, Amazon Music, Spotify, and all digital formats

BOSTON – ALL SAINTS DAY, 2021 — A beacon of light during the height of the pandemic, four singers at the Cathedral of the Holy Cross sought artistic refuge in the Cathedral bell tower where its bells toll each day.

The tower’s most unusual acoustic properties were miraculously friendly to singers forced to wear masks and stand far away from each other. Each week immediately after Mass at the Cathedral, they made a new recording.

Several months later, the album From the Bell Tower is the result.

Led by Richard J. Clark, composer and Director of Music of the Cathedral of the Holy Cross, the Boston Cathedral Singers are:

GRAMMY-wining soprano Barbara Hill, International Performing Artist Jaime Korkos, mezzo-soprano, acclaimed Cuban-American tenor Michael González, and baritone Taras Leschishin, a soloist with the Boston Pops and international guest conductor.

The recordings were digitally mastered by Double-platinum-winning producer Paul Umbach.

This recording includes Clark’s Four Eucharist Motets for the Year of the Eucharist in the Archdiocese of Boston and Kevin Allen’s Ave Maria premiered in Los Angeles in 2019 under Clark’s direction.

The two-ton bells have their own story — confiscated during the Civil War from a church in New Orleans, they were sold and installed in 1863 in Holy Trinity German Catholic Church, Boston. Closed in 2008, the bells were relocated to the Cathedral where they ring out to this day.

Cardinal Sean O’Malley stated, “These bells have a missionary fire, inviting people to the banquet.” (Boston Globe: “Historic Bells Will Ring out from Boston Cathedral” – Jack Newsham, Oct. 18, 2015)

For the Boston Cathedral Singers, the bells have been a guiding light and a beacon of hope for us all.

Press Contact: Timothy McGuirk
Phone: 857-225-1537
Email: click here

PDF of this Press Release click here. 

About the Boston Cathedral Singers:

Barbara Hill, soprano is a GRAMMY-winning ensemble member and soloist specializing in early and contemporary music. As a soloist, she has appeared with Musica Sacra, Masterworks Chorale, Seven Times Salt, the Old North Festival Chorus, and is the soprano cantor at the Cathedral of the Holy Cross, Boston. As an ensemble member, she performs with the GRAMMY-winning ensemble The Crossing, Emmanuel Music, Ensemble Altera, and Cappella Clausura. An enthusiastic supporter of new music, she especially enjoys the opportunity to premiere and record new works. Recent highlights were premiering Julia Wolfe’s “Fire in my mouth” with the NY Philharmonic and The Crossing in January 2019, and recording Heidi Breyer’s ‘Requiem for the Common Man’ due out in late 2021.

Jaime Korkos, mezzo-soprano is a San Francisco native mezzo-soprano who has sung with opera companies and symphonies around the U. S. and Europe. Ms. Korkos sang on a seven-city tour across Ireland, performing in such venues as Dublin’s famous Abbey Theatre, Cork’s The Everyman, and the Wexford National Opera House. Ms. Korkos has been singing regularly with Boston Lyric Opera since their 2016 production of Carmen, including in The Rake’s Progress, Tosca, and The Threepenny Opera and will join them for The Handmaid’s Tale in 2019. Ms. Korkos sang with Boston’s Odyssey Opera as Lady Angela in their 2017 production of Patience, or Bunthorne’s Bride and sang Orestes in their 2019 production of Offenbach’s La belle Hélène. 2018 brought her debut with Boston Opera Collaborative as Hannah After in Kaminsky’s critically acclaimed As One. In 2019 she debuted with San Francisco’s Pocket Opera.

Other highlights include a four-city U.S. tour with the late Phillip Gossett and the Italian chamber orchestra Ensemble Nuove Musiche, performance as soloist in Mahler’s Symphony No. 3 in Jordan Hall under the baton of Hugh Wolff, and soloist for Handel’s Messiah, with the La Jolla Symphony, and the Atlantic Symphony Orchestra.

Cuban-American tenor Michael Gonzalez is a graduate from the New England Conservatory of Music,  having received his Masters Degree in Music with a focus on Opera, under the tutelage of Michael Meraw. Michael now has his sights set on performing Opera, Art Song, and Operetta. Being from Miami, and the first generation born in the United States, Michael has always been proud of his cultural heritage and relishes in sharing it with those he can.

As a vocalist Michael has performed in various locations across the U.S., and also in several international programs – including, most recently, the American Institute of Musicals Studies in Graz, Austria. Previously, Michael has been featured as Colonel Fairfax – Yeomen of the Guard, Frederic – Pirates of Penzance Satyavān – Savitri, ‘Barigoule’ – Cendrillon, Aeneas – Dido and Aeneas, Albert – Albert Herring and Don Ottavio – Don Giovanni. Michael maintains an active partnership in performing with the Parlor Opera Players, Seraphim singers and the Boston Cathedral Choir.

Taras Leschishin, baritone, is a well known singer in the Boston area having sung as a soloist with the Boston Pops, and many choral groups in New England.  Taras has been a member of Handel Haydn Society, Seraphim Singers, King’s Chapel, and Church of the Advent.  He was guest conductor and soloist for the Hong Kong Philharmonic performing the Bali, Indonesia.  He has worked as director of music for 40 years in numerous parishes around Boston.  Taras recently retired after 30 years teaching music at Bridgewater State University.  Having been a cantor at the Cathedral of the Holy Cross early in his career, Taras is so pleased return to sing in this beautiful Church.

Richard J. Clark was appointed Archdiocesan and Cathedral Director of Music & Organist in 2018 after serving St. Cecilia Parish in Boston for nearly twenty-nine years. His compositions have been performed worldwide and are published with Lorenz/The Sacred Music Press, World Library Publications, GIA Publications, Saint Michael Hymnal (Fifth Edition – 2021), Saint Jean de Brébeuf Hymnal (Sophia Institute Press – 2019), CanticaNOVA Publications, and others. As performer and composer his appearances include St. Patrick’s Cathedral (NY), Saint-Eustache (Paris), the Basilica of the National Shrine of the Immaculate Conception (D.C.), and the Celebrity Series of Boston. His Te Deum for soloists, chorus and orchestra will be debut in Paris in 2022.

Produced by Richard J. Clark and the Boston Cathedral Singers
Recorded in the Bell Tower of the Cathedral of the Holy Cross, Boston, MA
Mastered by Paul Umbach @The Snug Studio, Las Vegas, NV
Cover photography: Evan Landry

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: November 5, 2021

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“The pope regrets that this trade in African slaves, that he believed having ceased, is still exercised in some regions and even more cruel way. He begs and begs the King of Portugal that it implement all its authority and wisdom to extirpate this unholy and abominable shame.”

— ‘Pope Pius VII, writing to the King of Portugal’

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