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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

From the Bell Tower – Boston Cathedral Singers Release First Album

Richard J. Clark · November 5, 2021

Available on Apple iTunes, Amazon Music, Spotify, and all digital formats

BOSTON – ALL SAINTS DAY, 2021 — A beacon of light during the height of the pandemic, four singers at the Cathedral of the Holy Cross sought artistic refuge in the Cathedral bell tower where its bells toll each day.

The tower’s most unusual acoustic properties were miraculously friendly to singers forced to wear masks and stand far away from each other. Each week immediately after Mass at the Cathedral, they made a new recording.

Several months later, the album From the Bell Tower is the result.

Led by Richard J. Clark, composer and Director of Music of the Cathedral of the Holy Cross, the Boston Cathedral Singers are:

GRAMMY-wining soprano Barbara Hill, International Performing Artist Jaime Korkos, mezzo-soprano, acclaimed Cuban-American tenor Michael González, and baritone Taras Leschishin, a soloist with the Boston Pops and international guest conductor.

The recordings were digitally mastered by Double-platinum-winning producer Paul Umbach.

This recording includes Clark’s Four Eucharist Motets for the Year of the Eucharist in the Archdiocese of Boston and Kevin Allen’s Ave Maria premiered in Los Angeles in 2019 under Clark’s direction.

The two-ton bells have their own story — confiscated during the Civil War from a church in New Orleans, they were sold and installed in 1863 in Holy Trinity German Catholic Church, Boston. Closed in 2008, the bells were relocated to the Cathedral where they ring out to this day.

Cardinal Sean O’Malley stated, “These bells have a missionary fire, inviting people to the banquet.” (Boston Globe: “Historic Bells Will Ring out from Boston Cathedral” – Jack Newsham, Oct. 18, 2015)

For the Boston Cathedral Singers, the bells have been a guiding light and a beacon of hope for us all.

Press Contact: Timothy McGuirk
Phone: 857-225-1537
Email: click here

PDF of this Press Release click here. 

About the Boston Cathedral Singers:

Barbara Hill, soprano is a GRAMMY-winning ensemble member and soloist specializing in early and contemporary music. As a soloist, she has appeared with Musica Sacra, Masterworks Chorale, Seven Times Salt, the Old North Festival Chorus, and is the soprano cantor at the Cathedral of the Holy Cross, Boston. As an ensemble member, she performs with the GRAMMY-winning ensemble The Crossing, Emmanuel Music, Ensemble Altera, and Cappella Clausura. An enthusiastic supporter of new music, she especially enjoys the opportunity to premiere and record new works. Recent highlights were premiering Julia Wolfe’s “Fire in my mouth” with the NY Philharmonic and The Crossing in January 2019, and recording Heidi Breyer’s ‘Requiem for the Common Man’ due out in late 2021.

Jaime Korkos, mezzo-soprano is a San Francisco native mezzo-soprano who has sung with opera companies and symphonies around the U. S. and Europe. Ms. Korkos sang on a seven-city tour across Ireland, performing in such venues as Dublin’s famous Abbey Theatre, Cork’s The Everyman, and the Wexford National Opera House. Ms. Korkos has been singing regularly with Boston Lyric Opera since their 2016 production of Carmen, including in The Rake’s Progress, Tosca, and The Threepenny Opera and will join them for The Handmaid’s Tale in 2019. Ms. Korkos sang with Boston’s Odyssey Opera as Lady Angela in their 2017 production of Patience, or Bunthorne’s Bride and sang Orestes in their 2019 production of Offenbach’s La belle Hélène. 2018 brought her debut with Boston Opera Collaborative as Hannah After in Kaminsky’s critically acclaimed As One. In 2019 she debuted with San Francisco’s Pocket Opera.

Other highlights include a four-city U.S. tour with the late Phillip Gossett and the Italian chamber orchestra Ensemble Nuove Musiche, performance as soloist in Mahler’s Symphony No. 3 in Jordan Hall under the baton of Hugh Wolff, and soloist for Handel’s Messiah, with the La Jolla Symphony, and the Atlantic Symphony Orchestra.

Cuban-American tenor Michael Gonzalez is a graduate from the New England Conservatory of Music,  having received his Masters Degree in Music with a focus on Opera, under the tutelage of Michael Meraw. Michael now has his sights set on performing Opera, Art Song, and Operetta. Being from Miami, and the first generation born in the United States, Michael has always been proud of his cultural heritage and relishes in sharing it with those he can.

As a vocalist Michael has performed in various locations across the U.S., and also in several international programs – including, most recently, the American Institute of Musicals Studies in Graz, Austria. Previously, Michael has been featured as Colonel Fairfax – Yeomen of the Guard, Frederic – Pirates of Penzance Satyavān – Savitri, ‘Barigoule’ – Cendrillon, Aeneas – Dido and Aeneas, Albert – Albert Herring and Don Ottavio – Don Giovanni. Michael maintains an active partnership in performing with the Parlor Opera Players, Seraphim singers and the Boston Cathedral Choir.

Taras Leschishin, baritone, is a well known singer in the Boston area having sung as a soloist with the Boston Pops, and many choral groups in New England.  Taras has been a member of Handel Haydn Society, Seraphim Singers, King’s Chapel, and Church of the Advent.  He was guest conductor and soloist for the Hong Kong Philharmonic performing the Bali, Indonesia.  He has worked as director of music for 40 years in numerous parishes around Boston.  Taras recently retired after 30 years teaching music at Bridgewater State University.  Having been a cantor at the Cathedral of the Holy Cross early in his career, Taras is so pleased return to sing in this beautiful Church.

Richard J. Clark was appointed Archdiocesan and Cathedral Director of Music & Organist in 2018 after serving St. Cecilia Parish in Boston for nearly twenty-nine years. His compositions have been performed worldwide and are published with Lorenz/The Sacred Music Press, World Library Publications, GIA Publications, Saint Michael Hymnal (Fifth Edition – 2021), Saint Jean de Brébeuf Hymnal (Sophia Institute Press – 2019), CanticaNOVA Publications, and others. As performer and composer his appearances include St. Patrick’s Cathedral (NY), Saint-Eustache (Paris), the Basilica of the National Shrine of the Immaculate Conception (D.C.), and the Celebrity Series of Boston. His Te Deum for soloists, chorus and orchestra will be debut in Paris in 2022.

Produced by Richard J. Clark and the Boston Cathedral Singers
Recorded in the Bell Tower of the Cathedral of the Holy Cross, Boston, MA
Mastered by Paul Umbach @The Snug Studio, Las Vegas, NV
Cover photography: Evan Landry

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: November 5, 2021

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed

Random Quote

“Dom Pothier does not belong to the dim past, as the silence which surrounds his name would lead one to believe. Only a few years separate us from the time when—growing old and heavily burdened by trials—Dom Pothier was concentrating his ever keen attention on the study of manuscripts in the Belgian place of retreat where his community had found refuge. For he was the abbot; and there can be no doubt that the cross he wore during those days was a cross of sorrow, though he bore it with a smile.”

— Dom Ermin Vitry, OSB (31-OCT-1936)

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