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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

[re-post] • “Famous Italian Actor Regrets Aborting Son”

Jeff Ostrowski · September 6, 2021

NDREA RONCATO is an Italian actor, comedian and television personality. He aborted his son approximately 30 years ago. He now opposes abortion: “I miss having a child. It was the mistake of my life. When I was very young, I had the chance to become a father, to have a child…but I had him aborted. Now, I’ve become very strongly against abortion. I even wrote a book for this child who was never born, which I called: I Would Have Liked You.”

A few lines from a poem he wrote to the child whom he murdered long ago:

I would have liked you to be small, so I could hug you.

I would have liked you to be big, so I could lean on you.

I would have liked you to be looking out the window in winter, watching the snow begin to fall.

I would have liked you to be lying under the covers during a storm, silent so you could hear the sound of the rainfall.

I would have liked you to be kind to dogs, so you could pet them, and affectionate with the elderly, so you could love them.

I would have liked to sing to you, to make you fall asleep, and continue the dream that woke you up.

I would have liked you to be at my side, so the two of us could walk in silence, trying to understand what the other was thinking inside and couldn’t manage to say.

I would have liked to teach you all the things I don’t know how to do.

I would have liked you to leave someday, so I could have the pleasure of seeing you come back home.

I would have liked you near me on the day I must leave this world.

Paolo Antônio Briguet, a Brazilian journalist, also regrets aborting his child. He wrote this letter:

Dear Son,

Today, you would be turning 27 years old, if I had allowed you to be born. Each day is born, flowers are born, the morning star is born […] but you were not born, through my fault, my most grievous fault.

Your mother, who today lives in far-off lands, really hesitated. A doctor that we knew tried to dissuade us from that fateful idea—now I see clearly he was an angel of God—but we refused to be moved. I even got angry at that friend, for saying “no” to the crime that I was about to commit. Oh, how I would like to go back in time and say to him, “Thank you, doctor! Thank you! You are going to be this baby’s godfather.”

But time machines don’t exist; they aren’t part of the structure of our reality. The only way we have to travel in time […] is our own soul. In those days, however, I didn’t believe in the existence of the soul. I was crazy, crazy with egoism and vanity.

You were just waiting to see the light, my son; however, what came was darkness. I denied you the morning, the afternoon, the night, the dawn, water, heat, cold, books, symphonies, poems, friendship, the bridge in our city, the smell of rain falling on the earth, lullabies, bread and wine. I denied you smiles and tears. I denied you eyes, hands, a heart. I denied you the right to cry out in the darkness, “Mom!” I denied you the right to be born. The only thing I didn’t deny you, was that which I could not: The Passion of the Resurrection. That already belonged to you. If only I had known. If only I had known that it hurts. If only I had known that it hurts so much, son. I was your Herod.

I write these words at the distance of a quarter of a century, but it seems as if my sin (my crime) had been committed yesterday. Your goodbye is omnipresent, your presence is an eternal goodbye in my life. Yes, the wound was cured by the hands of the merciful doctor, but the scar is so great that it fills my whole soul. I am the scar of my sin. Look: everything I do is an act of reparation. One day I hope to meet you, son. According to Saint Thomas Aquinas, all of us will be reborn at the age of Christ. Today, somewhere in the universe, you exist at the age of 33. You have a name, a face, and a voice that are unknown to me. Sometimes I wonder who you would have been: a doctor, an engineer, a musician, a mathematician, a philosopher, a professor, a priest, a worker, a carpenter? How you would love your youngest half-brother, born so many years later! It doesn’t matter now, son. Your profession will always be to be born. On the day we meet, my son—after leaving behind the sorrow of this life—I will hold your hands in mine, and hug you with all my strength. And you already know what my first words will be: “Forgive me.” Son, sometimes I think that you exist to forgive me. That’s the only way I would be able to contemplate the face of God. And so, every day for me is the day of the unborn child. Every day is the day.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sin of Abortion Last Updated: September 6, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
    EARS BEFORE truly revolutionary changes were introduced by the post-conciliar reformers, Evelyn Waugh wrote (on 16 August 1964) to John Cardinal Heenan: “I think that a vociferous minority has imposed itself on the hierarchy and made them believe that a popular demand existed where there was in fact not even a preference.” We ask the kind reader— indeed, we beg you—to realize that those of us born in the 1940s and 1950s had no cognizance of Roman activities during the 1960s and 1970s. We were concerned with making sure we had the day’s bus fare, graduating from high school, taking care of our siblings, learning a trade, getting a job, courting a spouse. We questioned neither the nuns nor the Church.1 Do not believe for one instant any of us were following the liturgical machinations of Cardinal Lercaro or Father Bugnini in real time. Setting The Stage • To never question or resist Church authorities is praiseworthy. On the other hand, when a scandalous situation persists for decades, it must be brought into focus. Our series will do precisely that as we discuss the Lectionary Scandal from a variety of angles. We don’t do this to attack the Catholic Church. Our goal is bringing to light what’s been going on, so it can be fixed once and for all. Our subject is extremely knotty and difficult to navigate. Its complexity helps explain why the situation has persisted for such a long time.2 But if we immediately get “into the weeds” we’ll lose our audience. Therefore, it seems better to jump right in. So today, we’ll explore the legality of selling these texts. A Word On Copyright • Suppose Susie modifies a paragraph by Edgar Allan Poe. That doesn’t mean ipso facto she can assert copyright on it. If Susie takes a picture of a Corvette and uses Photoshop to color the tires blue, that doesn’t mean she henceforth “owns” all Corvettes in America. But when it comes to Responsorial Psalm translations, certain parties have been asserting copyright over them, selling them for a profit, and bullying publishers vis-à-vis hymnals and missals. Increasingly, Catholics are asking whether these translations are truly under copyright—because they are identical (or substantially identical) to other translations.3 Example After Example • Our series will provide copious examples supporting our claims. Sometimes we’ll rely on the readership for assistance, because—as we’ve stressed—our subject’s history couldn’t be more convoluted. There are countless manuscripts (in Greek, Hebrew, and Latin) we don’t have access to, so it would be foolish for us to claim that our observations are somehow the ‘final word’ on anything. Nevertheless, we demand accountability. Catholics in the pews are the ones who paid for all this. We demand to know who specifically made these decisions (which impact every English-speaking Catholic) and why specifically certain decisions were made. The Responsorial Psalms used in America are—broadly speaking—stolen from the hard work of others. In particular, they borrowed heavily from Father Cuthbert Lattey’s 1939 PSALTER TRANSLATION:
    *  PDF Download • COMPARISON CHART —We thank the CCW staff for technical assistance with this graph.
    Analysis • Although certain parties have been selling (!!!) that translation for decades, the chart demonstrates it’s not a candidate for copyright since it “borrows” or “steals” or “rearranges” so much material from other translations, especially the 1939 translation by Father Cuthbert Lattey. What this means in layman’s terms is that individuals have been selling a translation under false pretenses, a translation they don’t own (although they claim to). To make RESTITUTION, all that money will have to be returned. A few years ago, the head of ICEL gave a public speech in which he said they give some of “their” profits to the poor. While almsgiving is a good thing, it cannot justify theft. Our Constant Theme • Our series will be held together by one thread, which will be repeated constantly: “Who was responsible?” Since 1970, the conduct of those who made a profit by selling these sacred texts has been repugnant. Favoritism was shown toward certain entities—and we will document that with written proof. It is absolutely essential going forward that the faithful be told who is making these decisions. Moreover, vague justifications can no longer be accepted. If we’re told they are “making the translations better,” we must demand to know what specifically they’re doing and what specific criteria they’re following. Stay Tuned • If you’re wondering whether we’ll address the forthcoming (allegedly) Lectionary and the so-called ABBEY PSALMS AND CANTICLES, have no fear. We’ll have much to say about both. Please stay tuned. We believe this will end up being the longest series of articles ever submitted to Corpus Christi Watershed. To be continued. ROBERT O’NEILL Former associate of Monsignor Francis “Frank” P. Schmitt at Boys Town in Nebraska JAMES ARNOLD Formerly associated w/ King’s College, Cambridge A convert to the Catholic Church, and distant relative of J. H. Arnold MARIA B. Currently serves as a musician in the Roman Catholic Diocese of Charlotte. Those aware of the situation in her diocese won’t be surprised she chose to withhold her last name.
    1 Even if we’d been able to obtain Roman journals such as NOTITIAE, none of them contained English translations. But such an idea would never have occurred to a high school student or a college student growing up in the 1960s. 2 A number of shell corporations claim to own the various biblical translations mandated for Roman Catholics. They’ve made millions of dollars selling (!) these indulgenced texts. If time permits, we hope to enumerate these various shell corporations and explain: which texts they claim to own; how much they bring in each year; who runs them; and so forth. It would also be good to explore the morality of selling these indulgenced texts for a profit. Furthermore, for the last fifty years these organizations have employed several tactics to manipulate and bully others. If time permits, we will expose those tactics (including written examples). Some of us—who have been working on this problem for three decades—have amassed written documentation we’ll be sharing that demonstrates behavior at best “shady” and at worst criminal. 3 Again, we are not yet examining the morality of selling (!) indulgenced texts to Catholics mandated to use those same translations.
    —Guest Author
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The eminent theologian Suarez (who died in 1617) […] took the position that a pope would be schismatic “if he, as is his duty, would not be in full communion with the body of the Church as, for example, if he were to excommunicate the entire Church, or if he were to change all the liturgical rites of the Church that have been upheld by apostolic tradition.”

— Monsignor Klaus Gamber (1981)

Recent Posts

  • PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
  • “Music List” • 17th in Ordinary Time (Year C)
  • Flor Peeters In A Weird Mood?
  • Communion • “Ask & You Shall Receive”
  • Jeff’s Mother Joins Our Fundraiser

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