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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Breaking! • Cardinal Cupich Bans “Hail, Mary” Prayer

Jeff Ostrowski · August 27, 2021

N THE CHURCH of Saint Joseph (Libertyville, Illinois), Archbishop Blase J. Cupich has banned the HAIL MARY (“Angelic Salutation”) from being prayed after Mass is over. We are not aware of any Church legislation which prohibits saying the “Hail, Mary” after Mass, but Cardinal Cupich seems not to care. Indeed, pretty much anything can be done after Mass is over: A Hymn; An Organ Postlude; A Prayer; and so forth. Cardinal Cupich has also ordered an end to praying the “Saint Michael the Archangel Prayer” after Mass:

The Jesuit Martyrs of North America—Saint Isaac Jogues, Saint Noël Chabanel, Saint Jean de Brébeuf, Saint Gabriel Lalemant, Saint Charles Garnier, Saint Antoine Daniel, Saint René Goupil, and Saint Jean de Lalande—had a tremendous devotion to Our Lady, the Blessed Virgin Mary. They dedicated their main mission to her: “Sault Sainte Marie.” Mary, the mother of God, is very powerful. This action on the part of Cardinal Cupich seems a huge mistake. Meanwhile, we are not aware of any statement by Cardinal Cupich condemning things like this:

And why is something like this (see below) allowed in the Archdiocese of Chicago?

UPDATE (28 August 2021):

There appears to be some form of “damage control” underway.

(1) From the Catholic News Agency we read: “CNA asked Torres-Fuentes in an email who gave him the directive to cease the Prayer to St. Michael and the Hail Mary after Mass, but received no response.” Furthermore, the Archdiocese has not responded to CNS request for dialogue.

(2) The Pastor issued a statement suggesting that perhaps the HAIL MARY (and Saint Michael Prayer) had become “an imposition on the rest of the faithful in the Church who have a right to remain at the end of Mass to pray privately as they wish.” But this doesn’t seem to make any sense because those two prayers are incredibly brief. Moreover, no liturgical book guarantees this alleged “right to remain at the end of Mass to pray privately as they wish.”

(3) The Pastor also said: “In accord with sound liturgical practice and in keeping with archdiocesan norms, which I personally confirmed with the Cardinal, the recitation of prayers must never interfere with, interrupt or distract from the public liturgy of the Church.” But this cannot apply here, because we are talking about something that happens when Mass is already finished.

(4) The Novus Ordo includes numerous spots where the priest is allowed to “improvise” (according to the official rubrics). But there is nothing that speaks to what happens after Mass is already over. Contrary to what the Pastor said, the “public liturgy of the Church” does not include the time after Mass is already finished.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Archbishop Blase J Cupich, Hail Mary Prayer Banned, St Michael Prayer Banned Last Updated: August 29, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the priest praise as he incenses the Crucifix, relics, and Altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL … what can one say? It’s a sleek book that fits easily in one’s hand. The print quality is beyond gorgeous; you have to see it to believe it. The pages themselves have a beautiful aroma! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski
    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Every experienced choirmaster’s work is founded on the following three axioms: (1) Few boys have a really good natural voice; (2) No boy is able to control his voice and produce good tone without training; (3) Most boys have a good ear, and considerable imitative capacity. It is on the last of these axioms that the choirmaster must begin his work.”

— Sir Richard Runciman Terry (1912)

Recent Posts

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  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”
  • Fulton J. Sheen • “24-Hour Catechism”
  • “Reminder” — Month of Febr. (2026)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.