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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Homily: 13th Sunday after Pentecost” (EF) • Father Valentine Young, OFM

Jeff Ostrowski · August 21, 2021

The following is by Father Valentine Young, OFM, a faithful Catholic priest who died on 17 January 2020. It was delivered sometime between 2013 and 2020. To learn more about Father Valentine, please scroll to the bottom of the page.

*  PDF Download • READINGS IN ENGLISH
—Taken from the Saint Edmund Campion Missal [LINK].

N SOME OCCASIONS, the Holy Sacrifice of the Mass is referred to as “The Eucharist.” If you have ever attended a retreat or conference, often the term “Celebration of the Eucharist” will be used to designate the time that Mass will be offered. This isn’t wrong; it’s just emphasizing one aspect of the Mass—namely the idea of “giving thanks”—and applying it to the entire ceremony.

Words of Consecration: If you pay close attention to what are known as the words of consecration, you may notice that mention is made of Jesus ‘giving thanks’ before He actually changed the bread and wine into His very Self at the last Supper. Remember this was the first occasion that what we know as the ‘Mass’ was actually said or offered. I remember that, as a child, I started to use a missal while attending Mass and was a bit puzzled by these words. Here Jesus is depicted as ‘giving thanks’ on the very night before he was to suffer and experience his sufferings and death. Why would Jesus do such a thing? In my childish way of thinking, I would have thought Jesus would have prayed to be spared having to suffer and die for us.

The Mass: Without going into a long explanation, I can briefly say that Jesus knew that by His sufferings and death, He would be offering the greatest act of “giving thanks.” (Incidentally that is the etymological meaning of the word ‘Eucharist.’)

Healing of those with leprosy: Perhaps the main lesson we can learn from today’s Gospel episode is the reminder that we too should give thanks to God for all He has given us. In the Mass—when Jesus’ actual sacrifice of Himself to atone for our sins is made re-present—we have the opportunity to thanks God for all He has given us. Incidentally, that can and should include things that may not at first appear pleasant to us.

Hidden Blessings: For reasons I don’t fully understand, some people—whenever they say the Lord’s Prayer—believe the words “Thy will be done” actually mean “My will be done…” At the time some misfortune may happen to us, it will not appear pleasant or even beneficial. But God is able to foresee the eternal reward we are going to receive for any hardship we undergo in our lives. And we, too, will be forever thanking God when we are in heaven, enjoying the reward for such hardships. That is what Jesus did the night before He suffered and died for us. He even thanked His heavenly Father for giving him the opportunity to suffer and die for our sins.

Thanksgiving: If you have the praiseworthy custom of going to Mass on Thanksgiving Day, you will probably think about thanking God. But really, this idea or thought should be there every time we go to Mass—not necessarily just on Thanksgiving Day.

Think positive: In giving thanks, I feel it is always important that we think positive; that we thank God for all He has given us. And how much is that? Really, it is everything we have. We would not even exist if it were not for God.

Mass: Fortunately for us, the Mass has many opportunities for saying or doing acts of thanksgiving. The Mass has many prayers and opportunities also for us to adore God, as well as to ask God for what we think we may need. It even has opportunities for us to express sorrow for any wrong we may have done. We may criticize those nine men cured of their illness who did not return to thank Jesus for curing them; but when we fail to thank God for all He has given us, we are being like them. So don’t let your failure to thank God for all you have received show your lack of gratitude. +

INTROIT for the 13th Sunday after Pentecost: “Remember, Lord, thy covenant…”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: 13th Sunday after Pentecost, Valentine Young SERMON Last Updated: August 21, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

After sixty years as teacher, composer, and organist, I may state that the Gregorian Chant should be part of the basic material of any musical education, be it religious or secular. The study of it enormously enlarges the spiritual background of any musician. Whereas students in literature will always be required to study Dante, Petrarch and Chaucer, why neglect Gregorian in music education?

— Flor Peeters

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