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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Copyright Problems! • Vernacular Readings + “Traditionis Custodes”

Jeff Ostrowski · July 23, 2021

ANY QUESTIONS still remain about the recent papal decree (Traditionis Custodes). In particular, there is a section that says: In these celebrations the readings are proclaimed in the vernacular language, using translations of the Sacred Scripture approved for liturgical use by the respective Episcopal Conferences. It’s not clear whether that only refers to the so-called “diocesan EF Mass” that bishops are supposed to establish at some point in the future. Furthermore, it’s doubtful what this statement could possibly mean in light of the 20 November 2012 statement by the USCCB (see below).

A Legal Problem: It must be remembered that the Scripture translations used in the Novus Ordo are a major source of revenue for the USCCB. Even though the Mass is an indulgenced prayer—meaning its texts aren’t supposed to be sold—the USCCB has been selling those texts for decades. Moreover, the various readings (Gospels, Antiphons, Psalms, etc.) are copyrighted under various “shell” organizations, making it harder to know how much money they take in each month. 1 Even when you receive permission, they reserve the right to change their policy at any time. So if you broadcast 1,000 Masses on YouTube, remember that—at any moment—they can force you take down all those videos.

Poor Parishes Lacking Funds: Locations which celebrate the Traditional Latin Mass tend to be the marginalized groups, given “leftovers” that nobody else wants. It’s highly doubtful such parishes can afford the high rates associated with the USCCB readings. Remember, the USCCB does not allow anyone to reproduce or transmit electronically by any means any part of “their” Bible without permission. Sometimes they charge money, sometimes not. It can take months to receive permission from their office—and I speak from personal experience here. It would be risky to even use a loudspeaker or microphone system at Mass, since that “transmits electronically” the USCCB copyrighted readings.

Constantly Changing: There is no “physical Bible” you can purchase which contains the USCCB approved readings. They are constantly making small changes here and there. (I have tons of examples, if anyone cares.) You cannot simply copy the readings from the USCCB website—that’s not the official version although it’s quite similar to it. If you don’t observe these small changes, they threaten you with legal action. Does all this sound absurd? That is one of the reasons people had been flocking to the Traditional Latin Mass: The EF Mass texts are not for sale.

They Don’t Match: The USCCB readings and antiphons don’t match the Traditional Latin Mass. Therefore, priests must create some sort of “hybrid” lectionary. The following were approved for liturgical use by the United States Conference of Catholic Bishops in November of 1966 (and confirmed again in March of 1967):

Confraternity of Christian Doctrine Bible
Douai-Rheims-Challoner Bible
Monsignor Ronald Knox Bible
Revised Standard Version (Catholic Edition) Bible
Jerusalem Bible

Other Approvals: The following were approved for liturgical use by the USCCB (Secretariat for the Bishops’ Committee on the Liturgy) by a communication dated 20 November 2012:

The Bible readings in the Fulton J. Sheen Missal
The Bible readings in the Saint Andrew Missal
The Bible readings in the Father Lasance Missal

That remarkable 20 November 2012 statement by the USCCB Secretariat of Divine Worship—the whole business of “tacit” permission—was confirmed by 80+ snail-mail letters sent to bishops on that committee. This is important, because the Secretariat is supposed to act in the name of the bishops on the committee.

Actions Have Consequences: Because of this USCCB statement (dated 20 November 2012), everything you see at an Ordinary Form Mass—and here I’m speaking of the bad stuff, not the good stuff—is technically “approved,” in spite of what the GIRM says. It has “tacit” approval from the local bishop, according to the USCCB. Here is something I find very troubling:


NOTES FROM THIS ARTICLE:

1   Until recently, everyone who purchased the USCCB Psalms was inadvertently making a very small monetary donation to David Haas. More on this at a later date.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: 1965 Missal, Traditionis Custodes Motu Proprio Last Updated: April 13, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“The Catholic liturgy has been overthrown under the pretext of rendering it more acceptable to the secularised masses.”

— Professor Louis Bouyer (writing in 1975)

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  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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