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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Copyright Problems! • Vernacular Readings + “Traditionis Custodes”

Jeff Ostrowski · July 23, 2021

ANY QUESTIONS still remain about the recent papal decree (Traditionis Custodes). In particular, there is a section that says: In these celebrations the readings are proclaimed in the vernacular language, using translations of the Sacred Scripture approved for liturgical use by the respective Episcopal Conferences. It’s not clear whether that only refers to the so-called “diocesan EF Mass” that bishops are supposed to establish at some point in the future. Furthermore, it’s doubtful what this statement could possibly mean in light of the 20 November 2012 statement by the USCCB (see below).

A Legal Problem: It must be remembered that the Scripture translations used in the Novus Ordo are a major source of revenue for the USCCB. Even though the Mass is an indulgenced prayer—meaning its texts aren’t supposed to be sold—the USCCB has been selling those texts for decades. Moreover, the various readings (Gospels, Antiphons, Psalms, etc.) are copyrighted under various “shell” organizations, making it harder to know how much money they take in each month. 1 Even when you receive permission, they reserve the right to change their policy at any time. So if you broadcast 1,000 Masses on YouTube, remember that—at any moment—they can force you take down all those videos.

Poor Parishes Lacking Funds: Locations which celebrate the Traditional Latin Mass tend to be the marginalized groups, given “leftovers” that nobody else wants. It’s highly doubtful such parishes can afford the high rates associated with the USCCB readings. Remember, the USCCB does not allow anyone to reproduce or transmit electronically by any means any part of “their” Bible without permission. Sometimes they charge money, sometimes not. It can take months to receive permission from their office—and I speak from personal experience here. It would be risky to even use a loudspeaker or microphone system at Mass, since that “transmits electronically” the USCCB copyrighted readings.

Constantly Changing: There is no “physical Bible” you can purchase which contains the USCCB approved readings. They are constantly making small changes here and there. (I have tons of examples, if anyone cares.) You cannot simply copy the readings from the USCCB website—that’s not the official version although it’s quite similar to it. If you don’t observe these small changes, they threaten you with legal action. Does all this sound absurd? That is one of the reasons people had been flocking to the Traditional Latin Mass: The EF Mass texts are not for sale.

They Don’t Match: The USCCB readings and antiphons don’t match the Traditional Latin Mass. Therefore, priests must create some sort of “hybrid” lectionary. The following were approved for liturgical use by the United States Conference of Catholic Bishops in November of 1966 (and confirmed again in March of 1967):

Confraternity of Christian Doctrine Bible
Douai-Rheims-Challoner Bible
Monsignor Ronald Knox Bible
Revised Standard Version (Catholic Edition) Bible
Jerusalem Bible

Other Approvals: The following were approved for liturgical use by the USCCB (Secretariat for the Bishops’ Committee on the Liturgy) by a communication dated 20 November 2012:

The Bible readings in the Fulton J. Sheen Missal
The Bible readings in the Saint Andrew Missal
The Bible readings in the Father Lasance Missal

That remarkable 20 November 2012 statement by the USCCB Secretariat of Divine Worship—the whole business of “tacit” permission—was confirmed by 80+ snail-mail letters sent to bishops on that committee. This is important, because the Secretariat is supposed to act in the name of the bishops on the committee.

Actions Have Consequences: Because of this USCCB statement (dated 20 November 2012), everything you see at an Ordinary Form Mass—and here I’m speaking of the bad stuff, not the good stuff—is technically “approved,” in spite of what the GIRM says. It has “tacit” approval from the local bishop, according to the USCCB. Here is something I find very troubling:


NOTES FROM THIS ARTICLE:

1   Until recently, everyone who purchased the USCCB Psalms was inadvertently making a very small monetary donation to David Haas. More on this at a later date.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: 1965 Missal, Traditionis Custodes Motu Proprio Last Updated: April 13, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Gregorian chant is the sacred chant, proper and principal of the Roman Church. Therefore, not only can it be used in all liturgical actions, but unless there are mitigating circumstances, it is preferable to use it instead of other kinds of sacred music.”

— §16, De Musica Sacra (1958)

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