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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Traditionis Custodes” • Five (5) Brief Reflections

Jeff Ostrowski · July 20, 2021

Regarding the following, I don’t pretend to speak for anyone but myself:

No Reason Given: It seems insane to me that somebody can attempt to “cancel” ancient and venerable rites without even attempting to identify anything in them which is bad, undesirable, or dangerous. I can’t think of a single thing about the Traditional Latin Mass which is harmful or less than ideal. I can’t thing of a single prayer which is not sublime in every conceivable way.

Monastic Vocation: We are being given a clue what it must have felt like to enter a convent or monastery in the 1930s or 1940s or 1950s. All of a sudden—in the 1960s—everything you have ever known and loved is ripped away from your life by people like Rembert G. Weakland (who somehow was allowed to serve as Abbot Primate of the Benedictine order). And why was this done? Nobody ever gave a reason.

Suppression Of Jesuits: Perhaps an expert in liturgy could think of another time in the Church when anything like this happened. Perhaps it’s like if you grew up with “Gallican” rites in France—and then “overnight” your diocese switched to the Roman Rite. Is that in any way comparable? Or perhaps this is similar to when the entire Jesuit order was suppressed by (Franciscan) Pope Clement XIV in 1773?

Hymn Destruction: Perhaps we are being given a clue about what it was like under Pope Urban VIII, when all the Church’s hymns were “canceled” in the blink of an eye. These ancient hymns had inspired polyphonic compositions which—in my humble opinion—have never been surpassed. I’m talking about polyphonic settings of the ancient hymns by composers such as Palestrina, Guerrero, Victoria, and Lassus. They were replaced by versions which we basically written by Pope Urban VIII, who was a poet. Sometimes only one or two words of the original hymn were left intact.

My Favorite Words: On a purely aesthetic level, the Ordinary Form cannot compare to the Extraordinary Form. One of my favorite parts of the Holy Mass—which was mutilated in the 1970 reform—comes after the Lord’s Prayer. The Extraordinary Form version says: “Deliver us, Lord, from every evil: past, present, and to come.” What is so harmful about this prayer?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Traditionis Custodes Motu Proprio, Urbanite Hymn Reform Last Updated: July 20, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

The very first question to be considered, of course, was: “Just why does the Sacred Liturgy need renewal at all?” It cannot be denied that there were many present, in the beginning, who felt that the Liturgy was generally very good the way it was; further, if there were to be any improvements, they felt the Sacred Congregation of Rites was the agency properly suited to make those improvements.

— Most Rev’d Robert Emmet Tracy (d. 1980)

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