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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Traditionis Custodes” • Five (5) Brief Reflections

Jeff Ostrowski · July 20, 2021

Regarding the following, I don’t pretend to speak for anyone but myself:

No Reason Given: It seems insane to me that somebody can attempt to “cancel” ancient and venerable rites without even attempting to identify anything in them which is bad, undesirable, or dangerous. I can’t think of a single thing about the Traditional Latin Mass which is harmful or less than ideal. I can’t thing of a single prayer which is not sublime in every conceivable way.

Monastic Vocation: We are being given a clue what it must have felt like to enter a convent or monastery in the 1930s or 1940s or 1950s. All of a sudden—in the 1960s—everything you have ever known and loved is ripped away from your life by people like Rembert G. Weakland (who somehow was allowed to serve as Abbot Primate of the Benedictine order). And why was this done? Nobody ever gave a reason.

Suppression Of Jesuits: Perhaps an expert in liturgy could think of another time in the Church when anything like this happened. Perhaps it’s like if you grew up with “Gallican” rites in France—and then “overnight” your diocese switched to the Roman Rite. Is that in any way comparable? Or perhaps this is similar to when the entire Jesuit order was suppressed by (Franciscan) Pope Clement XIV in 1773?

Hymn Destruction: Perhaps we are being given a clue about what it was like under Pope Urban VIII, when all the Church’s hymns were “canceled” in the blink of an eye. These ancient hymns had inspired polyphonic compositions which—in my humble opinion—have never been surpassed. I’m talking about polyphonic settings of the ancient hymns by composers such as Palestrina, Guerrero, Victoria, and Lassus. They were replaced by versions which we basically written by Pope Urban VIII, who was a poet. Sometimes only one or two words of the original hymn were left intact.

My Favorite Words: On a purely aesthetic level, the Ordinary Form cannot compare to the Extraordinary Form. One of my favorite parts of the Holy Mass—which was mutilated in the 1970 reform—comes after the Lord’s Prayer. The Extraordinary Form version says: “Deliver us, Lord, from every evil: past, present, and to come.” What is so harmful about this prayer?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Traditionis Custodes Motu Proprio, Urbanite Hymn Reform Last Updated: July 20, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Place the missal in the hand of the faithful so that they may take part more easily and more fruitfully in the Mass; and that they faithful, united with the priest, may pray together in the very words and sentiments of the Church.”

— Ven. Pope Pius XII

Recent Posts

  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)

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