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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Traditionis Custodes” • Five (5) Brief Reflections

Jeff Ostrowski · July 20, 2021

Regarding the following, I don’t pretend to speak for anyone but myself:

No Reason Given: It seems insane to me that somebody can attempt to “cancel” ancient and venerable rites without even attempting to identify anything in them which is bad, undesirable, or dangerous. I can’t think of a single thing about the Traditional Latin Mass which is harmful or less than ideal. I can’t thing of a single prayer which is not sublime in every conceivable way.

Monastic Vocation: We are being given a clue what it must have felt like to enter a convent or monastery in the 1930s or 1940s or 1950s. All of a sudden—in the 1960s—everything you have ever known and loved is ripped away from your life by people like Rembert G. Weakland (who somehow was allowed to serve as Abbot Primate of the Benedictine order). And why was this done? Nobody ever gave a reason.

Suppression Of Jesuits: Perhaps an expert in liturgy could think of another time in the Church when anything like this happened. Perhaps it’s like if you grew up with “Gallican” rites in France—and then “overnight” your diocese switched to the Roman Rite. Is that in any way comparable? Or perhaps this is similar to when the entire Jesuit order was suppressed by (Franciscan) Pope Clement XIV in 1773?

Hymn Destruction: Perhaps we are being given a clue about what it was like under Pope Urban VIII, when all the Church’s hymns were “canceled” in the blink of an eye. These ancient hymns had inspired polyphonic compositions which—in my humble opinion—have never been surpassed. I’m talking about polyphonic settings of the ancient hymns by composers such as Palestrina, Guerrero, Victoria, and Lassus. They were replaced by versions which we basically written by Pope Urban VIII, who was a poet. Sometimes only one or two words of the original hymn were left intact.

My Favorite Words: On a purely aesthetic level, the Ordinary Form cannot compare to the Extraordinary Form. One of my favorite parts of the Holy Mass—which was mutilated in the 1970 reform—comes after the Lord’s Prayer. The Extraordinary Form version says: “Deliver us, Lord, from every evil: past, present, and to come.” What is so harmful about this prayer?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Traditionis Custodes Motu Proprio, Urbanite Hymn Reform Last Updated: July 20, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

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