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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Attack on “Female Organists” • (Not Kidding)

Jeff Ostrowski · June 17, 2021

HOSE WHO HAVE HEARD recordings of the Texas Boys Choir as directed by George Bragg in the 1970s (or the Vienna Boys Choir, or the London Oratory Schola, or similar groups) already know boys’ choirs can produce a splendid sound. At the same time, I’ve had the pleasure of conducting of choirs consisting of young women—and I would put those gorgeous voices up against any choir; period. In terms of whether women’s choirs are inferior to boys’ choirs: certainly not! That’s an old wives’ tale (pardon the pun). A boys’ choir has a particular sound, and so does a women’s choir. Competent conductors know the value of each. For serious musicians, “different” doesn’t necessarily mean “better.”

Confusing Controversy: A fascinating controversy raged for many decades after Pope Pius X issued Tra le sollecitudini in 1903. Confusion reigned regarding whether women were allowed to sing during High Mass…and hundreds of articles were published. One article was written by a bishop claiming to have spoken personally to Pope Pius X, who supposedly confirmed women could sing in choirs if insufficient boys were available. Others—such as Father Carlo Rossini—violently disagreed that women could sing in choirs. The controversy raged until Pope Pius XII officially permitted female singers in §74 of “Musicæ Sacræ” (25 December 1955), a decision confirmed again in 1958. The 1955 decision, which ended the controversy, was sometimes called “The Choirmaster Christmas Present,” since it was issued on 25 December.

Proof: In 1938, Bishop Henry J. Althoff of Belleville (Illinois) gave an excellent example of what I’m talking about. Was the most serious problem in those days nuns playing the organ? Here’s what Bishop Althoff declared:

Preposterous Proposal: In September 1906—that is to say, eight years before the outbreak of World War I—someone using the fake name of “Wigornia” published an article promoting ideas I consider cockamamie. Essentially, WIGORNIA was saying females could never sing in the choir, but it would be praiseworthy for them to spend a lifetime studying music so that they could teach boys how to sing in the choir. Again, I find such an idea bonkers:

Our Ladies Sing Vespers: What’s interesting is that the article by WIGORNIA explicitly allowed women to sing the “psalms and hymns” at Vespers—which is what we do here in Los Angeles. The women alternate with the men…and it’s the most glorious thing you’ll ever hear! This is very traditional; singing Vespers by lay Catholics existed right up until the Second Vatican Council.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Pius X Banned Women Singers, Pius X Girl Singers, Pope Pius X Female Singers, Pope Pius X Forbid Women, Tra le sollecitudini, Women Singing In Choirs Last Updated: March 19, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Obey, then, these prescriptions sincerely and calmly. [viz. clerics must pray their office in Latin.] It is not an excessive love of old ways that prompts them.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)
  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)

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