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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Attack on “Female Organists” • (Not Kidding)

Jeff Ostrowski · June 17, 2021

HOSE WHO HAVE HEARD recordings of the Texas Boys Choir as directed by George Bragg in the 1970s (or the Vienna Boys Choir, or the London Oratory Schola, or similar groups) already know boys’ choirs can produce a splendid sound. At the same time, I’ve had the pleasure of conducting of choirs consisting of young women—and I would put those gorgeous voices up against any choir; period. In terms of whether women’s choirs are inferior to boys’ choirs: certainly not! That’s an old wives’ tale (pardon the pun). A boys’ choir has a particular sound, and so does a women’s choir. Competent conductors know the value of each. For serious musicians, “different” doesn’t necessarily mean “better.”

Confusing Controversy: A fascinating controversy raged for many decades after Pope Pius X issued Tra le sollecitudini in 1903. Confusion reigned regarding whether women were allowed to sing during High Mass…and hundreds of articles were published. One article was written by a bishop claiming to have spoken personally to Pope Pius X, who supposedly confirmed women could sing in choirs if insufficient boys were available. Others—such as Father Carlo Rossini—violently disagreed that women could sing in choirs. The controversy raged until Pope Pius XII officially permitted female singers in §74 of “Musicæ Sacræ” (25 December 1955), a decision confirmed again in 1958. The 1955 decision, which ended the controversy, was sometimes called “The Choirmaster Christmas Present,” since it was issued on 25 December.

Proof: In 1938, Bishop Henry J. Althoff of Belleville (Illinois) gave an excellent example of what I’m talking about. Was the most serious problem in those days nuns playing the organ? Here’s what Bishop Althoff declared:

Preposterous Proposal: In September 1906—that is to say, eight years before the outbreak of World War I—someone using the fake name of “Wigornia” published an article promoting ideas I consider cockamamie. Essentially, WIGORNIA was saying females could never sing in the choir, but it would be praiseworthy for them to spend a lifetime studying music so that they could teach boys how to sing in the choir. Again, I find such an idea bonkers:

Our Ladies Sing Vespers: What’s interesting is that the article by WIGORNIA explicitly allowed women to sing the “psalms and hymns” at Vespers—which is what we do here in Los Angeles. The women alternate with the men…and it’s the most glorious thing you’ll ever hear! This is very traditional; singing Vespers by lay Catholics existed right up until the Second Vatican Council.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Pius X Banned Women Singers, Pius X Girl Singers, Pope Pius X Female Singers, Pope Pius X Forbid Women, Tra le sollecitudini, Women Singing In Choirs Last Updated: March 19, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Naturally the accompaniment of the organ is merely tolerated during the office of the dead, but in fact, in nearly every parish this toleration has become a habit.”

— Henri Potiron, 1958

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