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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What A Real Catholic Conductor Looks Like

Jeff Ostrowski · June 10, 2021

O SINGER WHO HAS ever worked with Dr. Alfred Calabrese will ever forget the experience. When he walks into the room, he has “the presence” that my professor of choral methods (Dr. James Daugherty) used to speak about. Mæstro Simon Carrington, who directed our choral program when I first entered the Conservatory, also had “the presence.” What exactly does “the presence” mean? It basically means a particular conductor who enters the room and—when he does—everyone stands up straight and gets ready to work. Everyone wants to do well for a conductor with “the presence.”

I don’t know how you get “the presence.” Maybe they give it to you when you get a doctorate in conducting? Dr. Calabrese earned his doctorate from Indiana University (Bloomington), which has an esteemed music school. For example, one of the most famous musicologists of all time, Willi Apel, taught there. I believe Dr. Horst Buchholz also got a doctorate at Indiana University, and I’d be curious to know whether they knew each other at that time. Sometimes when Dr. Calabrese conducts, he wears a little “pink hood” over his shoulders. I believe that signifies he received a doctorate in the Fine Arts. I have seen Dr. Lucas Tappan also wear that little hood over his shoulder.

On facebook, I recently saw an excerpt of Dr. Calabrese conducting SOLEMN VESPERS at his church, and wanted to share it. If I had to guess, it sounds like Tallis—but don’t quote me on that:

You can watch the full video.

Even on a low-quality recording, the choral sound evoked by Dr. Calabrese sounds, in my humble opinion, quite beautiful; even glorious! 1

IN THE PAST, we have been blessed to have Dr. Calabrese as a guest conductor here in Los Angeles:

63204-Dr-Alfred-Calabrese-Conductor-2019
63204-Dr-Alfred-Calabrese-Conductor-2017
63204-Dr-Alfred-Calabrese-Conductor-2016

We were so sad when the Sacred Music Symposium was canceled (but not permanently) due to Covid-19.

I have been trying to think of way to get Dr. Calabrese to come back to Los Angeles to work with my singers. I think I could raise enough money to provide a proper stipend for him, but the main obstacle has to do with my singers’s schedules—most of them have jobs! I would want them to spend the whole week learning from Dr. Calabrese, but I just don’t know whether their work schedules would allow such a thing. I already push my singers pretty hard, and I don’t know what they would do if I said: “By the way, I also need you to take a full week off work for extra training.”

FUN FACT: The church where Dr. Calabrese conducts? My wife actually used to go there when she lived in Dallas. She saw the video, and she instantly recognized it!


NOTES FROM THIS ARTICLE:

1   What’s even more amazing is, they are singing through face masks, just like Andrew Leung’s singers. I suspect they would not be allowed to sing, unless they are wearing face masks. For myself, I could not sing while wearing a face mask—I already have enough problems breathing! Let’s hope this face mask stuff ends soon…and never comes back! But we musicians don’t make the rules.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Alfred Calabrese Conductor Last Updated: June 10, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“From the responses received, it is thus clear that by far the greater number of bishops feel that the present discipline [Communion on the tongue and not in the hand] should not be changed at all—indeed, that if it were changed, this would be offensive to the sensibility and spiritual appreciation of these bishops and of most of the faithful.”

— Sacred Congregation for Divine Worship (29 May 1969)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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