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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What A Real Catholic Conductor Looks Like

Jeff Ostrowski · June 10, 2021

O SINGER WHO HAS ever worked with Dr. Alfred Calabrese will ever forget the experience. When he walks into the room, he has “the presence” that my professor of choral methods (Dr. James Daugherty) used to speak about. Mæstro Simon Carrington, who directed our choral program when I first entered the Conservatory, also had “the presence.” What exactly does “the presence” mean? It basically means a particular conductor who enters the room and—when he does—everyone stands up straight and gets ready to work. Everyone wants to do well for a conductor with “the presence.”

I don’t know how you get “the presence.” Maybe they give it to you when you get a doctorate in conducting? Dr. Calabrese earned his doctorate from Indiana University (Bloomington), which has an esteemed music school. For example, one of the most famous musicologists of all time, Willi Apel, taught there. I believe Dr. Horst Buchholz also got a doctorate at Indiana University, and I’d be curious to know whether they knew each other at that time. Sometimes when Dr. Calabrese conducts, he wears a little “pink hood” over his shoulders. I believe that signifies he received a doctorate in the Fine Arts. I have seen Dr. Lucas Tappan also wear that little hood over his shoulder.

On facebook, I recently saw an excerpt of Dr. Calabrese conducting SOLEMN VESPERS at his church, and wanted to share it. If I had to guess, it sounds like Tallis—but don’t quote me on that:

You can watch the full video.

Even on a low-quality recording, the choral sound evoked by Dr. Calabrese sounds, in my humble opinion, quite beautiful; even glorious! 1

IN THE PAST, we have been blessed to have Dr. Calabrese as a guest conductor here in Los Angeles:

63204-Dr-Alfred-Calabrese-Conductor-2019
63204-Dr-Alfred-Calabrese-Conductor-2017
63204-Dr-Alfred-Calabrese-Conductor-2016

We were so sad when the Sacred Music Symposium was canceled (but not permanently) due to Covid-19.

I have been trying to think of way to get Dr. Calabrese to come back to Los Angeles to work with my singers. I think I could raise enough money to provide a proper stipend for him, but the main obstacle has to do with my singers’s schedules—most of them have jobs! I would want them to spend the whole week learning from Dr. Calabrese, but I just don’t know whether their work schedules would allow such a thing. I already push my singers pretty hard, and I don’t know what they would do if I said: “By the way, I also need you to take a full week off work for extra training.”

FUN FACT: The church where Dr. Calabrese conducts? My wife actually used to go there when she lived in Dallas. She saw the video, and she instantly recognized it!


NOTES FROM THIS ARTICLE:

1   What’s even more amazing is, they are singing through face masks, just like Andrew Leung’s singers. I suspect they would not be allowed to sing, unless they are wearing face masks. For myself, I could not sing while wearing a face mask—I already have enough problems breathing! Let’s hope this face mask stuff ends soon…and never comes back! But we musicians don’t make the rules.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Alfred Calabrese Conductor Last Updated: June 10, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“In the Latin Church the pipe organ is to be held in high esteem, for it is the traditional musical instrument which adds a wonderful splendor to the Church’s ceremonies and powerfully lifts up man’s mind to God and to higher things.”

— Vatican II Council

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