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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What A Real Catholic Conductor Looks Like

Jeff Ostrowski · June 10, 2021

O SINGER WHO HAS ever worked with Dr. Alfred Calabrese will ever forget the experience. When he walks into the room, he has “the presence” that my professor of choral methods (Dr. James Daugherty) used to speak about. Mæstro Simon Carrington, who directed our choral program when I first entered the Conservatory, also had “the presence.” What exactly does “the presence” mean? It basically means a particular conductor who enters the room and—when he does—everyone stands up straight and gets ready to work. Everyone wants to do well for a conductor with “the presence.”

I don’t know how you get “the presence.” Maybe they give it to you when you get a doctorate in conducting? Dr. Calabrese earned his doctorate from Indiana University (Bloomington), which has an esteemed music school. For example, one of the most famous musicologists of all time, Willi Apel, taught there. I believe Dr. Horst Buchholz also got a doctorate at Indiana University, and I’d be curious to know whether they knew each other at that time. Sometimes when Dr. Calabrese conducts, he wears a little “pink hood” over his shoulders. I believe that signifies he received a doctorate in the Fine Arts. I have seen Dr. Lucas Tappan also wear that little hood over his shoulder.

On facebook, I recently saw an excerpt of Dr. Calabrese conducting SOLEMN VESPERS at his church, and wanted to share it. If I had to guess, it sounds like Tallis—but don’t quote me on that:

You can watch the full video.

Even on a low-quality recording, the choral sound evoked by Dr. Calabrese sounds, in my humble opinion, quite beautiful; even glorious! 1

IN THE PAST, we have been blessed to have Dr. Calabrese as a guest conductor here in Los Angeles:

63204-Dr-Alfred-Calabrese-Conductor-2019
63204-Dr-Alfred-Calabrese-Conductor-2017
63204-Dr-Alfred-Calabrese-Conductor-2016

We were so sad when the Sacred Music Symposium was canceled (but not permanently) due to Covid-19.

I have been trying to think of way to get Dr. Calabrese to come back to Los Angeles to work with my singers. I think I could raise enough money to provide a proper stipend for him, but the main obstacle has to do with my singers’s schedules—most of them have jobs! I would want them to spend the whole week learning from Dr. Calabrese, but I just don’t know whether their work schedules would allow such a thing. I already push my singers pretty hard, and I don’t know what they would do if I said: “By the way, I also need you to take a full week off work for extra training.”

FUN FACT: The church where Dr. Calabrese conducts? My wife actually used to go there when she lived in Dallas. She saw the video, and she instantly recognized it!


NOTES FROM THIS ARTICLE:

1   What’s even more amazing is, they are singing through face masks, just like Andrew Leung’s singers. I suspect they would not be allowed to sing, unless they are wearing face masks. For myself, I could not sing while wearing a face mask—I already have enough problems breathing! Let’s hope this face mask stuff ends soon…and never comes back! But we musicians don’t make the rules.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Alfred Calabrese Conductor Last Updated: June 10, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“The only really effective apologia for Christianity comes down to two arguments: namely, the _saints_ the Church has produced and the _art_ which has grown in her womb.”

— Josef Cardinal Ratzinger (Interview, 1985)

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