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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

What A Real Catholic Conductor Looks Like

Jeff Ostrowski · June 10, 2021

O SINGER WHO HAS ever worked with Dr. Alfred Calabrese will ever forget the experience. When he walks into the room, he has “the presence” that my professor of choral methods (Dr. James Daugherty) used to speak about. Mæstro Simon Carrington, who directed our choral program when I first entered the Conservatory, also had “the presence.” What exactly does “the presence” mean? It basically means a particular conductor who enters the room and—when he does—everyone stands up straight and gets ready to work. Everyone wants to do well for a conductor with “the presence.”

I don’t know how you get “the presence.” Maybe they give it to you when you get a doctorate in conducting? Dr. Calabrese earned his doctorate from Indiana University (Bloomington), which has an esteemed music school. For example, one of the most famous musicologists of all time, Willi Apel, taught there. I believe Dr. Horst Buchholz also got a doctorate at Indiana University, and I’d be curious to know whether they knew each other at that time. Sometimes when Dr. Calabrese conducts, he wears a little “pink hood” over his shoulders. I believe that signifies he received a doctorate in the Fine Arts. I have seen Dr. Lucas Tappan also wear that little hood over his shoulder.

On facebook, I recently saw an excerpt of Dr. Calabrese conducting SOLEMN VESPERS at his church, and wanted to share it. If I had to guess, it sounds like Tallis—but don’t quote me on that:

You can watch the full video.

Even on a low-quality recording, the choral sound evoked by Dr. Calabrese sounds, in my humble opinion, quite beautiful; even glorious! 1

IN THE PAST, we have been blessed to have Dr. Calabrese as a guest conductor here in Los Angeles:

63204-Dr-Alfred-Calabrese-Conductor-2019
63204-Dr-Alfred-Calabrese-Conductor-2017
63204-Dr-Alfred-Calabrese-Conductor-2016

We were so sad when the Sacred Music Symposium was canceled (but not permanently) due to Covid-19.

I have been trying to think of way to get Dr. Calabrese to come back to Los Angeles to work with my singers. I think I could raise enough money to provide a proper stipend for him, but the main obstacle has to do with my singers’s schedules—most of them have jobs! I would want them to spend the whole week learning from Dr. Calabrese, but I just don’t know whether their work schedules would allow such a thing. I already push my singers pretty hard, and I don’t know what they would do if I said: “By the way, I also need you to take a full week off work for extra training.”

FUN FACT: The church where Dr. Calabrese conducts? My wife actually used to go there when she lived in Dallas. She saw the video, and she instantly recognized it!


NOTES FROM THIS ARTICLE:

1   What’s even more amazing is, they are singing through face masks, just like Andrew Leung’s singers. I suspect they would not be allowed to sing, unless they are wearing face masks. For myself, I could not sing while wearing a face mask—I already have enough problems breathing! Let’s hope this face mask stuff ends soon…and never comes back! But we musicians don’t make the rules.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Alfred Calabrese Conductor Last Updated: June 10, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Franz Liszt was an eminent keyboard virtuoso but a dangerous example for the young. … As a composer he was terrible.”

— Clara Schumann

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